Sunday, January 31, 2021

Ron Kamonohashi: Deranged Detective (2020)

Being a Japanese comic book creator, in other words a mangaka, is known to be an extremely excruciating job that tends to leave many physically and mentally exhausted. Some of the most notorious broken authors include Yoshihiro Togashi (author of Hunter x Hunter and Yu Yu Hakusho) who basically has a chronic back pain problem, and Tite Kubo (Bleach) who was creating manga with broken shoulder ligaments. Sometimes with hard work comes great notoriety, however, as nowadays the eastern manga industry seems to have far surpassed the western comic book superhero industry sales with big hits such as Demon Slayer breaking records in ways that no one could have completely predicted in both the manga and theater box office sales.

However when it comes to creating a popular manga series, majority of the authors who truly manage to make it big in the industry happen to be male. In May of 2004 a female author Akira Amano decided to begin serializing a shonen action manga series by the name of Reborn! (Katekyo Hitman Reborn! in Japan) in Weekly Shonen Jump, the biggest Japanese manga magazine. Reborn! managed to gain a rather large audience of faithful followers as it managed run for 409 chapters and sell over 30 million copies of volumes until its somewhat rushed ending in 2012. The manga also got a 203 episode long running animated TV series that sadly never adapted the entire manga series to the end. To put those sales numbers into perspective, 30 million copies sold is in the same ballpark as what massive series such as My Hero Academia and Death Note are at still at the time this blog post is published.

After Reborn! ended Ms. Amano was a character art creator for Psycho Pass animated series and she also moved onto a new sci-fi space adventure manga series, elDLIVE, which ran for 11 volumes on Shueishas digital apps from 2013 to 2018.

Amano's art style for characters she creates is one of those rather easily recognizable designs that make her craft stand out from the bunch. Her digital coloring has also been quite impactful and impressive. That's probably one of the things I was honestly excited about when in fall of 2020 it was announced that Amano was going to be starting a new manga series, Ron Kamonohashi: Deranged Detective (Kamonohashi Ron no Kindan Suiri, 2020), on the Shounen Jump+ digital magazine. Many detective stories have a duo of sleuths working towards figuring out a case and this is nothing new in that aspect. I must say though that as an artist, Amano is back better than ever when it comes to beautiful presentation. In this post I want to go through all five of the currently available Ron Kamonohashi: Deranged Detective cases as I was planning on waiting for the story to end its longest case before giving my thoughts on the series. What does it excel and falter at, and is it even worth keeping up with?

 

RON KAMONOHASHI: DERANGED DETECTIVE


 "Once he graduates... could he clear up all of the world's unsolved cases!?" 

At 'Blue', a prestigious detective training academy, the quotations above are a word of praise from teachers and students alike towards a new student who goes by the name Ron Kamonohashi. Everyone around is shocked to witness this young dark-haired man with a beautiful face and a cocky smirk solve a murder case so complicated that it had been deemed unsolvable by many for all eternity. But this seemingly majestic scene actually happened five years prior to the start of this story...


The Case of Metropolitan Serial Drownings (chapter 1)

Now we move the clock five years to the future to the present timeline as the first case, The Case of the Metropolitan Serial Drownings, begins. We are introduced to the beginning of this story and its cast of characters along with the settings and ideas that the author Akira Amano has cooked up for us. At the Metropolitan PD (police department), officers and higher ranking detectives are gathering intel towards a perpetrator, a serial killer, who has just claimed their fifth victim. 

At the department works investigator Isshiki Totomaru (which Ron later on shortens to call him just Toto), who is basically the protagonist of this series. Toto is a hardworking and somewhat naïve young man with a somewhat strong sense of justice which we get to see on full display as he solves cases along with Ron later on throughout the series.

Toto's naïvety leads him to getting tricked by culprits, and he's even let a single culprit trick him thrice before. Because of this he's at constant risk of getting kicked out of the investigative team. With a clear sense of justice and wanting to help people who are afraid of a rampaging serial killer, at the same time as our protagonist is about to get kicked out of the team, he's in a tight spot. So, after a senior officer by the name Kiku-san tells Toto that there actually exists a man, a private detective, who is able to solve this heinous serial killer case, Toto immediately goes to find this person. But Kiku explains that the man Toto is looking for is no ordinary detective...

At a rented apartment Toto comes across our secondary main character, Ron Kamonohashi. Ron is the person with the great mind in this series. But he's cartoonishly... crazy? Since he joined the academy five years prior he's grown a long hair and shut himself in his apartment completely. Toto even notes how Ron's eyes comically reflect less light than a dead fish's eyes... he also has a weird tattoo on his neck area.

Inside Ron's apartment everything is also quite weird. The floor is filled with cushions so Ron doesn't hurt himself when he falls face to the ground. Ron calls it 'The Floor of Sloth' as it's the only thing that understands the level of boredom he's feeling. There is no TV and no internet access, and the blinds to outside are shut. He is truly cut off from outside world. He also owns a cat that likes to sleep on its back and Toto always mistakes it for being dead (all my cats do that too though...).

 Ron calls himself a 'piece of junk frozen in time'. Many bright young detectives have come and gone trying to ask him to be their partner to solve cases, but with no success. For some mysterious reason he doesn't want to hear any words about any cases that need solving.

With some twist of fate however Ron starts (without foreshadowing) to explain how he logically understood that Toto had been brough up by his grandparents and how he'd just made an offering at a shrine, and all sorts of crazy detective stuff that are supposed to print him as this extra smart person. Anyway, Toto happens to get a phone call that sends him to the serial killer's sixth victim's place, which happens to be at Shibuya city's Kazahana park. This is the moment where we learn that Ron actually has an extremely powerful urge to solve cases, however he can't. This is why he shut himself out of outside world. You see, Ron Kamonohashi has a 'fatal flaw' as a detective which is why he doesn't allow himself to do any detective work: 'an illness' of sorts. 

Toto assumes that Ron's reason for not doing detective work is a weak physique due to an illness (even though in reality Ron's actually an athlete as he exercises four hours a day in his apartments' gym room), and thus he offers to take Ron with him to the crime scene and he even promises to support Ron in his endeavors. Ron agrees to come to the crime scene with Toto, but only on condition: Toto is not allowed to take eyes off of him.


At the Shibuya park the investigative team has already figured out the victim's identity: the deceased is an investor by the name Okamasa. The victim's wearing a suit and he was carrying a ticket for a party that happened the previous night, but apparently he hadn't gone to the party in the first place.

Ron then does a crazy thing as he jumps to his back to lay down with the corpse. He immediately recognizes many things completely off with the victim. For example he notices white foam coming out of the vic's mouth which he assumes has come from the vic being drowned, even though his body is at a park, and also why did the victim hand over all his valuables without resisting? In fact the serial killer's modus operandi in this case is the fact that they kill victims by drowning them without the victims ever fighting back and there also being no alcohol or drugs in their systems. All the victims had nothing in common with each other aside from being somewhat wealthy. Before their demise they had been heading to a date, a class reunion, a wedding, a birthday party and a party for businessmen for this sixth victim as well. 

After merely three minutes of analyzing the corpse Ron Kamonohashi had figured out the culprit. This situation is meant to hype up how incredibly smart he is as the Metropolitan PD had been after the serial killer for nine whole months without a lead.  


It doesn't take long for our main characters to corner the culprit. Which is where the major problems of this case become too big to not be noticeable and distracting. Spoilers incoming --- the culprit uses oxygen deficient air to make the victim faint... Ron literally just guesses that the culprit uses that type of air by adding hot water to dry ice to make carbon dioxide to force the victims to faint before drowning them. There is no foreshadowing for something like this which in of itself wouldn't be a big deal if you could make a logical case for the explanations, but there's no way you could do that. The motive of the serial killer is also way too cartoony and the way they even pinpoint the literally nameless killer is quite weird, too, however there actually is certain level of logic you can use to excuse them to be able to close in on what kind of person the culprit could be. However there is also no way for the reader to be able to figure anything else out in this case except maybe that general idea about what kind of person the culprit could be. The way how the perp is caught and fully pinpointed does leave much to be desired. 

Anyway, after the perp is exposed and cornered up on a rooftop, something weird happens as Ron gets a weird glimmer in his eyes and starts to order the culprit to suicide by jumping down from the roof. But surprisingly enough the culprit does exactly what Ron orders him to do and decides to jump to his death. However as expected, Toto manages to grab the culprit's leg and save him. The way how the culprit just agreed to do it was almost as if they were hypnotized by Ron...

At the end of the first chapter we learn that Ron's case resolution used to be 100% but the arrest rate was 0% because he managed to force every single perp to do a suicide somehow. However he doesn't do it willingly. In fact, he has no recollection of memories of forcing them to kill themselves. This dilemma is the driving problem of the series and the so-called 'illness' that forced Ron to withdraw from being a detective. However now an answer to Ron's problems has finally arrived: Toto. The man who was able to save the serial killer who was supposed to have died. After witnessing Toto's heroic deed of saving the killer, Ron tells Toto that he'll become a famous detective from now on. Toto will be the detective and Ron will be the brains. That way no one'll get manipulated by Ron to their death and he'll still be able to be apart of solving hard cases.


The Case of the Locked Room Piggy Bank Theft (chapter 2)

The chapter kicks off with a comfy but beautiful color page. Toto decides to visit Ron who immediately thinks that Toto has a case for him. As Toto tells him that he has no such thing, Ron just falls down to the Floor of Sloth once again as he did in the beginning of the previous case. This part is a more cartoonishly comedic version of something like Conan or Heiji wanting each other to bring them cases to solve in Detective Conan.

On a reread I noticed something that could be a future foreshadowing in at the beginning of this chapter as we get to learn more of Blue, the world's most prestigious detective training academy. Apparently all top-level detectives in the world are graduated of Blue. What's interesting here is that we see shadowed-out character designs here that could or could not be future characters. There are four shadows of legendary detectives named Lupita, I-Thor, R. Gimlet and H. Gray.

During his time in the academy, Ron used to be the cream of the crop by far, however during practical exercises, all the culprits he'd apprehended winded up dead so he was expelled due to being suspected of murdering them, and due to that he's lost his detective license. The detective's licence is an almost-magical item similar to the DDS Badge in Tantei Gakuen Q (Detective Academy Q) manga series. Using it one can gain access to any crime scene, and intel to catch any criminal. In DDS the badge however also contains scientific items and stuff like that which help our main detectives to investigate on-the-scene without help. But the detective license of Ron Kamonohashi and the DDS Badge in Tantei Gakuen Q also contain negative aspects of them: the students in DDS aren't allowed to show the badge around and use it unless it's absolutely necessary or dangerous culprits could go after the students, and in Ron Kamonohashi detectives from Blue academy who have lost their license are not allowed to practice detective work, because if they do, they're going to be punished by death. Though this is also played pretty comedically in this series in comparison to DDS's stakes with the negative effects of using the badge. 

Back to the story at hand. In the very beginning there's a small moment that has more clever writing from Amano than the previous case altogether. In this moment Toto shows a photograph of his beautiful supervisor Amamiya. The photo was taken at the Metropolitan Police Department.  But what's cool about this scene is that Ron immediately does some very sound logical deductions just from seeing the visual clues that are in it. 

In Toto's photograph Amamiya doesn't look at the person who's taking it, and Toto can be seen in the background, so it wasn't taken by him despite the photo being on his phone. From these clues Ron deducts that it was taken secretly and sent to Toto. From this distribution of secretly taken photos of the beautiful supervisor, Ron deducts that she has 'fans' at the police station. Pretty cool. And yeah, apparently the photo was sent to Toto by a colleague who said he wants Amamiya 'to step on him.'

