Sunday, March 1, 2020

Kindaichi Case Files Movie 1 (1996): Opera House, The New Murder - Overview

"Hide the leaves in the forest."
- Kindaichi Hajime

I've decided to bring a new old school anime series to my blog called Kindaichi Case Files (Kindaichi Shounen no Jikenbo) and what better way to do it than write about the animated movies created by Toei Animation. The first Kindaichi movie that tells a similar story to the Opera House Murders from the manga actually aired before the TV series, and that's the film we'll be talking about today. The first film of the series is called Kindaichi Shounen no Jikenbo Movie 1: Operazakan - Aratanaru Satsujin or Kindaichi Case Files Movie 1: Opera House, The New Murder where Kappei Yamaguchi (Shinichi Kudo and Kaito Kuroba from Detective Conan) is acting as a voice actor for Kindaichi.

What the series is about is a teenage boy solving gruesome inner circle crimes in classic and modern settings for the most part. It's an episodic series very similar to golden age detective fiction and most obviously the series takes after the Kindaichi Kousuke series by Seishi Yokomizo. Similar to Ellery Queen's series, Kindaichi Shounen no Jikenbo also has the Challenge to the Reader format in which Kindaichi always takes his time to tell the viewers that all the clues have been laid out, and it should at that point be possible for the reader to piece all the clues together to pinpoint the culprit (about 2/3 way to the end of the case). I've been analyzing in-depth the anime series but it actually fails in many aspects and leaves some big clues out while acting as if the clues were shown during the explanation portion of the case.

The idea of my blog is to go through every nook and cranny of whatever cases I want to write about literally in order to gain experience on the genre. I'm also aiming to be a mystery writer so I analyze how these different authors plan their most notable cases to get inspiration from them. Now, even though there's a 1994 Light Novel of the same case and that this is supposedly the adaptation of the novel, the movie itself actually isn't written by the original authors as the script isn't really done justice here. It's still important to see how good of a scriptwriters Toei Animation used to have in their hayday. Nowadayays they're actually pretty terrible from what I've seen. In this case Miyuki and Kindaichi are going to Usa Island to watch opera, but the place they're going to is the same as where a case happened in the canon series and the movie also references to that.
Anyway, my post is basically going to be an overview of the whole film.


The Story of Kindaichi Movie 1: Opera House, The New Murder

The movie begins with dark orchestral music and a similar feel to movies such as the Hunchback of Notre Dame except not quite as grand. A group of people are shown watching a drama at a theatre of opera as a chandelier falls down.
 
The Case Cast of The Phantom Opera (Movie) Murder Case
Kindaichi Hajime and his long-time friend Miyuki Nanase are on their way to Makinohara on foot. The problem is that they've been walking for a while now in the blistering summer heat under the sun and they've got another 30 minutes left until they arrive. Kindaichi complains about the heat and takes an info chart on what they're supposed to be doing - we don't really know where they're going and why at this point. Kindaichi says that they have to take the last train and then the jet bus. Kindaichi is surprised at how long their trip takes. Miyuki says that the jet bus is available only on the days when there is a "performance" being held.

We learn that Hajime and Miyuki are going to check out a rehearsal of an opera play called The Phantom of the Opera. Why? Because apparently they're opera fans, although Hajime doesn't agree with that notion.
Miyuki then says that she wants to meet the famous opera stars when they get there and we get some name reveals, in particular Nojyo Kosanro, Naue Seico and Kanai Rio - all young genius actors.

Kindaichi tells Miyuki that he wants to go back home as he doesn't want to go to Usa Island to watch opera because a cruel case happened there last spring. Miyuki says that the owner of the opera, Kurosawa, is holding these events at the island because he wants people to forget about terrible things like that. Kindaichi tells her that Kurosawa is also holding an opera play at Tokyo, so he wants to just watch the play there and Kindaichi then starts to leave but Miyuki stops him and explains that if he doesn't come to Usa Island he'll never get to eat the lobster food he always wanted to taste. Hajime then starts to get annoyed as a police car arrives.

Inside the police car a familiar face is driving. Inspector Kenmochi is going to watch opera and enjoy some fishing on his day off. Kenmochi and a fodder policeman then give Kindaichi and Miyuki a ride.
At a shore the travelers need to take a boat to the island and they notice two people they're familiar with - Mr. Takizawa Atsumi and Midorigawa Yukio. They are opera actors that are trying to carry something fragile and heavy to the island on the boat; a wooden fram with a painting on them.
The actors then inform a woman, the dark-haired doctor Kibagi, to come to the boat as they're leaving soon.

After Kibagi comes aboard, the group starts to sail towards Usa Island. We get information on the history of the place: During the Meiji dynasty a hermit built a hotel on the island, although there were no residents. Ten years prior to present time the hotel was bought and re-furnished. The Opera will be shown on the hotel as the entire place is planned to be re-opened.

Inspector Kenmochi questions Dr. Kibagi on whether or not she came to watch the Opera on the island, to which she says yes.
We get to hear some tense tunes being played as a man looks at the arriving Phantom boat - and then falls down to the sea from a cliff. The boarders are surprised at this act but then Miyuki notes that the man who jumped off the cliff on his clothes into the sea is one of the young actors called Nojyo Kosanro. Miyuki tells that he's loved Nojyo since she was a child and Dr. Kibagi also tells that she's a fan of him.

At the shores of Usa Island one of the performers asks another person called Rukuro to help him move the frame, but he won't as he will first show the island to the visitor and the other performer get annoyed at this. Then, a servant of the hotel arrives to carry some of the bags.
The servant says that the opera house used to be locked but now it's open at all times. We get to see the outlook of the opera house. From outside it looks pretty normal, but inside it has some locks on the doors and stuff like that along with the opera hall.

At the opera hall, a rehearsement is going on. An angry woman asks why she's not being let to sing. She thinks she's the best singer. Miyuki talks about the woman and says that her name is Naue Seico and she's playing the role of a famous 19th century woman named Carlota on the Opera play. There is also another woman, Kanai Rio, who's playing the role of a princess named Christine.

In the play there's a man named Clerk who loves Christine. The one who plays Clerk is the man who jumped from the cliff, Nojyo Kosanro. The play continues as the audience gives loud applauds to Christine, she vanishes without a trace. In the play we see them talk about someone spreading the rumors of a ghost in the opera. The large sized man Lar wants to find Christine and apparently the ghost as well but ends up taking his own life by jumping to the water of a river or something.
Then we get to see Nojyo Kosanro play another character in the play, a character with a mask on his face.

Naue Seico starts to laugh all of a sudden and says that Kanai Rio's acting is pretty pathetic. She's not able to express emotions. Naue is angry that she's not being let to play Christine, the lead female character. Naue also reveals that she should have the spot of Christine because she's the daughter of the president of the Opera and the fiance of Nojyo Kosanro- but Nojyo stops her from talking and asks the Opera helper to get him a glass of water.

One of the performers ask Seico Naue that he's not like a person named Midorigawa who's being worked like a slave. No one talks to him as he will talk back.

The director Kurosawa then claps and says that Kanai as Christine is acting better and better, she just needs to get more experience. Naue tries to talk back but Kurosawa just says that the roles will not change. Naue leaves while angry.
Miyuki notes that Kindaichi is missing. Naue walks angrily and hits Miyuki who falls down then.

we see Kindaichi walk outside. There's a grave with purple flowers and a hut on top of one of the cliffs of Usa Island. Kindaichi goes in the hut and smells nostalgic food or something but a man with a beard named Mabu Masaji came to the hut to accidentally scare Hajime. The man then asks Kindaichi to help him carry a large painting to the Opera house.

After carrying the painting to the building, director Kurosawa says that the painting depicts a woman named Mika, who's now deceased. The director always wanted to have a large painting of her in the Opera house. Kindaichi asks the director if she used to be an actress as well to which he answers that she died when she was about to be a top-class actress. Mabu Masaji then tells Kindaichi to never come to his room again as he leaves. The director explains that Mabu Masaji used to take care of the deceased Mika a long time ago. Nowadays, he's simply taking care of designs in the background of the stage.

Kindaichi notes that on top of the Opera stage there's a massive chandelier. Apparently the Opera company wants to refurnish the old opera house and Mabu and Midorigawa did their best to install the chandelier.
The director closes the stage and Kindaichi notices that a net appears. It's a protection net made of iron. The director then shuts the large lights and lights up with large flashlights towards the net. The net is painted with fluorescence paint, so with the light's reflection it helps make the atmosphere of the plays more exotic in the dark stage.

Two of the actors then start to carry the painting to the Opera room and try to put it on the wall but they keep stumbling. Kindaichi asks isn't the painting kind of lightweight but the men say that can't he see how large it is. Kindaichi wonders about it as when they had three people it was light enough. The men then ask Kindaichi to stop talking and help them instead.
There seems to be a small transition here as we see a person with gloves on manipulate the lights of the Opera house on an oldschool computer etc. This suspicious person is also shown raising the chandelier to the air, so he must've done something bad to it as he had lowered it in the first place.

Later, Kindaichi, Miyuki, Dr. Kibagi, the servant Rokuro and couple others are at a dinner table. Kindaichi asks Rokuro if they're having lobster tonight and that seems to be the case. Inspector Kenmochi happened to be able to catch a lobster apparently.
Nojyo Kosanro and the waiter Rokuro look each other in the eyes angrily. Nojyo then tells him that the knife is dirty and Rokuro picks the knife up and points it angrily at Nojyo. Rokuro tells Nojyo to remember that his name is Yinco Rokuro before giving it back to him.