This talk about Amamiya leads Ron and Toto to the next case as, meanwhile Amamiya herself is heading to a crime scene by a river where a corpse with a head injury was discovered, Amamiya gives Toto a bit of  'odd jobs' to do, and by odd jobs the PD likes to call them 'trash can' jobs, but anyway... this time there's a crime scene where coins from a piggy bank happen to disappear without explanation. Meaning it's still basically an impossible crime as it's a state of art piggy bank that's hard to steal from.

In this rather small stakes and silly case, the setting is a small apartment where the victim and her sister live. Both of them were away from home two days prior and had come back the day after (yesterday). Then the vic had noticed that the piggy bank was lighter. But not just that, they've also gotten quite a few of silent phone calls which caused them to be extra wary of locking all the doors and windows in the apartment for safety.

 So, this case of a piggy bank gets somehow quite randomly inertwined with the slight mention of a corpse at a river bed and we get to see Toto himself actually expose the culprit instead of Ron (who basically works as the brain in the backgrounds). At the end of the case Toto once again saves the culprit who was being manipulated by Ron to do a suicide after being caught.
However the logic in this case is just so haphazardly done... it's missing all the story beats required to get to this point where they can blame the perp for these crimes. Of course dragging out a piggy bank theft case to a multi-chapter storyline doesn't sound like an entertaining or a good plan that would bring in more fans to this series, so maybe this story should've been skipped altogether. 


Weekly Shounen Jump titles have a bad habit of integrating a very invasive (and more often than not, mediocre) style of comedy in their storytelling. These comedic scenes tend to include scenes of characters yelling something out loud constantly, repetitively and monotonously. While comedy itself can be very subjective, it becomes invasive when these so-called funny scenes are used to excuse plot progression. If you think of this case as a piece of thread that's supposed to be one straight line from point A to point B, this thread is kind of cut in multiple different pieces without trying to connect the pieces together.

In Ron Kamonohashi: Deranged Detective you don't get awful comedic scenes such as females physically abusing males, but Ron himself does act like a clown half the time. This is a decent character trait and a quirk in of itself, but it takes the reader out of the story when Ron doing something funny equals to him having found multiple different clues off-screen without them being shown beforehand or anything hinting at what he's going to be doing in certain moments. The story doesn't drag around but the way how the cases so far have been constructed on the script side of things is very lackluster. The artwork itself is excellent though.

 As a side note, I noticed that Ron likes to lay on his back on the floor or the ground with both of his legs going upwards, and he also tends to drink brown sugar syrup while he's at it. And apparently Toto's superior, investigator Amamiya wants to get to know Ron more personally after witnessing that he has guts to pressure culprits to kill themselves... Amamiya even thinks something like that is cool...


 The Case of the Benizome Hot Springs Murder (chapter 3 - 4)

Trivia: Ron Kamonohashi was the best-scoring student in the history of 'Blue'. Ron participated in the 87th term of the school's existence and was expelled as a new student five years prior to the beginning of the story as a bright and upcoming detective who had the potential to solve all of the world's unsolved mysteries.

 

It's autumn in Japan. At the prestigious detective training academy 'Blue', the principal Eme Emmerich along with her group of unnamed autopsy instructor, vice principal, disguise instructor, locked room instructor, timetable instructor, tracking instructor, and closed circle instructor have a little talk about Ron Kamonohashi, as it's being rumored that Ron's started doing detective work again despite being expelled five years prior. The school even took away his detective's license.

The school decides to send one of their higher ranking instructors, the tracking instructor Spitz Feier, to investigate whether or not this legendary killer detective is still hard at work, and if such claims are confirmed, they have to decide what to do with him. What I found interesting in this scene is a panel of Ron without a shirt. He seems to have scars or tattoos all over his body along with the weird tattoo on the left side of his neck (we learn that the 'tattoo' is actually a scar in this case).


Elsewhere, Toto and Ron get lucky at a supermarket and win tickets to a "first-class hot spring trip" at Benizome Hot Spring. It's said that the spring gets its name from a long time ago, when a feudal lord saw the mountain's red leaves reflected in the hot spring's water, and there's also a rumor of the nearby rivers becoming dyed in red after a young girl had been used as a sacrifice.
I believe that 'benizome' means some kind of 'red tinted color', but there is no translator's note in Mangaplus's translations to explain what benizome truly means, which is a shame. This is the second time in the series where a translator's note could've been useful for readers who don't understand Japanese.

Hot springs settings can be great ways to create atmospheric cases. I especially remember the Kamaitachi Inn murder case in Detective Conan. There's something special and comfy in that rural setting that's enhanced by the large steam baths. I'm not really completely feeling the atmosphere in this particular case, but it's still a decent setting to utilize nonetheless.

In this case there are four other customers aside from Toto and Ron at the inn, including Toto's superior Ms. Amamiya who accidentally for some reason decides to waltz into the men's bath. Spitz Feier, the person sent by Blue to investigate Ron, is also at the inn.

It doesn't take long for the first victim to appear. It's a female who had an argument with her husband about divorcing the previous night. The woman is dead in the women's bath while there are red leaves all over her. Furthermore the scene now resembles closely the legend of the girl who dyed the rivers crimson with her blood. Is it the girl's curse that did this?


The time of death of the vic happens to be at 2 A.M. the previous night. What's crazy here is that the only witness to be able to tell who went to the crime scene and back at that time was the person who's investigating Ron, Spitz Feier, and Spitz happened to notice that only Toto's superior Amamiya went to the women's bath at that time of the night.
Oh, and right before the culprit gets caught we learn that the woman had a weak heart condition which caused her to die from quick temperature differences...

This case is in its technicalities is the longest and the best one so far, but sadly still far from impressive. The way how the culprit killed the victim or knew the vic would die or how the clues and overall presentation for the murder method were arranged, is rather weak. This time you can kind of tie the thread together to somehow accept the explanations unlike previously, but it's still kind of too perfect to be true. Here we have around three gimmicks that went 100% as the culprit wanted. 

One gimmick is a visual trick for the victim to fall into (badly foreshadowed), another gimmick was the murder weapon (the river + a pipe that actually was foreshadowed kindasorta at the very start of the case + the river + a mention of mist at the river), and the last gimmick was actually a pretty decent but basic alibi trick that the reader can actually logically think of.

 At the end of the case we learn that Spitz Feier who was investigating Ron might actually be after Ron for personal reasons as he explains that he needs Ron's help for finding out what happened to his missing family. Ron decided to decline helping the guy for now. Problem is if Spitz decides to betray Ron later on and snitch to the superiors at Blue that he's actually still doing detective work.


The Case of the Hand Collector Killer (chapter 5 - 6)

There's a serial killer on the loose at Aichi prefecture and a victim who meets the MO of the killer has been found at Tokyo. A legendary detective, 'Eagle Eye Kawasemi Omito', decides to come after the killer and visit Metropolitan Police Dep. 

Kawasemi is the current leading detective in Japan. He's merely in his twenties but already has the most solved crimes by any one person, and he's also considered to be the next police superintendent general. His personality is pretty perfectionist and he kind of resembles Ron in serious mood. Along with him Kawasemi brings Yamane-san, a detective who seems too happy. Yamane works as Kawasemi's right-hand man.

The victim this time got a pretty gruesome death. A truck driver had been bringing sculptures to Tokyo from Aichi prefecture, and noticed that one of the sculptures felt different from others. That weird 'sculpture' was the body of a man inside the truck. However both of his hands had been cut off and there's a piercing wound through his chest to his heart. Who could do something like that, and why? The vic also has a small tattoo of a bird in one of his arms. But where are his hands? Also it doesn't take long for Ron to appear to the crime scene to help Toto, though he does appear out of nowhere in silly robes...

 Anyway, the victim here is part of a serial killing spree where the victims get killed by a stab to the heart and their hands get cut off. Because of this the detectives have dubbed the killer 'The Hand Collector'. There's also a mystery about why the most recent victim had dressed up with just a t-shirt during cold weather.

The previous night detective Kawasemi had stopped to question a man near the previous crime scenes and found out that he had weapons in his bag. After being apprehended, the man had dropped his bag and ran to an abandoned factory. Kawasemi and his right hand man Yamane had covered each of the factory's two entrances. Yamane managed to handcuff the culprit, but he'd still managed to run away and even get past Kawasemi somehow. 

So, Kawasemi should be able to catch the culprit now since he knows the perp's face, right? Here's the problem though: the 'Hand Collector' who managed to give them the slip is this latest victim right there in the truck. The man who's missing both his hands and who has a piercing wound to his heart.


Okay, when I first read this particular case I was honestly kind of disappointed in it. Now after rereading, I think this is the case that best represents this series so far. The answer to this mystery is sort of psychological in an overblown way, but it didn't have absurd gaps in logic. If we were to look at the potential of this case we could have had a crazy manhunt for a gruesome serial killer, but this went complete opposite direction. It's not a marvel of writing or anything but I think there are hints of proper storytelling finally coming to surface in this series. 

Of course there are still some of the same problems as before. The way how one of the main clues towards the culprit are exposed in this case is again very lackluster (using comedy to excuse doing something so that the culprit exposes themselves). Spoilers: there was no foreshadowing for the missing button that revealed the personality trait hint of the culprit, Ron just knew it and played it as jokes when he brought it up along with many other things. And at the start of this case Ron appears to the crime scene out of nowhere, and says that 'you'll soon realize how I knew to come here'... there is no explanation, Amano seemingly completely forgot about that plot point. 

As a character I think detective Kawasemi has some potential to be more impressive in the future as his presence is pretty menacing. He's presented as smart, but got quickly out-done by Ron and Toto this time.

One thing I really like in this series is the scene which takes place after Toto and Ron catch the culprits after finishing their deductions. And by scene I mean the epicly drawn pages that ooze atmosphere. The closing pages feel very impactful, and fitting for the end of the story (the feeling you get once you take a deep breath and let go of something after a long time). These epic panels are meant to give off a similar feeling as the comic book scenes at the end of Danganronpa game series's trials.


The Case of the Live Broadcast Murder (chapter 7 - 8)

This time we start off with a stunning color page of a new character, a pink-haired girl with bandages all over her face. 

Toto decides to visit Ron's apartment in which there's now a TV (remember, Ron cut himself off of the outside world for five years so he had no TV or internet connection). Ron has also found a favorite TV show to spend time watching: Lie or Truth? ESP!!, an episode of a show about psychic Dankichi Torage who faces off against neurosurgeon Mofu Usaki to prove that he's able to uses psychic abilities. 

 Dr. Mofu is the pink-haired girl on the colored cover page of the chapter with all those bandages over her. She's a genius super-doctor who does surgeries on a microscopic level but otherwise she's very clumsy at everything else, which is why she'd cut herself on the face while cutting an apple and thus she has those bandages over her. Even her eye seems to have been hurt. The reason why she's part of the TV show is because of an old patient who refused a brain surgery because they believed in ESP. That person's death caused her to want to correct society's misunderstandings about ESP.

The psychic Dankichi Torage is the 'antagonist' in this particular story as he immediately announces that he's going to pick a random person from the crowd of watchers and control their mind directly by writing words down. 

So, Torage picks a blonde male from the crowd and gives him noise-cancelling headphones. Then, he writes "jump" on a small handheld board with a black marker. After showing the word to the blonde male participant, the man starts to jump. Then Torage does the exact same thing as he writes "run", and shows it to the man and the guy starts to run. 

Dr. Mofu then makes an observation and claims that the participant wasn't randomly selected. Dr. Mofu works with a high technology application for biological motion where one can compare and match people's basic movements (basic movements are almost like a fingerprint, everyone moves a bit differently), and the app gives off a 99.98% match compared to the subject that the psychic used before the doctor's turn on the show arrived. Due to this the doctor announces that the subject is just a plant who works with the psychic.

Torage then tells Dr. Mofu that he'll write down something else and asks if the doctor would believe him being a psychic if the word's meaning happens for real, and that word is "death". Meaning that he's going to ask the subject to die. The crazy thing is, that exactly happens after the word gets shown to the victim. 