A new character appears to the dinner table. His name is Wutzen, a Real Estate Owner. Wutzen explains that he's working at a company in Tokyo and they're going to be willing to spend a lot of money to build a resort, which is why Wutzen wants to talk with director Kurosawa that they're going to buy the land to which Mabu wonders how something like that's possible - it's probably supposed to be a scene where Mabu doesn't want the island to be sold.

Nojyo asks where Seico is and the others wonder that she's probably angry and doesn't want to come to the dinner hall. Nojyo asks Midorigawa a cigarette and he agrees. Midorigawa is clearly being bossed around by Nojyo all the time and Kindaichi pays attention to this fact. At the same time Miyuki notices a paper on the dinner table and it reads as follows: Does Carlota die on the stage, the P of the Opera. Everyone wonders what this means and inspector Kenmochi asks who plays Carlota on the stage to which Miyuki answers that it's Naue Seico, who's still not at the dinner hall.
The group goes to the opera house which is very dark. There's a tile wall on the opera stage this time. Nojyo thinks that the paper was just one of Seico's pranks this time and tells everyone to go back to the dinner hall as everything seems to be alright in the opera hall.
Kindaichi looks at the opera hall and wonders as they close the room. The director then puts a lock on the door.

Everyone's kind of depressed as the rainy storm gets worse outside and Kindaichi eats a lot of lobster while they're at it. The group is spending time playing cards. Kanai asks one of the other opera actors  - the overweight one - who's on the computer if he's writing his novel that no one wants to buy. He leaves the computer and Kanai puts it on and starts writing something more on it, fixing whatever the guy had already written.

Kanai goes to sit with Kindaichi and co. as we see a mysterious person walk outside in the storm. The group is playing cards and the inspector says to the Tokyo investor that law prohibits people from building parks next to the sea.
Miyuki asks Nojyo if he's memorized his lines and he answers that he's just finished writing them down. Nojyo seems to be deep in thought but he asks Midorigawa to give him some whisky. There's also talk of a pig bank.


Kenmochi tells everyone to drink until they get happy and we see a shadowy person run outside in the darkness of the storm. A glass is shown falling as a rope is being pulled or something. Then everyone hears the sound of glass being broken. Kindaichi tells everyone that it's the sound of the chandelier in the opera hall and everyone runs there, but there's a lock on the door. Nojyo tells everyone that the key to the lock is in director Kurosawa's room and some of the others on the door go to get the key.
We get some flexible animation on the scene as they try to get into the opera hall and get in there. Nojyo walks inside as others put the lights on. Nojyo notices the chandelier on the ground as a pool of blood falls towards him - it seems that the chandelier had crushed Seico. It's a pretty awful scene as we see Seico's head all smashed and the chandelier all over her as the blood flows down.

The doctor is then asked to perform an autopsy. She says she doesn't really have experience but she'll do it.

At the dining hall Nojyo is pretty angry, he asks everyone who went and killed Seico. Kindaichi tells him to calm down as they'll get the autopsy soon. The director tells Nojyo that Kindaichi has a good chance at solving the case as he's solved a pretty hard case before it on the island.
Rio then talks about something like a killer entering the island unnoticed but the overweight actor Takizawa then starts to talk about how the servant Rokuro must be the killer because he was outside the dining room. Rokuro tells him that he didn't have a motive to kill Seico.

The fattie Takizawa says that he doesn't know if Rokuro had anything to do with her death - she could've been his girlfriend in reality, no on known - but he also says that the real estate businessman could've been the culprit as well as Seico seemed to know him well. The businessman explains that Seico's father used to come to visit his place often. The others then say that he could have a hidden motive to kill Seico as well.

Anyway, the group then starts to talk about how the entrance to the room where Seico was found was completely locked. The killer would have to be a ghost to enter. The claim that a ghost would be running around the place would be bad for the businessman who tries to buy the island and make it into a resort, so the group then starts to blame Kanai Rio for killing Seico because Seico hates her as Rio became the lead actress in the Phanom Opera play.
It's also revealed that Seico hated old man Mabu. Mabu claims that he's used to be hated by others. The overweight actor then claims that Mabu is used to killing others and he gets angry but the director of the opera then stops everyone from fighting and blaming each other for Seico's death.

Kindaichi then brings everyone back to reality and says that it's impossible for a ghost to be the killer but it's true that both the main entrance and the entrance in the back of the opera hall were locked. It's the perfect locked-room murder.
Nojyo doesn't take Kindaichi's words for granted and claims that it's clear to him who the culprit is - Director Kurosawa.
Kindaichi then asks what Nojyo's reasoning is for pointing at Kurosawa.

Nojyo explains that Director Kurosawa used to have a daughter, Mika, with a bright future ahead of her, but because she died her future role went to Seico who was the daughter of the president of the hotel. Nojyo believes that the director hated Seico and Nojyo himself with all his heart and that the director must believe that the two of them were the ones who killed Mika.
Mabu then butts in and says that he'd also have motive to hate everyone and Nojyo just answers him that Mabu must be the accomplice and the person to design the stage of the murder. Mabu then claims that Nojyo should stop blaming others as he had a motive to kill Seico just as well but Nojyo doesn't care and asks the Director to confess for the murder as well as Mabu to confess for being an accomplice to the murder for making up a situation for the crime.