After witnessing the power of ESP supposedly killing the victim through TV, Toto and Ron decide to run to the Donut Television building where the crime happened. The psychic, Torage, doesn't even deny that he'd killed the victim - however, since it was supposedly done by ESP, there are apparently no laws that allow him to be sentenced. Well, the ESP claims quickly crumble as Dr. Mofu deducts that the victim had died to a powerful poison to the back of his neck, but there is no way for Torage to have poisoned the man with anything during the whole show. 

 

This is most likely the best case in the series so far. The setting isn't that atmospheric but it is pretty decent, it's similar to, for example, The Treasure Casket Filled With Fruits Case in Detective Conan series. The tricks and foreshadowing in this case are much more logical than what we've seen in the series so far. The way how the murder weapon was pinpointed was very jerky (Ron seemingly knew it from get-go despite us never seeing it in the killer's hands) but it makes sense from what was presented to us. The trick itself is also pretty neat as it uses the 'time lag' concept for the murder. An example of a really great time lag case can be found in the occultism case of volume 5 of Tantei Gakuen Q manga series. The trick used here is a worse variation of what's used over there. 

After Torage's murder tricks get exposed, Ron's killer killer instincts kick in and he manipulates Torage to aim to kill himself with the murder weapon that he used to take his victim's life with but Toto stops that too, albeit he could've lost his own life while he was at it, but things end up pretty well luckily enough.

The end of the case is a direct link to the next one as Toto gets an invitation from Comet Appreciation Society. There's going to be a party at an island observatory to watch a meteor shower in the constellation of Leo. 


The Case of the Island Observatory Murder (chapter 9 - 13)

At the end of the previous case our protagonist, officer Totomaru Isshiki, got an invitation letter to come join a meteor shower viewing party at an isolated Nandan island observatory. This case certainly has the makings of a classic murder mystery case right off the bat. An isolated island in the middle of nowhere...and it's also by far the longer case so far, by more than twice the page count. I wonder how it'll differ from, like, the classic Kindaichi Shounen no Jikenbo variations?

Three days later, Ron and Toto head to the observatory through the sea. The person who picks them up on his boat is the observatory's director Takumi Jumonji, also the person who'd invited Toto as a safety measure on the island. A friend of his works for the Aichi prefectural police who talked with the perfectionist detective Kawasemi from couple of cases ago. Apparently Kawasemi had opened up towards Toto and he'd really praised Toto at the Aichi prefecture.

At the moment there are only the observatory staff and six other guests staying on the island. The observatory itself is surrounded by sugarcane and many visitors visit the island during sugar cane's harvest season as the island's sugarcane is used to create the legendary Nandan Brown Sugar.

Anyway, inside the observatory there are rooms for every visitor. On the first floor of the observatory there are the lobby and the dining hall. The lobby has a real-looking replica pistol in a glass box, supposedly for repelling evil spirits from ruining the sugarcane that grows all over the island. On the second floor there's the observatory dome.

In the observatory we have a rather angry chef, Minami Unno, who always goes into the observatory dome to scream her lungs out every time she's angry as the dome is completely soundproof. There's also the astronomy chairman Eisaku Donzawa who sports a rather insane haircut, astronomical photographer Kayoko Onodera who seems to love astronomy over anything, even John Grizzly, the locked room instructo from Blue is at the observatory. He's one of the ex-teachers of Ron. Rest of the people in the observatory include an "orien constellation idol" Princess Ori

The island has a... grizzly history to it which is why the observatory staff had hired Toto and Grizzly to keep the place safe. Ten years ago, during a similar viewing that was held for the meteor shower in the constellation of Leo, a similar viewing party was also held at the Nandan island's observatory, hoowever the director and six guests were all killed with a gun in the observatory's dome. Despite a large-scale investigation that was held, the gun that had been used along with the killer who pulled off the deed, were both never found out. The observatory during those dark times was ran by current director's father, and now his son wants to hold a similar viewing experience in similar settings to overcome the dark past. 

Now, the observatory has a powerful telescope, but the place where the meteor shower will be with a naked eye on the roof, where the chef has prepared a great feast. Meanwhile we get some plot progression as Toto asks teacher Grizzly about Ron's past. 

Five years ago there was a case now called the 'Bloody Field Trip Case' that was directly connected to Ron. There was a class held at Blue in which students of the academy worked with police officers to catch real criminals. Thanks to Ron's deductions he managed to discover the hideout of seven murderers... however, when the police arrived at the hideout, what they witnessed was Ron holding knife while covered in blood. All the seven killers were dead around him. Investigators came to a conclusion that Ron had lost his memories and gone insane. Otherwise he'd been given the death penalty instead of just his license being revoked.

The first case begins in present time as the observatory dome moves and opens up while Toto is watching the stars. After opening up, a gunshot comes from inside the dome. The door to the observatory is locked so the director aims to get the key, but can't find it from his office. So the group decides to break in instead. 

After getting through the door, the power inside the dome doesn't work. After getting flashlights the group goes in to se the star constellation photographer Onodera on the floor with a gun shot to her back, and none other than Ron Kamonohashi laying on his back on the floor with a gun next to him. 

Most long-running detective fiction series have a case where the main characters are being framed for a murder, and this seems to be one of those. Like, Kudo Shinichi the Murderer case in Detective Conan is a pretty good example of these. 

[While writing this, this is my first time reading the first chapter of this case, so I just wanted to share my theory for this case: I assume the gun that was used to shoot the photographer  has to do with the gun that went missing 10 years prior. You can shoot the victim at any point in time because the room was soundproof. There has to be a gimmick for the gunshot sound and opening of the observatory dome. I find it interesting that there was no power / electricity in the observatory dome, yet the dome opened at all. Does it take no energy to open the dome now, or did the power go off for some special reason? the perp is probably going to plant the key in the room as well. If the door locks without the key even there's no need to do that especially now, though.]

 

 So, apparently all the lights in the dome had been destroyed. There's broken glass everywhere and Ron's laying on the floor without his shoes or socks. Since there's no ladder, one can't escape through the dome's ceiling, and there's also a motion detector that prevents anything from going in or out through the ceiling. There's a small exhaust port in the dome, but it's too small for a human to go through. And there also don't appear to be any secret passages for anyone to go through. It's not looking bright for Ron Kamonohashi, who happens to be the prime suspect in this murder case. As expected, the master key to the dome is in Ron's pockets, so the situation is a true locked room murder case. In this case Toto's work is to figure out the killer while Ron isn't allowed to move anywhere due to being murder suspect.

Unsurprisingly enough also the police can't arrive on the isolated Nandan island until the next morning due to being held back by a typhoon. Thus there's nothing much to do but to investigate alone. According to testimonies the victim disappeared at 11 PM in her room to get her photography equipment. The gunshot and the dome opening while watching the meteor shower happened at 1 AM, and the victim had never come back, so the murder must've happened between 11 PM and 1 AM.

Going through alibis, the director Jumonji had left by 11.30 PM, but was back at the roof by midnight.
Donzawa-san had only gone to the restroom around midnight. Chef Unno had been in the kitchen from 11 PM to 1 AM making stew. Princess Ori had been broadcasting a performance from within the observatory building since midnight and at 12.40 AM, she went to the kitchen where she was with chef Unno until the gunshot was heard.

 There's this pretty cool montage where Ron explains the times of when the culprit shot the lights in the dome. Anyway, there's a second murder in this case that's pretty surprising I guess. It has a much more personal connection with our main characters and is actually built up quite well. The killer does a weird plunder in this moment and more and more evidence stack up against and they eventually get caught...

 

The final chapter, chapter 13, of this case is an extra length chapter of nearly 50 pages and wraps up the case really well. There are finally hints of a serious overarching storyline (other than teachers at Blue going after Ron). This is easily also the best case in the series up to this point as it's crafted with proper care. One thing leads to another and it doesn't feel ridiculous when the twists and deductions are presented to the reader. There are classic ideas in this case that happens in a neat setting. It's too bad there's not really actual astrology used to pinpoint the culprit, but in general, the case does a very good albeit familiar job of introducing us to the problem at hand. There'.

 

Well! I must say that while The Case of the Island Observatory Murder did not reinvent the wheel again or anything, it surpassed my expectations of what kind of murder mysteries Amano is able to craft. The pacing was pretty on-point, and in general any Amano fan can say with a proud smile that this was truly a proper murder mystery story that clearly had some effort put into crafting an original story in a somewhat classic setting with some modern ideas thrown in there. Figuring out the culprit isn't that hard if one goes by the usual tropes of how these case characters are written (there were only truly two suspects and one of them was less relevant than the real culprit), but in of itself Amano did do a great job at not making the true culprit obvious as even if you managed to figure out the alibi trick in the first murder, everyone could've still done it. You mostly had to wait until the end of the case to get the culprit to stumble. There was one hint that was used about the culprit when the first corpse was found that I think was kind of lackluster and too obvious in a sense, but it might be easy to miss. I like how they didn't use the soundproof room as some ultimate evidence of guilt here, unlike what they did in one of the longer Danganronpa cases.

Unlike the other cases in this series, I actually can't remember all the clues and hints in one go and have to go back to the explanation to catch all of them. There's definitely sufficient amount of evidence to say for certain that 'this is our guy!' when cornering the culprit. 

The murder method of the first crime has a lot of positives but also negatives since the gun should have left a mark, a hole, whatever, to where it shot from, and the entire situation and expectations for everything to go the way it did, are much too optimistic from the killer's side, but this is fiction and it was pretty clever in many ways regardless. The second murder was pretty neat and I could see where Amano was going with it. The stakes were quite personal for Ron, and especially due to that, the immersion to reading this quite lengthy story just kept going. Longer stories can be very draggy if they're not made more interesting in some ways, after all, as ideas dry very fast.

And last but not least, the final portion of this part of the story introduced us to a new criminal organization, some kind of family connected to Ron and apparently even Sherlock Holmes and Moriarty. This new organization is seemingly equal to Pluto from Tantei Gakuen Q. In TGQ Pluto has a power to hypnotize people, just like Ron and probably these main villains we just got introduced to, but there's also another similarity: apparently both of these series' evil organisations pay to create some kind of perfect criminal mastermind plan. They're very threatening foes. I think looking back now at Blue's teachers who were threatening in the beginning of this story, they seem very cartoony in comparison to this new villain organisation. Amano might throw away some old plot elements as well to create a more interesting story (as WSJ series get axed if they don't meet a certain quota for people willing to purchase the series).

 

 I don't know if Ron Kamonohashi: Deranged Detective is going to last beyond 30 chapters total before ending, but I for sure want to see how far Amano can go with this story once she's able to put things together to create something original and truly impressive storytelling fitting for this series. The potential is there and she's shown to be able to create a pretty good murder story in  the Observatory case, but not yet anything series-defining. The artwork is amazing and paneling and story framing really stand out at times, so it'd be sad to see the series leave before giving us a case that this series itself would be remembered for.  

If I were to give criticism about the problems in this series so far, aside from the fact that comedy is too often used as an excuse to not having to give proper foreshadowing to story elements, it's the characters. The overarching characters are very quirky, even to annoying degrees, but not memorable at all. They're too cartoony and just hard to remember as they're presented with a lack of intrigue and importance. If the Observatory case was a cue from Kindaichi, next I want Amano to pay attention to how Gosho Aoyama creates memorable side characters that the reader wants to know more about. As far as this Tantei Gakuen Q -type overarching story is going to pan out, I now see a lot of potential of Amano giving us something special. As long as the hypnotization superpowers don't get out of hand.


Friday, January 15, 2021

Trick (JP, Season 1)

Jirou explains that something weird is happening on the Pokemon--- sorry, Kokumon, Island, and to the island itself. All the plants on the island are withering away one after another, and walls of rock have begun to crumble and sink into the deep sea.
It's almost as if the island itself is dying.
 

Trick season 1, episode 9

 

Jirou Ueda (left) & Naoko Yamada (right)

This is my first real experience with Japanese live action drama series in general so I decided to make a complete overview of the first season to get the most out of it. Trick (2000-) is a comedic mystery story about exposing fraud spiritualists with logic and science. Magician Naoko Yamada and physicist Jirou Ueda have taken this type of job to their heart in this story filled with grey and dark comedy. The story offers a variety of settings from our protagonists' home city of Tokyo to more rural areas that tend to deal with villagers. For example the first story arc is about a weird religion known as Mother Izumi which exists in a small village. Problem here is that the religion causes anyone who leaves it to die in mysterious ways.

While the series isn't completely fair-play, Trick has bunch of different types of tricks for watchers with a keen eye on details and foreshadowing. The series sets up a special atmospehre in the beginning of each case with pretty good narration. It's immersive and fun and it gets the watcher thinking right from get-go with the neat drawings used to visualize what we're being told about the concepts of the upcoming story arcs. But just as importantly, the series is incredibly hilarious surprisingly often and has some pretty original directing and editing choices.


EPISODE ONE - NAOKO YAMADA & JIROU UEDA


EPISODE ONE, Tôshi, opens up with an explanation that happens in a nice and kind of adventurous way, with a narrator talking over drawings. In 1922, the American science magazine, Scientific American claimed that if someone would come forth to show them a true psychich phenomenon, they would be awarded $2500. Various college professors and members of the scientific community formed a group of judges to try to find these natural talents.
One day, a man came forth claiming to have eyes that have the power of X-ray so good he is able to see through metal boxes. The scientists wrote words on a paper which was then put into the metal box the man arrived with. The man managed to read the letters after pressing his forehead on the box. Then the experiment was done over, again and again. The scientific community judges then claimed that there is no other choice - they must acknowledge this mysterious man's powers to see through metal as real.

That's when a man named Harry Houdini - the most famous magician in America - arrived and told them that he doesn't believe in the supernatural. Houdini wanted to see the man's ability, and after doing that Houdini immediately figured the trick out and claimed that it was just so much simpler of a trick than anyone would have ever guessed. But before the watcher gets to hear what the real trick behind the X-ray vision was, the story of Trick begins.

A man runs to a local police officer and claims he'll be killed. The central office sends two clown-like detectives to investigate the matter. The man explains that Big Mother, or Mother Izumi, and her followers will probably kill anyone who leaves their cult, or whatever. The man had gone to a house where group of people gathered to pray, but once he attempted to leave the group of people claimed that the man will be cursed. After running away for a while into the woods, the man came across Big Mother herself, floating high in the air, and apparently even flying over walls. Big Mama tells the dude that if he won't return, he'll be killed. And that's the story which brought this guy to the cops.

The scene then transitions on to a beautiful woman named Yamada wearing a blue kimono. She's standing outside, making something like an aluminum ball float between her hands. The problem here however is that the freaking audience is completely empty. This woman just doesn't manage to grab an audience - she's not entertaining lacks the necessary social skills to keep audience entertained, unlike the person who comes to the stage right after her turn is over.
After leaving the stage the runner of the magic show pulls Yamada into his room and shows her a picture of a famous young physicist and a super elite at Japan's College of Physics who had put out a challenge to those who have spiritual powers, claiming that not too long ago the physicist had actually learned of the existence of people with supernatural powers, and if one is able to show him a psychic phenomenon, he'll be giving a reward to those who are able to do that. So, basically her boss sends Yamada to the physics elite to get some cash, as she's now fired from the troupe & swapped for a large lizard that likes to fight chickens...

"I've had trouble laughing and making jokes since I was born. Even with practice it never gets better..."
- Naoko Yamada

We get a little bit of background on Naoko Yamada. Her father was a great magician whom she really looks up to. In the past her father had shown his daughter a great number of magic tricks so great that she really used to believe he had magical powers unlike anyone else in the world. Even though nowadays Naoko is also a magician, she actually doesn't believe in the supernatural. Anyway, Naoko loved her father but there was something in the back of her mind, something that made her angry, and she wanted to talk to her father about it. But fate isn't that lenient as before she managed to do that, her father lost his life. In her deepest memories she still remembers the words of his father which claimed to take on anyone who wants to show him the power of the supernatural, as he's going to expose them all.

I had to rewind this flashback couple of times as this show has some standout atmospheric soundtracks to it already. This gives me some kind of Eastern country feel, as if I was visiting elsewhere.

In present time. Naoko is in her room reading about the young physicist - Ueda-san - with a lot of guts claiming to expose anyone who tries to trick people into believing they know magic. At the same time the landlord comes into Yamada's house with her own keys and tells her to pay the rent of last month and the month before, like, now. No cash to give. The landlady then tells her that she just lies and lies about everything, which then motivates her to go and try to trick the young physics legend.

Next day, she gathers at the college to show her tricks. This scene is freaking hilarious as bunch of nutjobs had gathered to try to trick the guy, but with no success. There's some guitar player, a religionist, a monk, a woman with some kind of white snake, probably a sumo-wrestler, and whatever the heck...
Then it's Yamada's time to shine. She heads into the room with bunch of books on the table.

The meeting of Naoko and the physicist is intriguing. There's nice tension to it. This show's actually kind of like a comic book, very exaggarated in many ways.

Naoko asks an envelope and a 100 yen coin from the physicist to show him some magic. This trick she'll be trying to fool him with is a trick which moves one object through the other. The physicist marks the coin which she places in the envelope. He will then seal envelope with the coin in it, and then after a while Naoko claims that the coin had slipped through the envelope to her hand. Surprisingly enough she pulled it through.

However, apparently this wasn't the real test to get the 300,000 yen cheque, but just some beginner's trial. The physicist asks Naoko if she knows of a woman named Kirishima Sumiko. Ten years prior she'd started a religious organization called Mother Izumi and she's now known as Big Mother who has gathered followers that believe in the supernatural. The real test to get the money is for Naoko to expose Sumiko as a sham. The physicist claims that the daughter of a manager at his college was converted into the religion and now staying at Mother Izumi's place, never planning to return. The daughter had taken her father's fortune with her and there's a risk of her donating it all to Big Mother. This needs to be stopped at all costs.

Things take a surprising turn as Naoko refuses to take up on the challenge offer. The physicist then claims that he might wind up dead in four days as he'd visited Mother Izumi. But all the brainwashed followers never allowed him to go in the house. But Kirishima Sumiko herself visited him afterwards and claimed that she really does know magic - and from now on terrible things will happen around the physicist, and in ten days he will die.

Since Sumiko met up with him, all kinds of weird things started happening, like for example Sumiko floating in the air inside the physicist's office room. Then he fainted and didn't see what else happened.
After hearing this story Naoko gets up and pretends to rip the 300,000 yen cheque, which she in reality swaps with another paper as she steal the real money, and then she quickly makes her escape.

This is where Naoko's mother calls her and they have a chat (during which she lies a lot not to worry her mother). After the call, during the night, a huge earthquake goes down in the city. We also learn that there might be something more to Naoko's father's death than a mere accident, but it's not focused on what it could be.

The next day the detective officers from earlier visit the physicist as they want to know about whether earthquakes can be man-made. Earlier they'd happened to find a blood-stained corpse, after all. The victim was a former follower of Mother Izumi, which is why the detectives think someone might've killed the man even though it most likely was an accident. Then the floating mother Izumi appears in the physicist's room, and he immediately faints. After fainting he makes his way over to Naoko's place to get some urgent help against Mother Izumi, Big Mother, Kirishima Sumiko, and all of them together.

Naoko has a surprise visitor in physicist Ueda. She tells him to leave the house - but of course she still has the 300,000 yen cheque... or should have had, as she attempts to give it back to Ueda, he explains that the money has been used to pay her rent and she can only follow what he says now. For the attempt of stealing his cheque is a tough crime after all.


So, now we have our two main characters in place: Ueda Jirou, the physicist, and Naoko Yamada, the unsuccessful magician. The two of them make their way to the village where Big Mother is along with the people she'd brainwashed into believing that she has supernatural powers.
There are a good number of people who follow her teachings and believe of her to be some kind of god. 

Ueda and Naoko then join one of the meetings in which Big Mother will appear and supposedly read the minds of people. In this meeting which takes place during late night everyone has to write down their personal worries and wishes on a paper, which they will then put in an envelope. No one else will see the contents of the paper.
But as Big  Mother arrives she will take the envelopes one after one and seemingly knows their contents.

The moment where Naoko goes over the possible trick used by Big Mother is very nice, has this kind of original tense atmosphere to it with the weird soundtrack playing. This type of scene would be perfect for a murder case. We also get the explanation for the X-ray vision trick that Houdini figured out, but it's more thematically interesting to think about rather than logically.

And finally, the day has come for Big Mother to be exposed. Naoko gives her an envelope and asks her to figure out what she's thinking about. The episode ends with Big Mother claiming to have read her mind and another really jarring use of editing this show must be famous for. I didn't expect this plot to go to the next episode, so I guess it might be one of those overarching stories where one story leads to the next? I'm definitely interested in seeing more. Overall a pretty decent episode filled with all sorts of stuff from story to the characters and differend kinds of themes the show is presenting us. There was also some kind of foreshadowing for a future story as Naoko's father's death has some kind of mystery surrounding it that Naoko isn't aware of. Could he have been... murdered!?



There are two tricks in this episode: first one is the coin trick done by our main character Naoko as she tricked Ueda to believing she's able to pass objects through other objects, in this case a marked coin through a letter, without breaking anything. The answer to the trick is somewhat clever but not necessarily impressive. It just shows basics of what a magician can do and is a fine start for this show.

The main trick here is Big Mother cursing people to death and floating in air as well as being able to read through minds. The so-called "one ahead system" is really clever. But the truth behind Big Mother's schemes is revealed in the second episode. 

I must say the reason why Naoko and Jirou meet isn't what I was expecting. It's kind of ridiculous, and Jirou, despite being a great physicist, is the worse one off the two of them to try to figure out sham magicians. He just faints when he sees something hinting at supernatural and is pushed forward by supernatural threats. I must wonder if the "earthquake murder" was really an accident though as that's quite ridiculous as well.

The ending, Gekkō by Chihiro Onitsuka is one of the best ending songs I've ever heard. The art form used for representing the ending was quite interesting as well. Here's a beautiful cover of the song by kamegawa aky:






EPISODE TWO - BIG MOTHER


EPISODE TWO, Kabenuke, continues the battle against the Mother Izumi religion which was created by Kirishima Sumiko, an older woman called Big Mother by her numerous followers who believe she's some kind of priest with supernatural powers able to read minds, fly, and whatever else.


"By the honor of my late father and my pride as a magician,
I, Yamada Naoko, will expose Kirishima Sumiko's scam!"


Big Mother somehow manages to trick Naoko and Jirou once again by reading through an envelope that consists of a paper written by Naoko. Apparently Naoko's biggest worry - the thing she'd written on the paper - was that her chest is way too flat. Oh well, at least she has the looks. Big Mother then threatens that something would happen to someone close to Naoko, but it's unknown who. After the ritual praying stuff is over, our main characters are immediately forced to leave the building so that they can't investigate the place for possible trickery.

The scene then goes to some kind of Japanese school. A man  with a doctor's coat named Seta visits the elderly teacher to tell that "Kito-san's wife" had suddenly fallen ill. We learn that the teacher is actually the mother of Naoko, and Seta is a person who wants to be her lover. Seta tries to push Naoko's mother to call Naoko back home but without success. The scene with Naoko's mother ends abruptly as she looks at calligraphy left behind by her students as the rain starts to pour outside.

Elsewhere, Naoko and Jirou walk around the place with the ritualists. Naoko realizes that there are candles everywhere with smell going all around the place, and Jirou notices one of the followers of Mother Izumi carry large amounts of envelopes. These are clues towards the trick of how Big Mother
knows what's going down inside the envelopes.