Kindaichi once again stops the actors from fighting and asks Nojyo hat even if the director and Mabu had a motive for killing Seico, how in the world could they have done the deed. Nojyo answers that only the director had the keys to the locked room so he could've easily done it. Nojyo brings out that the director was missing the whole time after all. Nojyo tells the director to ask the devil who killed Seico to tell him who the culprit is and the director then attacks Nojyo but stops before things get bad. Nojyo still keeps blaming everyone for Seico's murder (but he doesn't feel too bad for it himself..)

Inspector Kenmochi and Dr. Kibagi enter the room. The doctor had finished checking out the corpse; it seems the cause of death for Naue Seico was strangulation with a rope. That's surprising because she was hit by the chandelier. In other words Seico was first strangled, then moved to the Opera Hall in which the culprit let the chandelier fall on her. The doctor says that her time of death is somewhere from 6:00 to 7:00 pm. The chandelier fell on Seico at 9:00 pm. It was 7:30 when everyone went to check the Opera Hall and there was nothing there, meaning that the corpse must've been moved here after 7:30. Kenmochi asks everyone to tell their alibis after 6:00 pm.

The businessman asks to let him make a call but the butler says that he has to wait as all the phone lines are dead - furthermore, the boat to the island is also broken. The culprit attempts to keep everyone on the island as the island has now become isolated from outside world (overused trope & setting in detective fiction not gonna lie).
Kindaichi and Miyuki then feel that someone else might die. We get to see a flash of lightning in the darkness of the rainstorm along with a flash of the gravestone that resides on the island (don't really understand why the perspective is on the gravestone when no character has ever pointed it out - it's most likely the daughter of the director but it's just not natural feeling to have the movie focus on the gravestone without any reason other than "ooh look at this").


Later on Kindaichi is in his hotel room thinking things through but decides to go to sleep. Miyuki however keeps asking him to come to the door. Miyuki tells Hajime that she's feelling scared to sleep alone and Hajime makes his usual perverted jokes. Miyuki tells Hajime that she will sleep in his room. She tells Kindaichi to go sleep on the sofa as she goes under the blanket and starts to sleep. This is a pretty nice scene but a bit too short.
Kindaichi decides to take a stroll on the hallways as he doesn't really have motivation to sleep on the sofa but he notices Nojyo and Dr. Kibagi talking with each other. The doctor says that "I think this day was meant to come". Nojyo asks her if she means Seico's death and the doctor tells him that Seico was always far too arragant and wanted to own everything herself. The doctor says that Seico's death was for the better and she also says hat she's had her eyes on Nojyo for a while. Kindaichi is surprised at hearing this conversation from the corner. Nojyo then walks the doctor to her room and time moves forward.

Kindaichi is outside taking shelter from the heavy rain as inspector Kenmochi appears. Kenmochi is angry at mosquitos biting him all the time and he doesn't even have mosquito coils that director Kurosawa handed out. Kindaichi then thinks about Kurosawa and realises something - inspecor and Kindaichi and director Kurosawa then arrive above the opera hall. Three of them go to the ceiling via steel ladders. It seems that for some reason no one else has investigated the place and Kindaichi is there first.
At the ceiling level Kindaichi notices couple of things: the smell of mosquito coil and a piece of nylon fishing thread. Kindaichi explains that he got the trick that made the chandelier fall: The chandelier is held up by powerful metal cords. The cords are heavy and connected to a motor to lift and lower the chandelier. Kindaichi theorises that the nylon thread was connected to the reel or the cords. After some time that apparently broke either of them and made the chandelier fall down.
The director wonders how the reel would have broken from the nylon thread and Kindaichi explains that the thread was put up with the cords so that the nylon was set on fire from infriction by using mosquito coil on the threads.


The trick on the chandelier means that there is no point on trying to find any clue of anyone being in the room at 9:00 PM when the chandelier fell. There is a problem though - the trick seems too simple; almost as if they were meant to be found.
Inspector Kenmochi asks the director whether or not the hotel still uses mosquito coils. The director tells him that they used to but due to the smell the hotel's changed to electric coils nowadays. The storage that the guy with the beard, Mabu Masaji, is in charge of, holds older coils however. Kenmochi suspects that Mabu is behind Seico's death but the director doesn't believe that to be the case.

Kindaichi goes to check the pieces of the chandelier and he sees the butler of the hotel in front of a drawn painting of directors deceased daughter Mika who aimed to be a famous actor. The butler says that he used to be classmates with Mika in high school. He believes that Nojyo killed Mika.