Jirou is pretty cool in this scene as he figures out the method which Big Mother uses to see through these envelopes: it's some kind of alcoholic liquid that dries up fast and leaves no trace, but smells weird. But another problem arises from this, as Big Mother must've had some help from someone during the ritual. The method Momma used to pour the liquid on the envelope is supposedly a classic in magic tricks, a small jar in her sleeves.

Now, Jirou decides to visit Miwako-san, the daughter of that one guy who lost her son. One of Jirou's goals for coming to meet Big Mother (and his original goal) was to bring Miwako back home from the cultists and throughout this story Naoko and Jirou have attempted to make Miwako realize that Mother Izumi is merely a scam religion. However there is also something else binding Miwako to the cult: the fact that anyone who tries to leave, winds up dead.

Naoko tells Miwako to go talk with her deceased son whether he begrudges his mother, which is an interesting turn of events. Naoko asks Miwako to write on a paper and then put it in an envelope. Miwako then holds the envelope towards Naoko as Naoko holds her palm above the letter and says: "Nagashima Shigeyo", probably the name of the son. But here's the thing: she hasn't touched the letter at all, yet a supposed message from Miwako's son has appeared on the letter saying he's happy. But it's nothing but a trick with two envelopes.
So Naoko decides to punch Miwako and then they attempt to carry her out of the building. Rest of the crazy believers of Mother Izumi then attempt to stop their way, but, Jirou then starts to punch and kick them all and they all go to sleep. This scene where Jirou uses martial arts is really funny. I wasn't expecting that.

After taking care of the cult people our main characters carry Miwako to the car and they attempt to drive back home. Naoko tells Jirou to make more use of his skills as he's actually very strong physically. However Jirou starts to go over Bruce Lee's 85th thesis instead about "communication before the fist." Which is a cool ideology. Anyway, the cult starts to follow them and we get this car chase stuff going on.

Although Jirou is a great driver supposedly taught by none other than Schumaher himself, the escape trip stops quickly as his car runs out of gasoline. While Jiro keeps manically laughing about being able to run away. So now the three of them run away to the forest and ask for help from an older man. After getting in the house the crazy religionists start to hack on the door and the house owner threatens to shoot them up so they avoid getting in.

The man explains that throughout times many followers of Mother Izumi who have attempted to escape the cult have come to the house, and the man himself also hates the cult due to one of his close family members - his own son - being lured in by it. After returning to the house, the son mysteriously died all of a sudden.

Here we get another scene that greatly represents Trick as a series (S1E2, timestamp 22:50): Jirou gives a motivational speech to Miwako about not being afraid of any curses, even though he's also cursed to die in one-and-a-half-days. Jirou's speech is very cool, but Naoko's reaction towards him claiming he's not afraid of curses (despite fainting), is hilarious. Another hilarious thing is Miwako snoring extremely loudly.


Now, in the house, Naoko will try to prove Jirou one of her skills: she claims to be able to see whenever Jirou lies by looking at his eyes. Naoko gives Jirou a pack of normal playing cards and Jirou shuffles the pack quite throughroughly. Next, Naoko will turn the cards over one after another and makes Jirou look at each card. Naoko's plan is to look at the card and when Jirou looks at the card he'd gotten, Naoko will pick - and manages to pick - the right one. I've seen this trick before but I honestly can't remember the answer to it, but I know there are always times to "force" a card on the person the trick is being used on.

Eslewhere the cultists are surrounding the car of the two clown-like detectives while Naoko talks with her mother on the phone to warn her. Later, Miwako looks through the window to see Big Mother flying in the air and claim that Miwako will die this very night for trying to run away from the religion.
.
During the dinner Miwako is feeling threatened, and the two cops are visiting the cultists. I don't even know their names yet but this scene is hella funny: the investigators ask the cultists about the curse as supposedly people who try to leave the religion always seem to die, and the cultists say "yeah, that's right", the faces these cops make are freaking hilarious. I've laughed like five times already for the first two episodes.

Detective A: "Oh, by the way, I heard rumors that people who leave here die unhappily."
Crazy cultist: " Yes, that's right."


Reactions of Detective A (det. Tatsuya Ishihara) and Detective B (det. Yabe Kenzo) 

During night as Naoko and Jiro stand guard so that nothing happens to Miwako, Jiro figures out the trick Naoko used on him with the playing cards. We get a neat little explanation with high-paced piano that fits these mystery shows. I believe the explanation Jirou comes across is the right one but then he and Naoko play the game again and she figures the right card anyway, apparently through the reflection of Jirou's glasses... and she even claims that she'll be able to figure it out again even if he doesn't weak glasses. But there's not really any fair-play mystery going on here, this whole thing about the cards seems to be focusing on different kinds of magic trick methods, which are cool to learn about. Magic tricks are actually quite integral part of many good murder mysteries as well.

After playing a bit we get some humor but then Naoko all of a sudden stops talking (as she's behind a door, Jirou and Naoko talk while the door is closed). At the same time Naoko's mother wakes up and we get a flashback in which Naoko's magician father with his last breaths told Naoko's mother that people with real supernatural powers actually do exist. Then some kind of noises can be heard in or right outside the house.

Next morning, as sun shines, Naoko attempts to wake Miwako up, but she's not moving. Her pulse isn't there - she's dead. The two detectives then arrive at the scene in another hilarious fashion. These guys are gold.

So, now we have a scene where there's a dead body. As the detective on the scene handcuffs Naoko (she slept in the same room as the victim), they're alerted that poison was found on the corpse, and under her futon there was a vial of drugs. There was a note in her clothes saying she regretted escaping Mother Izumi so she did a suicide. The episode ends in a pretty anime way with Naoko forcing her way into the crime scene without permission to investigate the scene once more.
This was no suicide. Obviously Miwako was killed by the cult, but how did they do it? Also, what is going down with Naoko's mother? Is she in danger?


EPISODE THREE - FACE TO FACE


EPISODE THREE, Haha no shi, invites us back to this mysterious case in which anyone who tries to escape the Mother Izumi cult winds up dead. As Naoko slept next to Miwako in a closed space, Miwako still lost her life.
Naoko had suddenly fallen asleep. Miwako was asleep all the time. Jirou was outside of the room.
Now, in the room there's a water faucet that keeps dripping, as does the faucet outside the house. Naoko remembers back to yesterday as they had a dinner with pheasant broth. Inside the house there's a large photo of Big Mother. This causes Naoko to go and punch the guy they've been with as he's clearly part of the cult in reality. Naoko claims to have seen through the cult's tricks: they killed Miwako without entering the room after putting sleeping drugs on the broth Naoko and Miwako ate.

Jirou confirms that no one had entered the room during night, as Jirou was standing around back then, however, Miwako had left the room once during night while Jirou was, for some reason, doing push-ups next to the room. Miwako had gone to drink due to the pheasant broth's saltiness or something. The theory here is that the cultist had poisoned the water supply which caused her to die. Then after the corpse was found, the suicide note and poison vial were planted to the body by the old man who owns the house. The reason why the outside faucet was dripping earlier was apparently because the perps were cleaning the water supply out of the poison (though shouldn't there still be poison on the ground?).

Now, this means Naoko could've died as well. The detectives still assume it's actually a matter of suicide. This is when the cultists decide to "invite" Jirou and Naoko back to Mother Izumi.
At Big Mother's place, Naoko is offered a gamble: to put one of her fingers at stake if she wishes to doubt Big Mother's power still.

Big Mother tells Naoko to write a number on a piece of paper so that Mamma can't see it, and then Mamma will tell which number it is.
If Mamma is wrong, she'll lose all her authority in the religion, but if she's right, Naoko will give her index finger away - and her finger, if anything, is worth everything to a magician as that's one of the most important tools for magic tricks.

Naturally, our protagonist picks up this challenge. The entire room is filled with long papers of calligraphy, but otherwise everything looks seemingly normal. Mamma asks the number she'd written in the position of ones ("4") which is then shown carved on a piece of wood in front of Mamma. In the tens position Naoko had written "7", which is then also carved with white paint on another wooden plate that had been placed in front of Mamma.

As the cultists claim to now take Naoko's finger, Jirou starts laughing and then beating up everyone, the two attempt to escape but are quickly found.
At the same time the two clown-like detectives ponder what to do with the case where cultists die, and they notice a windmill which is used to draw up the "holy water" from a spring - it's the water that is drank by the cultists. The detectives then go hit the streets to eat lunch as the cultist kidnap Naoko and Jirou right behind them... the two of them are taken to the windmill.

Naoko manages to make the two of them get rid of the ropes that were used to tie them both with slight sleight of hand, and they manage to escape through some kind of slide that crosses the fields around the windmill area. The duo arrives back at Mother Izumi's ritual quarters to ponder about how Big Mother figured out the number Naoko had written earlier.

There's also been this slight sub-plot about Naoko knowing when Jirou lies, at first we went over Jirou's pupilsturning bigger and smaller, but that didn't end up being the case. Then we theorized about his fingers doing something whenever he lies. But now Jirou learns that his nose moves whenever he lies...

At the same time as Jirou is being dragged away to Big Mother, Naoki learns from the man whose house they had been hiding in (the one where Miwako died) that Big Mother has "foreseen" that Jirou will die soon - and it will be none other than Naoki who takes his life. But as the man keeps talking too much, a poisonous dart flies to his neck and he falls to the floor, dead.

Final Showdown

Naoki  goes face to face with the cultists & Big Mother, and Mamma shows her Jirou floating in the air in the background. Naoki explains that the whole thing about making anyone float and fly must be an age-old trick created by glass magic. The cultists then force Naoki to hold a shotgun and make a choice: if she really believes it is glass magic, then she has to shoot the gun. Will she shoot the gun or not?

After a long while thinking about it, she decides to pull the trigger. And lo' behold, it was nothing but glass and mirror. The whole thing got exposed as a scam and Big Mother and the cult basically now fall apart.

The explanation to this whole long story is quite emotional as Big Mother decides to take poison to kill herself and we get flashbacks to not only her past, but also Naoki's. Big Mother makes a pretty interesting reveal here: she actually does have a real superpower. She is able to read minds of people for real. She reveals that Naoki's father had been challenged to a duel and then killed by a person - a person who will kill Naoki one day. Their paths are fated to cross.
The ending to this story is quite melancholic as Big Mother's death doesn't stop the cultists from believing at all. Now that they've lost the person they believed in, things have basically gotten worse. Maybe one day some of them will realize they were crazy, and wrong, though.

So now that things have been dealt with, this whole thing comes to a close. Jirou carries Naoki from the village all the way to her home and they part ways in comedic ways. I wonder how the story will continue with the two of them though, as in how they'll be forced to work together once more.


This first story arc of Trick was kind of entertaining. It wasn't magnificent or anything but it made me laugh like five times. There are some clever explanations about magic tricks here. In general I can say that compared to these grander types of mystery stories in which there's a whole group of people to go up against, this was one of the better ones I've seen. Best part of the show is definitely our main characters, their personality comes off surprisingly strong. The weird directing of the show, and how the story moves a lot from place to place instead of being stuck in one place and time are also great. This makes the story much more entertaining and easy to watch rather than something that drags itself around monotonously. For cons I think some of the directing doesn't work at first as well as it could as it takes time to get used to the comedic and sort of jerky nature how the series is filmed and edited. I hope for something even more fair-play with the individual mysteries as well, but this was a solid start.