Kenmochi arrives at the hut where Mabu Masaji is. Inside the hut there's a burning coil. Mabu brings a box of coil that was bought in the morning to Kenmochi and says that he didn't open it although the box has been opened. Mabu explains that one of the actors, Midorigawa, was the one to buy the box. The screen goes back to Kindaichi and the butler.

The young butler pours tea or coffee or something at the kitchen and explains to the eating Kindaichi that Mika's performance was so great that it always filled the opera house with people. But it seems that on the 4th last day of performance Mika suddenly vanished into thin air. After looking for Mika the search squad found her on the Opera stage on Usa Island. She was found hanging while her father, Director Kurosawa, was abroad for another show. Mika died without telling anything.
Kindaichi questions whether the butler believes that Mika did a suicide, to which he agrees and claims that Kurosawa also believes so. According to the butler Nojyo was engaged to the daughter of the President of Opera, and the daughter was Seico who was now killed on the same stage where Mika was found.

Midorigawa appears at the kitchen and says that he doesn't feel like sleeping, but at the same time Kenmochi also appears to the kitchen and asks to talk with him after he's finished eating. Midorigawa then says that he wants to wait until the next day because he's tired from rehearsal. There's some banter about suspecting Midorigawa as well but because there's no way to escape the island, Kenmochi agrees to talk with him in the morning instead.

In the middle of the nightly storm we (the watcher) can hear someone faintly pleading for help: "help...me..." as he director watches out the window.

 It's about midnight. Kindaichi is walking around in he hallway from the entrance to the hotel and he hears faint sounds of footsteps mixed up with the sound from lightning strikes and rain. He notices a person and walks after him but doesn't see anyone. Then he looks back and we get this jump-scare moment with a guy in black robes and a white mask standing behind Kindaichi. Then we get this supernatural scene where the masked guy grabs Kindaichi by the throat and lifts him up with one hand. The person takes their mask off and it reveals a woman with a bleeding face shouting for help and she throws Kindaichi through a window like he was a ping pong ball.
Then Kindaichi all of a sudden wakes up in an Opera Hall where the watchers run away while screaming. An Opera song plays as Kindaichi sees that he's sitting alone in the hall and the chandelier falls down as the person with black robes and white mask is riding it down. The white mask flies away and reveals the face of a skeleton. That's when Kindaichi really wakes up and it's revealed that he's been sleeping on the sofa while seeing nightmares while Miyuki is on the bed and we get this "accidental groping anime trope" moment as both of them wake up.

The next day
It's finally morning. Fog is taking over Usa Island after the heavy rain and lightning storms of the previous day. Miyuki leaves the room after arguing with Kindaichi. It's time to dress up and go for a dinner. Kenmochi checks outside and the director arrives to the kitchen where the butler is for a drink of water. Director Kurosawa explains to the butler that his main purpose now is to fix the broken down sailboat that they used to come to the island. The director asks the butler that he felt like beating Nojyo up and asks if the butler felt the same way but he answers that he doesn't.

Miyuki decides to take a shower and we see water drip, drip, drip to the floor until it turns red. She opens her eyes to see her take a shower of crimson liquid. It takes a while for the situation to kick in her head but when it does she starts screaming which causes Kindaichi, the inspector and the director to run to her room. Kindaichi breaks her room's door with surprising ease and notices Miyuki all shocked in her room. The blanket she's wearing is filled with red splatters. Kindaichi then goes to the bathroom to see the shower run with crimson liquid. The director then notes that the problem must come from the water tower.
The director and co. go to the water tower and open the lid up to see Midorigawa floating in there.


Miyuki is still shocked but spending time with Kanai Rio, one of the actors. Rio brings Miyuki a hot cup of coffee with some alcohol mixed in it. The two of them talk about opera plays and we get to hear this soothing soundtrack play over it all. Miyuki asks Rio why she wanted to join the opera in the first place. Miyuki assumes it was for the head actor Nojyo to which Rio answers that she's correct. Everyone seems to be able to tell that she's after Nojyo. Rio explains that after Mika Kurosawa's death Nojyo has become distanced from everything, and he's pushing people away. Rio says that she joined opera after Mika's death. Mika was much better than her. Kindaichi arrives to the room and sees a box with some kind of green cube in it but we don't get to learn much more of the contents of the box.

Outside in the warehouse we get to see a suspicious person pick up an axe. At the coast of Usa Island the director is fixing the boat while talking with the businessman. The businessman explains how everyone hates rumors and talks of people being killed, so the resort business would most likely not work. Both the businessman's and the director's plans seem to have gone in thin air now with the murders.
At the hut on the island we see the bearded man Mabu paint another drawing but the scene doesn't lead to anything really.

Dr. Kibagi has finished her autopsy on Midorigawa who was the second victim. She explains that Midorigawa's cause of death was the same as Seicos - he was strangled by a rope and suffocated afterwards, but he was stabbed in the throat and breast area as well which caused the water in the tower to be mixed with blood. The time of death this time was from around 1:00 am to 4:00 am.

Director Kurosawa explains that he's become too tired now, so much so that he doesn't have the will to continue with the opera plays after his best performers have died. There is still a play in Tokyo that should happen. If they would do that play they'd manage to get big in opera.

Kindaichi tells the inspector that he feels like the culprit is playing them. It seems that the culprit is going by what happens in the Opera Play. That means that he should've thrown Midorigawa into the bathtub - but that didn't happen and Midorigawa was thrown into the water tower instead.
Outside a suspicious character is hacking a lock with the blunt side of an axe. The person enters a room with opera costumes after breaking the lock.
At the same time Kindaichi wonders if the culprit wanted the corpse to be found ASAP for some reason. Kindaichi wonders if the perpetrator wants to finish his plans before the director fixes the sailboat and then he asks Miyuki where the opera personnel keep their costumes and props. Miyuki answers that they're in the warehouse. Kindaichi then asks who's in charge of the warehouse. We get a reminder that there are five actors in the Opera Play.
The suspicious person leaves the costume warehouse as Miyuki tells Kindaichi that Mr. Takizawa should be the one in charge in of the room. Then the suspicious person with white gloves lifts a tile outside the hotel and smashes the tile through a window, hitting one of the actors - Nojyo - in the process.

Kindaichi, the doctor, director Kurosawa and inspector Kenmochi go to Nojyo who is bleeding and Kindaichi runs outside. Hajime picks up a wallet with a ticket in it and then shouts at the inspector to immediately go and find Mr. Takizawa, who is the overweight guy. It seems the wallet was Takizawa's.
Nojyo and the rest then go to Takizawa's room but he's not in there. Kenmochi notices a paper on the floor. The paper is printed from the processor. Kenmochi picks up a bunch of papers. It's called The Murder in the Opera House by Takizawa.

[Note: I think I can get what's happening here already as soon as I saw this. We know Takizawa was writing a mystery novel. Now he's most likely dead. The novel is going to be a play by play of the murders, except the novel parts that Kenmochi found now are most likely going to be notes that have been altered by the killer (Who seems to be Nojyo most likely). Anyway, the fact that Kanai Rio altered some words of the novel in the beginning of the movie are going to play into how this ends for sure. Maybe the culprit thinks that Rio's altered script was the real one. Also, I believe these scripts in detective fiction are usually based on events that have occurred in their respective fictional realities. Takizawa himself may have killed someone - like the director's daughter - and based his novel off of facts that only a killer would know.]
 

Kindaichi asks Kenmochi to read some passages of the novel. The novel reads as follows:
"Title: The Case of the Three People in the Phantom Opera, by Takizawa Azumi..."

Takizawa's confession?
Instead of getting to immediately hear the rest of the novel, we get to hear inspector Kenmochi narrate like Hercule Poirot. Kenmochi narrates as follows:
"After Takizawa strangled Naue Seico, he was afraid of us finding out and decided to admit everything via the printer as he wrote the murder process that took the lives of Naue Seico, Midorigawa and Takizawa himself. The "serial murder" made him blame himself very strongly so he finally decided to commit suicide."
Kenmochi says that on viewing the notes left behind by Takizawa, they can all understand how he felt.

[Note: Okay so I was wrong, the notes are instead clearly a fabricated confession from the culprit. I can see now how this goes. I can guess that the culprit is just making it seem as if Takizawa's novel is a confession. The words altered by Kanai Rio must have something to do with why the 2nd victim was in the water tower, maybe the culprit knew the original contents or doesn't know the original contents of the story if he's only read the altered version.]

Miyuki asks the inspector why Takizawa would've killed Midorigawa who was a close friend of him. Kenmochi explains that he must've had no other choice. When Takizawa left the island to buy something, Midorigawa was with him and saw the lock that Takizawa bought. Apparently the lock was used to kill him? (don't understand the translation, it's obvious that he supposedly used the lock on Seico's death trick) Anyway, the inspector explains that after Opera rehearsal Takizawa had asked Seico to the Opera house and killed her. He used the mosquito coil to burn the wires of the chandelier to create an alibi for himself. Furthermore, after finishing dinner, Takizawa left to break the lock to the Opera house and then moved Seico's body to the stage. After moving the body in he changed the locks. When the chandelier fell, Kenmochi, Kindaichi and co. rushed to the locked door of the Opera Hall. Takizawa Azumi changed the key in the directors room with the key that he'd bought with the new lock apparently.


[NOTE: Not sure why the lock trick even matters here, it actually doesn't feel relevant. There is actually no logical reasoning behind this need to change locks and kill a guy because of a lock. The lock doesn't affect anything, the key does. There is only one key which means the body couldn't have been brought in and the timeframe for the murder is hidden by alibis because the chandelier fell at 9 PM.. but she wasn't murdered at 9 PM.. It's kind of obvious that the corpse was in Opera Hall all the time while the group checked it out at like 6 PM because the background of the hall was changed. Anyway that doesn't have to do with anything but this whole focus on the lock and is honestly just badly planned, it's irrelevant. The group seems to think that the director had the original key with him 24/7 or something which didn't allow the lock to be picked but if the perp has to change locks then he'd have to give the new key to the director and use he old one... yeah, nothing changes except the thing just gets more messier and illogical.]