EPISODE FOUR - A NEW BEGINNING



THE FOURTH EPISODE, Murabito ga zenin kie ta, gives us a new arc and a new beginning. The narrator makes his appearance once more as we get another theme for the next story. The narrator explains that one of the biggest dreams for all magicians is to make massive objects disappear instantly. [This is actually quite true. Check out 'Penn & Teller: Off the Deep End, in which our magicians Penn and Teller make a submarine vanish underwater.]
We get to see drawings of large buildings; towers, pyramids, temples. Apparently the dream to go big started in the 1970s as a magician named Robert Cullman made Eiffel Tower disappear. He'd set up audience seats before the Eiffel tower and a large group of people'd arrived, although they were sure it'd be a poor man's trick.
Cullman used a curtain that was pulled up between two iron poles, so that the audience couldn't see the tower. It was up for but an instant before being dropped down, and once that was done, the tower was gone. The audience was flabbergasted.

The narrator explains to us that since the trick of making Eiffel tower disappear, magicians all around the world have made all sorts of large objects from airplanes to the Rainbow Bridge disappear - the trick to pull this off is apparently psychological, but we are asked the questions: but is that really all there is to these types of tricks that allow magicians to make large objects vanish? 

 We move to a scene with policemen and a group of people running around the woods in a village in the middle of a night, trying to find something, while panicking. All of them group together as a weird noise echoes around the woods and they notice something very shocking - but the thing that they see is not shown to the watcher yet!

The scene transitions to the two clown cops from the earlier story as they're doing seemingly random things at a sushi bar or something. Maybe a stakeout.. or not. Anyway, Naoko Yamada is now working there as a waitress, taking orders and stuff like that. She gets stuck with the detectives and we get a bit of comedic scenes as the detectives try to trick Yamada but fail miserably.

Next, Jirou Ueda, our physicist (& pro driver & martial artist &...) meets up with one officer by the name of Ootsuki, and the Chief of Public Safety, Itou Kimiyasu, whom the detectives earlier with Naoko accidentally pranked. The public safety department has come across a mysterious incident in which a village by the name of Houmengo had mysteriously disappeared overnight. All the people in the village, gone and vanished without a trace.

Three days prior a resident cop had been switched. The old one retired and the new one, Maeda, took the spot. That day when Maeda arrived, he'd called Ootsuki. He'd said the village was odd as there was no one there. Then he called again to tell that the village was cursed. As Maeda arrived back to the Police Department, he was completely nerve wrecked, and is still unable to work.

The public safety then did a large-scale search with no avail. So that's why they'd come to the physicist, Jirou, for possible hints towards answering this hard mystery. At first Ueda doesn't care a bit about the case, but then he warms up to it.. somehow.. and decides to meet up with the nerve-wrecked constable Maeda to get some information.

Because the case this time is kind of hard and magical, Jirou heads right over to Naoko's place once more. The relationship between these two characters is really weird, they seem to hate each other but still are able to work together somehow - at least have proper conversations in between the banter.
Although Naoko tells Jirou to dip, he piques Naoko's interest by asking whether or not she wants to see a person with real supernatural powers: Miracle Mitsui. Apparently the policeman had seen Mitsui in the village where everyone had disappeared. Mitsui had made large objects vanish.

Apparently one day Mitsui had awoken with spiritual powers, the ability to make absolutely anything from objects to concepts disappear. Be it stone statues, pain, diseases, or debt. Mitsui has some kind of hatred towards the village for exposing his tricks as a magician, and had once said that he can send things to another dimensions, an invisible world.

Another hilarious part happens in this episode where the head of public security tells Jirou how now that Jirou told them he'd go to the village, the nerve-wrecked officer Maeda "really felt like coming". But at the same time Maeda is screaming how he's afraid of going as the other cops are forcing him to go.
We also finally get introduced to Yabe, the dark-haired detective from the earlier story, who'll be part of the investigation squad. Funny guy.

The story gets quite intriguing as our squad arrives at a bridge - the only road that leads to the village. Yabe drops everyone else off at the bridge and he himself decides to dip and drive elsewhere. After arriving at the village, our main squad notices that there is literally no one. The village is filled with weird stone statues. The apartments are empty and kind of messy. But we do see someone watching at the two from afar.
At the woods there's a ritual site in the form of a woman's belly, and a little girl in white robes standing nearby. Although Naoko tries to talk to her, she manages to flee and disappear.

Back at the village the people come across Miracle Mitsui, dressed up in a weird get-up all of a sudden. Mitsui shows our MC's a video which he'd showed to scientists in the past. In the video he makes a car disappear. The explanation to this trick is clever enough, as it changes settings but isn't about manipulating the video itself.
 After angering Miracle Mitsui, the man decides to make officer Maeda vanish as well, but not just him, but also all records of his past and him ever existing.
Our two clown detectives then investigate Maeda's data but all of it has gone missing from the files.

Long story short, now detective Yabe is now part of the squad at the village. That night Jirou decides to go to the village while others are sleeping. He finds some kind of pamphlet with symbols, such as a flower, and writing behind it. Then he hears something odd and sees something like mechanical parts in dim light. Then he faints. As he's scared of magical things a bit too much.
But next morning detective Yabe and Naoko find a cassette tape on the futon. The tape contains a video made by Miracle Matsui, and in there, Jirou has been tied to a chair while unconscious as Matsui claims that he'll make a human body part disappear.

Matsui puts a box above Jirou's head and does some kinds of movements. Then he opens up a small door that's on the box and we'll see that Jirou is missing his head completely. Kanao explains that it's just a magic trick with a slanted mirror, so there's nothing to worry, however after opening a closet door, a body with Jirou's clothes but without a head falls on the floor...



EPISODE FIVE - MYSTERY OF MIRACLE MATSUI


EPISODE FIVE, Mura ga kie ta... kaiketsu-hen, continues from where the last one left off as detective Yabe and magician Naoko decide to flee the scene and the village of Houmengo after a supposed corpse with a missing head and the clothes that Jirou wore, appears. But their escape trip is cut extremely short as something really odd happens: the only road out of the small island the village is on, usually has a long bridge connecting the island to the mainland. However this time the long bridge has vanished into thin air. So now there is seemingly to way off the island.


Naoko starts to question whether the decapitated body was actually Jirou's. The detective and magician return to the village where they find the same scroll Jirou had found. What did the physicist want to find?

In the woods Yabe and Naoko run to Miracle Matsui once again and Naoko challenges Matsui to a duel in which she will make objects disappear. Matsui seems very unwilling to battle someone seemingly so beneath him but alas, Kanao forces a card on him from a deck, knows that it's ace of spades, then Matsui puts it back on the deck. Kanao manages to make the card disappear from the deck and appear in Matsui's pocket.

But this is very lame according to Matsui, so he decides to show them "real magic" by making the ritual site in the woods disappear. After doing that, Matsui tells Kanao that he'll make her vanish as well, to which she tells him is impossible. Next thing Kanao knows is that Matsui throws a cape over her, and she's all alone in the woods all of a sudden. Kanao then finds the little girl in white robes nearby who tells Kanao that she can't be found or she'll be killed.

So, now Kanao heads yet again back to the village and comes across the real Jirou, head on his body and all. Jirou explains that he'd found a scroll with a picture of a mother carrying a young child. Then we get some kind of theory talk about a calamity regarding this picture and a flashback to how Jirou was saved, apparently by some woman who might have some answers. But as the woman is missing now, Jirou and Naoko start pondering what to do.

This village has some pretty interesting backstory to it that we learn from Jirou. It has to do with a girl child that gets sacrificed, and then probably she is reborn in someone else only to be sacrificed again and again.
Our MC's run to the woman who saved Jirou in the middle of the night but she disappears again after saying she wants to tell something to outsiders, something about her sin.

Now things are falling back: we learn the grand scale misdirection done by Miracle Matsui to fake the disappearance of the bridge. Back at the village, the mystery about the headless corpse gets revealed for the most part. As does the mysterious stone structure in the woods that Matsui made disappear.

Last stretch
After revealing the truths one after another, 21 people of the village surround Jirou and Naoko. It gets revealer that 300 tears prior the villagers killed a child of a criminal, and since then the village has been killing young girls every 25 years to "avoid calamities". There has been a body swap trick with the cop Maeda when he arrived to the village. Maeda came across present year's sacrificial ritual and was murdered by the villagers who then went missing as if they were made to vanish by Miracle Mitsui.
In reality every time something's made to vanish, the villagers have been helping Mitsui, but only to use him.

The woman who helped Jirou tried to expose the village's secrets so he's also going to get sacrificed... but Jirou then starts to use his martial arts to try to put on a show, however he's not able to fight against guns. Even detective Yabe is now here, as a sacrificial pawn.

Jirou, Naoko, and Yabe are put into an underground temple where lava flows along with poisonous gas filling the room, however something happens as the group disappears from inside and appears outside, as if a real miracle had happened.
The woman who helped Jirou reveals that she's the mother of the little girl who was supposed to be saacrificed and who caused the death of officer Maeda.

In the village a fire alarm starts to ring as Miracle Matsui stands on top of a watchtower and suddenly jumps down, killing himself. Before he dies in Naoko's arms he claims to know the existence of a real esper, but we don't know or get to hear who it could be.



This second story arc of Trick is a mixed bag. It's actually a very proper murder mystery story in comparison to the first, with quite a few classic tricks being used here - I didn't even expect some of them even though they make logical sense to the story, but there were quite a few things that could've been handled better. Miracle Matsui in particular was handled disappointingly. I think the explanations and wrap-up for this kind of village story was just kind of too quick. The explanations themselves were fine but the characters weren't really handled well at all. Like the little girl, the victim, Matsui, the mother, the villagers, everything feels so open-ended. Even Matsui's motivations for being there and helping just wasn't fleshed out enough. I also had a problem with how much back-and-forth running around the woods and the village there was here.
Other than that, this arc had some very decent mysteries to tell. Started decently, fell off a bit, then picked up, then ended very rushedly, so the ending wasn't really up to par compared to the first arc. Hoping for the next arc to be at least as good as this one though.


EPISODE SIX - VOODOO DOLL


"To kill a person you hate, put a stake through a strawdoll to a temple's sacred tree at 2 A.M. This is an ancient belief.

Right after World War II, a doll with the name of a farmer husband's mistress was staked to a sacred tree in Akita prefecture, and the farmer's wife was arrested for using a curse to murder.

The prosecutor stated that she wished her dead, but the court declared that there was no relation between the curse and the murder. Eventually the charges were dropped. That's when the law acknowledged you can't hold a person accountable for killing with curses."


The beginning narration of episode six, Shunkan idô satsujin no himitsu, quoted above, sets up this story where a man is driving late in the night and a truck happens to drive on the wrong side of the road right at him. The man manages to barely dodge the truck with his car, but ends up driving to a sideway and ends up seemingly dying in a burning car. The people in the truck come outside and

Our protagonist Yamada Naoko gets a letter from her mother Hitomi in a rather comedic fashion (as she thinks the person bringing the letter is not a mailman). We don't get to see what the letter contains, but the mother has been acting quite anxious throughout the episodes so far, which raises questions. Naoko then heads to Japan's University of Technology to meet up with Jirou Ueda. Jirou shows her the photo of three girls he's somehow "compatible with" as he keeps drinking liters of milk one after another. This moment is pretty funny as well with some gray-dark humor.

Detective Yabe makes his appearance along with his blonde sidekick. They invite a woman in the room that Jirou really shows personal interest with. The detective says she's supposedly named Kurosaka Miyuki, a woman who has a quirk of saying english words out loud as well. The detectives ask Jirou to come outside to talk about her. I really had a laugh when detective Yabe started messing with Naoko's hair as she was trying to come outside to listen to the talk about this new woman named Miyuki.

Outside the room, the detectives explain that Miyuki has explained that she can kill people with her spiritual ability. She's asked the police to take her in to witness her ability. Thus the detectives want Jirou to keep up with her.

In the room, Miyuki explains to Naoko that she's going to kill three people with her ability. At the same time we get this damn hilarious explanation from Jirou and the detectives:

Jirou: "She's confined at Point A. And she's going to kill a person at Point B using her spiritual ability?"
Det. Yabe: "Seems like it."
Jirou: "Impossible."
Det. Yabe: "Indeed. We can't waste our citizens' taxes on such nonsense."

So, things end up in a way where Jirou ends up asking Naoko to stay the night with him as he keeps a watch over Miyuki and her supposed power to kill three people from afar. Jirou and Naoko head to Jirou's "secret private lab" in the school. But the so-called lab ends up being like an empty interrogation room or something.


So this episode began with Jirou having hots for this supernatural killer Miyuki but now that the time for the night is upon us Jirou explains that his current stance is to deny the existence of all supernatural or spiritual abilities as any phenomena can be explained with science. Miyuki counters this stance by explaining that only people who don't understand the supernatural don't acknowledge it. Perhaps ignorance is bliss?

Jirou asks Miyuki to show an example of her spiritual powers without killing anyone. This is also a pretty funny moment again and I noticed that Naoko's now the one drinking lots of milk instead of Jirou. Anyway, to give Jirou an example of her spiritual powers, Miyuki makes Jirou clinch his fist as she sprinkles cigarette ash on it. Miyuki explains that she can turn images in her head into reality. Then she does some mumbo jumbo expressions and tells Jirou that inside his gripped fist, there's now ash. Jirou opens his hand and alas, indeed, ash there is.

Naoko however immediately gives a very sound logical explanation to this trick with how Miyuki managed to transfer the ash inside the palm. Miyuki gets up and immediately starts to say that now he's going to kill a "hateful man" named Umeki Ryuuichi. She claims to be able to strangle the man. Then she does explains that she has a belt in her hands as she starts making strangling gestures. After the gestures stop she tells Jirou and Naoko to "search below the cliff" nearby to find out the truth.

Jirou heads to the cliff in the middle of the night with a pretty crappy flashlight. The second spot Jirou is looking at is basically similar looking to the Raiha Pass in Detective Conan, the curvy road and the night setting really make it stick out. Then, when Jirou sees the strangled corpse he immediately faints in that original Trick-style quick and comedic transition shots that are easy to miss.

So, the corpse this time is indeed of Umeki Ryuuichi. He was killed on the cliff and then thrown off. What's crazy is that his time of death was also about an hour prior, at ten o' clock at night. We flashback to the moment where she used the strangulation trick and see a clock that shows exactly ten o' clock. Investigators also find a belt at the scene of the crime. What makes things crazier is that the victim was grabbing hair as well as the fingerprints on the belt both happen to be from Miyuki.

Now it's time to find clues towards this trick that Miyuki pulled. At the cliffy roads Raiha Pass place Naoko remembers her mother's letter - apparently she's heading to the city tomorrow to meet her and have a calliography show. Then when Naoko sees a passing truck, she realizes the truth behind the trick. What does a driving truck prove about the death a strangled person...?

The trick?

Naoko starts to theorize about the truth she claims to have found out. She explains that Miyuki had called the victim to a place only a minute away from the room where she was being watched where she'd had killed the victim and from where she managed to transport the victim to below the cliff. Basically:

A) Naoko and Jirou were watching over her as she was claiming to be able to kill people with spiritual powers.
B) She does the act where she claims to be killing the victim with a belt in the room.
C) She tells them to go check the nearby cliff (about 2,5 km away) to see the body. But before that both Naoko and Jirou leave the room to do rock-paper-scissors for couple of minutes to choose who goes and who watches over Miyuki.
D) Miyuki hurried nearby to where the victim was apparently waiting for her as she'd called him as Jiro and Naoko weren't in the room to watch her. The vic was smoking as she used the belt to strangle him.
E) After doing the deed, Miyuki threw the victim on top of a truck that had conveniently been parked down below.
F) The truck headed for the dump and the victim fell from top of it and flew down the cliff about 2½ kilometers away. The body apparently fell during a curve on the road.

Miyuki then gives bunch of counterarguments which boil down to Naoko's theory all being bunch of coincidences. The body could've fallen at any point, let alone how would it be possible for her to expect that there was a truck for sure. And there was no need for both Naoko and Jirou to leave the room to give Miyuki a chance as one of them could've stayed behind. Also how could she have called the victim when she didn't know of Jirou's "secret lab" and where it would be.


The second murder


As Naoko claims that spiritual powers still aren't real, Miyuki begins her second spiritual demonstration. She claims that she has a knife in her hand this time, invisible to others of course. She claims that the blade is about 20 cm long as she grabs it. The lights in the room get messed up and she does the stabbing motion, but then something crazy happens as a splatter of liquid that looks like blood starts being sprayed on Miyuki in the empty room. Then she does the stabbing motion countless times. At the end the lights begin to calm down.

It's five o'clock as Miyuki claims to have stabbed another man, Takeshita Fumio, 41, to death. The episode ends with a man walking near a river in the city with a knife in his chest as he falls down, scaring people nearby. Our main characters get a call from detective Yabe and they confirm Fumio's death, time of death and murder method to be exactly as Miyuki claimed them to be.


EPISODE SEVEN - SUPERNATURAL MURDERS


The previous episode introduced us to Miyuki Kurosaka who claims to have the power to kill people with the supernatural. She already seemingly took two lives: one victim was strangled and thrown down a cliff and the second victim was stabbed to death. Miyuki seemingly always gives away the time of death, the identity of the vic along with the murder weapon itself to try to prove that she's the one killing these people - however, as long as she does the deed with the power of the supernatural, she's not going to get convicted of anything and science doesn't acknowledge these mysterious powers she claims to have.

EPISODE SEVEN, Enkaku satsujin igai na torikku, begins with Naoko and Jirou pondering about how in the world Miyuki could kill the second person who was stabbed. Naoko heads home to get change of clothes to Miyuki who is completely bloodied up - or at least completely in red liquid. As Naoko tries to find something for Miyuki to put on, she recalls her father's last words. When she was very young, Naoko's father told her that magic doesn't actually exist, so she shouldn't get fooled by it. However in his death bed her father told her mother that people with spiritual powers actually do exist in this world. The people who have died so far in this series also said that same - for example Miracle Matsui claimed that he knew someone that actually possessed such power.

As we see Naoko's mother head over to Tokyo, we learn from the detectives that the blood that mysteriously sprayed over her clothes in the empty room actually was from the victim himself. Naoko then arrives to where Jirou is and starts to now theorise that someone must've done the real murders as substitute for Miyuki.

Later on Miyuki claims to leave as the detectives don't have a warrant for her but Naoko claims that she'll just go plant the seeds for the next murder. Naoko wants her to kill the final victim right on the spot. Surprisingly enough Miyuki agrees and starts doing her act again. She crouches and claims that in her hand she now has an iron pipe that she'll use to kill a man named Matsui Kazuhiko. As she begins her swing Jirou grabs her hands and stops her mid-swing. After doing that Miyuki leaves and promises to kill the person the next time they they're there as witnesses.

Naoko then remembers that her mother's soon in Tokyo so she asks Jirou for a favor: pretend that Jirou's quite grand home is hers instead as she's lied to her mother about how good her living spasce is in Tokyo (in reality Naoko's apartment doesn't even have a shower). Sooo, now Naoko's mother is in Jirou's house. It's quite hilarious to see Jirou walk around almost naked while Naoko tries to hide his existence to her mother. But that moment is soon over as Jirou claims to have seen through the trick of Miyuki as he watches his favourite TV show... the trick must be twins. But Naoko and Jirou feel embarassed to even ask Miyuki as it's such a bad done-to-death cliche in the magc industry.

Funnily enough, it ends up being true. The fact that Miyuki does have a twin sister, that is. This time however Miyuki asks her sister and her to be watched over as she kills the next person: Matsui Kazuhiko. However detective Yabe has already contacted Kazuhiko and asked him to call the detective if any danger approaches. Miyuki doesn't care much about that and then begins her next act while she and her sister are being watched.

Her act this time is to pick up an invisible rifle and shoot the next victim! This happens at the same time as the victim calls detective Yabe. The phone call ends up being recorded.


It doesn't take long for the MPD to find the shot-dead corpse. The performance this time also happened at the same time as the time of death. How did Miyuki do it if she and her twin sister were being watched?

Naoko listens to the record of the phone call where the victim asks for forgiveness and hears a timer-like sound at 2.45 PM. A rather weird time to set a timer.

Naoko and Jirou head to the victim's apartment where the body was found and investigate the place to see a catfish in a tank. The catfish apparently has a feeding timer set up at 1.00 PM, and coincidentally enough, the timer gives the same sound as what was on the phone.

So now it's time to gather the culprit - Miyuki and her sister, and explain what the trick was. In this explanation there's a psychological aspect to the trick as to how the perpetrator could assume the best time to kill the victim: the culprit - Miyuki - overheard that Jirou would be watching the TV show which has twins, so Miyuki killed the last victim at 1.00 PM and waited for Jirou to contact her to confirm the twin theory. Quite dangerous assumption for sure. It does make sense but feels kind of rushed of an explanation.

After the trick got exposed, Miyuki's twin sister explains that twelve years ago those three men they killed murdered their father. They basically give themselves up now. Miyuki's sister then claims that she killed all three of them, and then she starts spitting out blood. It seems that Miyuki took her twin sister's trust in her for granted, then killed her by poisoning as she started claiming she did all three of the murders (even though Miyuki logically could've killed the last one by shooting at 1.00 PM). Miyuki claims her sister killed herself because she wanted to repent... Did the perp this time get away with murder?

At the end of this story Naoko goes home and notices her her mother's letter on the table. But how did her mother know of her real apartment when she took her mother to Jirou's apartment to pretend that much grander house was hers?


This third story arc of Trick was alright. The comedy in episode six was some of the best in the series as there was so much of it, but the story itself was mostly about a rather bland supernatural killer. Miyuki herself did not have the presence of Miracle Matsui or Mother Izumi from the first two arcs and there wasn't really anything too grand that could blow your mind, they even said the twin-trick was terrible in the show itself, basically parodying themselves along with all other cliche mystery series that use that type of tricks while they were at it. 

The most annoying part is definitely the story-bait of Naoko's mother feeling something ominous and doing ominous things and always remembering the last words of Naoko's father (about how people with superpowers apparently actually do exist). That ominous aspect has no substance to it so far and is kind of cringeworthy as it just keeps reminding that there is an overarching concept of trying to find if people that have special abilities actually do exist (as the story is also about exposing people that claim to have powers).


EPISODE EIGHT - PSYCHIC POWERS

The beginning narration on episode eight, Senrigan no otoko, this time takes us to the year 43 of the Meiji era of Japan, a time during which a woman named Chizuko, who could pinpoint sources of diseases with clairvoyance, lived. The mystery of whether or not Chizuko's powers were real is still open-ended and apparently some people are willing to pay huge sums to those who research her legacy.

In present time, someone is knocking on Naoko's window in the middle of the night. Then, someone with a flame in their hands starts to talk about it being "cold". Naoko goes to see who's out there talking about cold, and sees a person with a ghost robe on him. This makes Naoko faint in the hallway, and she's awoken by a mailman and the landlady the next morning...

 The landlady wants Naoko to join 'Randon Surprising People Contest' as a magician to get a chance to win free tickets to a spa for the landlady herself. 

At the contest Jirou has also arrived there to do a rather stupid trick that impresses no one. After bunch of participants clowning themselves, Naoko gets on the stage as a user of the 'Zombie Ball'. She's also doing preeetty pathetically however, but the jumps in cuts and jerky edits make this scene stand out quite a lot.

Anyway, after Naoko, the 'clairvoyant' arrives and claims to be able to show real supernatural power. The clairvoyant somehow manages to 'see' any numbers written on a paper while being blindfolded. It doesn't take long for Naoko to realize the speaker of the contest is in on it and using code language to mention the numbers.