Hajime asks Kenmochi is there's something amiss with Takizawa Atsumi. The inspector thinks back and remembers that Takizawa had paint under his nails.
The inspector also says that after Takizawa hung himself with the nylon rope, the wall couldn't support his weight or maybe he didn't tie the rope tight enough but he apparently fell down and was struck by an axe... [while falling down... that's not realistic at all...] Kenmochi is somehow confident that he did a suicide.
Then Nojyo starts laughing and tells everyone that he's happy Takizawa killed himself as he deserved it. Nojyo says that he's the survivor - the winner.

The inspector and Kindaichi are at the corpse of Takizawa. Kindaichi ponders about all the odd things about the case, for example why did Takizawa use plastic thread? There are also pieces of something at the crime scene.
Mabu the bearded man makes his appearance and tells Kindaichi that the pieces are from old oil paint, he knows as he's a painted.
Kindaichi then explains to the inspector that it seems like Takizawa's wound from the axe isn't bleeding all that much. It's likely he was moved to the crime scene from somewhere. Takizawa's death is a faked suicide. There is a killer somewhere out there still. Kindaichi swears to solve the case in the name of his grandfather.

Back at the hotel's corridors, Kindaichi and Miyuki notice something red on paintings. Almost like blood a bit. The rags also seem to be bloody.
Then all of a sudden Miyuki notices that something is flowing and they notice a gasoline bottle in the room, and right after the gasoline bursts into flames.
Miyuki and Hajime start to run away from the flames but the door has been locked. Kindaichi looks at the burning painting and the flames almost get them but the inspector and the butler manage to break the lock on the door and they escape. The entire building is set on fire however.
We see a scene where most of the characters are looking at the spreading flames in the darkness outside.

Time to think. Kindaichi looks at the burning building and then starts to go over all the facts - all the suspects on the island, the painting of Mika, the chandelier, the piece of chandelier that had a weird vision through it, the burning building itself, the bloody icepick, the wallet, the lock, the crime scenes... Kindaichi claims he has solved the mystery now. We get to see a scene of Usa Island in darkness in brilliant flames as the side building burns down.


Forwarding time to the Near Future
In the bustling city of Tokyo a person enters an apartment and goes upwards via elevator. Anoher person also follows after him.
We see Nojyo Kosanro as the person who went to like the 6th floor. He enters a building to grab something like a cassette tape while wearing a sad face, and after getting what he went to the apartment for, he leaves. Nojyo looks to the side and sees Director Kurosawa. Right after him comes in Kindaichi Hajime, Miyuki, and inspector Kenmochi. Hajime asks Nojyo what he's doing at the apartment as it's Takizawa's apartment.

Nojyo says that he apparently underestimated Kindaichi and wonders when Hajime started to keep an eye on him.
Hajime explains tha the death of Takizawa and the fire at the Opera House solved the mystery. Hajime asks Nojyo if he knows who his grandfather is. Nojyo knows this: Kindaichi Kousuke (not really, there was a lawsuit about that). Hajime says that his grandfather used to say that after all the evidence is destroyed, new evidence will surface.
Hajime then asks Nojyo what the tape that Nojyo has in his hands contains. Nojyo explains that the tape is one of his important tapes that he lent to Takizawa. He apparently borrowed Takizawa's key as well.

The inspector then asks Nojyo to give the tape to him. In order to solve the mystery, they have to have a look at the tape. Then we get a back and forth between Kindaichi and Nojyo. Kindaichi explains that he doesn't "think" that Nojyo is the killer, no, he says it straight: "Nojyo Kosanro, you are the killer!"

Nojyo then asks Kindaichi that Takizawa's will, the use of mosquito coil and his Nojyo's presence with the group at the bar when Seico's body was found should give him an alibi. Miyuki also explains that she saw Nojyo with the group. He didn't have time to move the body. Nojyo then asks Kindaichi to explain how he had the time to move the body to which Kindaichi answers that it's simple; the body was there all along (as I assumed).

Even though no one saw Seico's body on the stage. Kindaichi then pulls out the green cube piggy bank and explains that Nojyo used the piggy bank trick to make it seem as if Seico wasn't on the stage already. The piggy bank looks as if there's a green cube in the middle of it but in reality there's another layer that's hiding the place with the coins. Nojyo used a similar trick on the stage with the two iron nets.