This entire fourth story arc of Trick was merely one episode (45 minutes) long in length, but it was suprisingly decent. The story focused on exposing the swindler psychic by exposing his different fraudulent methods that he uses to trick people into believing he actually can 'see' anything. The last trick used japanese language to catch the perp in similar ways that's also been used in Detective Conan. Some don't really like those type of misdirection tricks to catch the villain of the story, but I think it was handled with enough care here. The ending of the episode was pretty quick but well handled as well here as a young child asks the swindler psychic if he'll ever be healed (as the boy is unable to walk) and the psychic tells the boy that his dream will never come true. Pretty powerful but needed a bit more of time to get the full impact of it as the episode immediately ends after that scene. I think the author was expecting us to think about how some things are better left unknown as the truth can hurt more than the lie.


EPISODE NINE - BACK TO THE BEGINNING

EPISODE NINE, Chichi o koroshita shinhan'nin, begins the last story arc of season one of this Japanese TV series called Trick (2000-). According to the narrator (who seems to always begin each story arc), in Okinawa, there are women called Yuta. These women let themselves be possessed by spirits and convey their words. In other words, they are 'shamans'. I'm sure many already know that shamans are said to exist all around the world, and their legacy is tied into curing sicknesses and stopping calamities. So, the last story arc of TRICK is tied to this concept.
By the way, this concept of Yuta is tied to the spiritualism aspect we are familiar to in the Ace Attorney game series where the spirit mediums summon and talk to the dead - especially in Trials and Tribulations (AA3) and Spirit of Justice (AA6).

The episode kicks off with a man dressed in animal fur (a shaman's usual gear in fiction and nonfiction) claiming that every 120 years, something called a messenger of god, a 'Shinikami', comes from the Eastern seas to begin a calamity - the dead will rise to bring judgment upon humanity. The shaman orders other villagers to 'bring back the woman who abandoned this island'.

In Tokyo, Jirou and Naoko talk about weird plants - drugs - that exist on a specific island that could be used to trick people into believing in spiritualism and magic. Drugs to show hallucinations and maybe even make people fall in love. Something that Jirou accidentally happens to drink...

Later in the evening back at Naoko's home, as Naoko for some reason practises turtle race with her miniature turtles, a shocking phone call happens where the person on the other end of the line was none other than her late father, or at least someone with his voice. The person tells Naoko that he's nearby and will knock on her door three times. Once the knock happens, Naoko notices no one out there, but we as viewers see a person with Naoko's father's face. 

The next morning Naoko gets a letter that's given to her by the landlady. It's from a person who claims to 'know Naoko's future'. The sender claims to have psychic powers. The letter claims to know of things that will happen 'today' which is a day after the letter was sent.

The first thing the letter predicts is that an explosion will happen in Hatsuda. Right as Naoko reads that portion of the letter, nearby people shout out about an explosion in Hatsuda. The second thing the letter predicts is that Naoko will meet a 'great man who will bring her a surprising future'. Naoko decides to track down the letter's sender and happens to meet two men. Naoko quickly realizes that the date and address was faked, which was why they knew of the accident (since it had already happened). 

But the men actually had a special motive for luring Naoko out: they want her to visit a place named Kokumon Island, south of Tokyo. That very island was the place where her mother was born. The men tell Naoko that she and her mother need to 'repent for the things Naoko's mother did on the island'. So, the woman who 'abandoned the island' seems to be Naoko's mother.

As Naoko doesn't know what the men mean by 'repenting for her mother's deeds' on Kokumon Island, the men tell her to go and ask her mother about it instead. The men claim to wait for Naoko in the same apartment, but she tells them that she's never coming back. However they claim to know who killed Naoko's father... and once Naoko asks them if they were behind the prank the other night (during which a person called her, claiming to be her father), the men get shocked and start talking about the 'Shikigami' who brings destruction. 

Talking on the phone with her mother doesn't lead to much so Naoko asks the detectives and Jirou to investigate the Kokumon Island and her father's death for her.

At the police department, Naoko learns that her father Yamada Kouzo died in year 59 of the Shouwa era of Japan, on July 23rd, while practicing an underwater escape from a glass box. It's a simplistic trick that shouldn't have been hard for Naoko's father to pull off. Before leaving the police dep., Naoko rips couple of pages off the files that investigated her father's death.

After getting back home, Naoko once again gets a call from the person claiming to be her late father. The man asks Naoko to take out the card deck her father gave to her as a child, to take out a card from the deck and focus on it. Naoko pulls up a spade card with the number three on it. The person guesses the number exactly right. Naoko leaves the house and starts looking for the person as they must be nearby to see the card, but once she seemingly finds her father, he disappears. After getting back home again, she meets Jirou in the building.

Jirou explains that something weird is happening on the Pokemon--- sorry, Kokumon, Island, and to the island itself. All the plants on the island are withering away, and walls of rock have begun to crumble and sink into the sea. It's almost as if the island itself is dying. Even though scientists have visited the island to investigate this unnatural phenomena, but there have been no scientific answers. 

A long time ago there used to be a priestess who had dipped out of the island and due to that, had caused anger in the islands spirits.

At night, Naoko theorizes that the two men he'd met in the empty apartment before must've been the ones who folded the three of spades card in her deck when she visited them the last time. The next morning she decides to visit the men again to ask about her mother's history on the island. 

Apparently Naoko's mother had a husband chosen for her on the isand but she decided to flee the island and look for her own happiness instead. The two men ask her if she knows of a concept called Kaminuri, which is about how the island's priestess has to marry and stay on the island.

The two men want Naoko to return to the island in her mothers stead to join a ritual to marry a man and bear as many children as possible. There are a lot of foreign phrases here like the ritual, the sea monster, the priestess, etc. The bloodline of the priestess is known as 'Kaminuri' as well.

As Naoko goes to meet her mother again in I believe the Nagano prefecture we get these pretty atmospheric melancholic soundtracks playing in the back as Naoko's mother Hitomi explains how she and Naoko's father escaped from the island.

Then we get a surprise reveal from Naoko: she theorizes that her father was murdered by the people who stole the key to the underwater prison. Someone had taken the key that he used for the lock to escape the box during training.
Outside her mother's apartment there is a shack that Naoko isn't allowed to open, so she decides to head into it the next night. 

In the shack, there's Naoko's old magic box that was given to her by her father. But... once she opens the box, the key to her father's underwater prison is inside of her old trick box... just after she finished saying the killer must have the key.
Naoko realizes that she'd stolen the key and decides to go home. And then she basically goes crazy. 

The next morning she goes to Jirou's place. The last five minutes of this episode is a bit emotional with Naoko telling Jirou to not go after spiritualists anymore and then she even says goodbye to him. At the end of the episode we get a reveal that the 'Shinikami' will appear in three days to destroy the island and Naoko ends up deciding to be the spiritualist to save it as she goes to the dying Kokumon island in her mother's stead.

EPISODE TEN - DIALECT

Episode number ten, Shinhan'nin wa omaeda! !, wraps up the first season of Trick. Naoko learned that she has the blood of spiritualist known as Kaminuri flowing in her veins and she's invited to Kokumon Island to stop the island from dying. The main problem's here are that a mysterious power from the seas known as Shinikami is going to appear and cause calamities in three days' time, and the only way to stop it is for the person with the priestess's blood to return to the island and marry some guy there, apparently. 

Naoko first declined returning to the island, but something huge happened as she realized that she'd most likely caused her own father's death. This causes Naoko to leave for the island and say goodbye to his new friend, Jirou Ueda.

As Naoko enters the island, her vision starts to get messed up. Jirou wants to head to the island to bring her back but Naoko's mother is against it as then the people on the island would be against it.

The ritual ceremony on the island is filled with a lot of grey to dark humor but it's also quite beautifully directed. We even get to hear Gekko, the ending song of the series, play during it like how many anime series have the first opening of the series play in the last episode.

The ceremony of Kokumon Island consists of Naoko getting married to this older man with a beer belly, apparently. Naoko decides to not go through it after all and to make a flee for it. Then, he comes across Jirou who has arrived on the island to get her back to Tokyo. But before that Jirou decides to check out the village which leads him to come face to face with the villagers of Kokumon Island, but also Naoko's mother who's apparently the final obstacle here.

Naoko's mother, Hitomi, tells Jirou to pick one of five spoons as she decides to show Jirou some magic with bending metal with her mind. The trick is rather simple, but why's she on the villagers' side?

In this episode, Naoko and Jirou attempt to leave the island, and then with some help they manage to dip, but then they decide to come back.. only to find the dead corpse of the person who helped them escape. And the villagers who killed them attempt to frame the two for his death on top of that. Rest of the episode however focuses on figuring out the meaning between these weird concepts and ideas such as the Shikigami.

It's all tied to the special dialect of the island. I doubt many people can really figure this 'trick' out, but these different names the villagers have given to things are transformed from normal Japanese words. I personally don't understand any of it, but there seem to be proper clueing towards the solution when we look at what the villagers are saying and try to decipher their meaning. 

In the bottom of all of this, there is a story about an ancient pirate treasure that ends up being not that surprising in the end, I think. The treasure appears for three hours once every 120 years as the sea goes down from the gravity position of the Earth and the moon. Quite a grand idea.

 At the end of the final episode, there's a surprise appearance - by none other than Chihiro Onitsuka, the singer of the ending song "Gekko". She sings the ending song one last time while Jirou and Naoko fool around in the backgrounds on the beach of the island that's about to sink under the sea.

This fifth and final story arc of Trick's first season was quite entertaining. When it comes to bags of tricks for detective fiction fans to figure out, there weren't too many, and the biggest one required knowledge of dialects. However the plotting was quite decent for the most part and took us places. This story shared many similarities with the first story arc as well as our main characters went up against villagers there too. I think they could have focused more on explaining how they killed Naoko's father, though, as that was the biggest overarching aspect of the story, but it was left rather unfocused. Naoko's mother also did a lot of weird things in the backgrounds like prayed in a ritual to the seas which was forgotten after the scene was shown. 

The atmosphere was quite strong in this one. It had some funny moments but not as many or as impressive as the earlier stories. The comedy mostly came from the directing and weird shaking camera shots. But with these words, I'm finally done watching Trick season one. 

It actually looks like the island that Jirou and Naoko are on is really going to the depths in real life as well, hopefully they didn't have to swim away...

RATING THE STORY ARCS OF TRICK SEASON ONE

Trick (2000) has five story arcs that I went through pretty throroughly so I decided to rank them as follows:

5) The third story arc about a woman named Miyuki who announced she was going to kill three men with spiritual powers. There were good aspects to this story but I don't think the journey to the ending and the ending itself flow together as well as they could. It's just Twins! All of these stories have bunch of little things to them luckily that allow us to figure some parts of the story out.

4) The second story arc about Miracle Matsui. This arc was kind of mixed bag of goodies. The grand trick of making an entire bridge disappear is always very welcome, but otherwise the general plotting was very haphazard. Our main characters ran back and to the village and the jungle like seven times in a row without accomplishing much. The ending was kind of original since Matsui seemed to believe he really could do magic. Some of the illusions were decent.

 3) The fifth story arc, in other words the final story. There weren't that many things for us to figure out but the atmosphere was on point and the director and camera team did a great job. Was kind of disappointed we didn't get more on Naoko's father, however. 

2) The fourth story arc about a swindler psychic. This one was merely one episode long but it had everything you'd want from the story and characters: comedy, some serious parts, decent tricks to figure out one after another. Pacing was good and it was just entertaining episode in its own right.

1) The first story arc that introduces us to Jirou and Naoko who went up against Big Mother and the Mother Izumi religion. The comedy was hilarious here as well. The tricks for the viewer to figure out were basic magic tricks, but that's alright. The camera work really pulled through here. I think the thing I liked most was how the story moved to places here. It didn't try to be a too proper detective fiction story with locked room murders and all that, but it did manage to be a pretty good story in its own right.