Key explanation for Seico's Murder: According to Kindaichi, after dinner Nojyo had asked Seico to the Opera stage and strangled her. He then used the two iron nets to block any entrance to the Opera stage and hid the body of Seico behind a large mirror. This is clever because now we have a clear reason for the culprit to use the chandelier to brutalize Seico - the culprit got rid of the mirror by destroying it with the massive chandelier. There were odd pieces of glass that Kindaichi found at the stage which were this mirror destroyed (I wish they at least hinted at there being something odd about it though).
 [As it is though, it's great that they made the chandelier so important. It wasn't a murder weapon, so it was used to do something else. In this case it was used to destroy the trick itself! Impressive.]

Kindaichi explains that Nojyo moved the mirror to the Opera house with the help of Takizawa who didn't know about the mirror. The trick was in the frames. In the beginning of the movie Takizawa and Midorigawa were carrying a heavy item which they assumed to be the frame for Mabu's painting of the late Mika Kurosawa. In reality the frames weren't heavy but what they were carrying were the large mirrors. When the picture of Mika was hung in the opera hall, the mirror was inside of it. This made it easier for Nojyo to use the heavy mirrors as they were in the same room as where he was going to kill Seico.
Hajime then shows the piece of the glass he found at the crime scene - it's actually not just glass and also not part of the chandelier, but it's the piece of mirror.
We also get a cool scene of Hajime explaining about how the culprit hid the trees in the forest by using the chandelier to destroy the mirror.


Key explanation for Midorigawa's and Takizawa's murder: Hajime's been wondering about the Phantom Opera play. The murders follow the play to a T. The chandelier killed Seico. Next up was the plot of Midorigawa being drowned. Apparently Midorigawa went to play missing or something but was killed with the ice pick (if I got that right).
As for Takizawa's murder, Nojyo pretended to be the victim that was attacked in front of everyone.

Kindaichi explains that Nojyo's scheme was the perfect murder but there are problems with it. I'm not clear what he means but Hajime explains that the play in Tokyo has something to do with the murder case. He also explains that director Kurosawa locking the door to opera hall helped Nojyo. Apparently Takizawa was Nojyo's accomplice or something and Midorigawa saw Takizawa buy the new lock for the opera hall which was the reason to kill Midorigawa. I still don't buy the lock thing.. the writers have no idea why it'd be important and we don't either, as it's not explained...
Hajime also explains the parts about how Nojyo asked Takizawa to get the key from directors room and something about pretend victims and making people think about killing people who don't exist.. this script isn't flowing that well... it's like part of something more coherent.

Nojyo asks Hajime when he started to suspect him. Hajime explains that it was when he checked Takizawa's wallet that was outside the window when Nojyo was attacked. Hajime explains that when he found he wallet he didn't see apartment keys, only car keys (note: there is no hint about this... there is no reason to think the  watcher had any clues about this).

Inspector Kenmochi then tries to take Nojyo's tape but he refuses to give it up. He tells them that he'll confess on two conditions:
First of all, no one should be allowed to see the video tape's contents. He wants to destroy it.
Second of all, Nojy wants to perform at the Tokyo opera play.

Then, Nojyo explains that the tape at Takizawa's apartment was the reason he planned for the murders. The past four years have been torture to him.
Nojyo reveals that four years ago the late Mika Kurosawa played the role of Christine in the Opera play. Seico was the one who envied her and tricked her into drinking a drug after the 4th day of Opera. Mika was killed by them.
To Seico, Mika's success was a shame to her so she made Mika drink the drug. Nojyo reveals that she loved Mika. We see a flashback where Takizawa filmed Mika who was under effects of the drugs, and she couldn't even move. Apparently Midorigawa was also there when the filming happened and Midorigawa started spreading rumors about Nojyo dating Seico which made it worse for Mika.

Mika being under the effects of the drugs ruined her Opera play so hard that she decided to do a suicide in the end.
Director Kurosawa thought that Nojyo dumped Mika and got with Seico but that was apparently just a rumor he kept spreading himself. Even to this day Nojyo loves only Mika. We see the flashback of when he found Mika's body. Apparently she was often wearing a wig and was really rather short-haired.

Then we get a long scene where Nojyo explains his sad feelings about the situation and how he lived for revenge. The director then makes a request to Nojyo and asks him not to die on the stage until the end. Nojyo agrees and tells Kindaichi if he understands the meaning behind those words. Nojyo's wish is to let everything end on the stage for the Tokyo's Phantom Opera.

The End of Phantom of Opera
The opera play in Tokyo will tell a touching story about a guy named Lar looking for his beloved Christine. This will be the true story of Nojyo Kosanro.
We get to see every other character gather as well. According to the businessman who makes his appearance, Kindaichi asked them all to come to the Opera.
Inspector Kenmochi appears and says that they did some autopsy on Takizawa whom Nojyo attempted to frame as the killer. There's something off about the axe.
According to kindaichi Nojyo was not the killer of Takizawa. The true killer of Takizawa is another person - an accomplice.


Nojyo stars his play at the same time as they do this final detective work. Hajime says that Miyuki and him found a lot of blood on the painting and ground so the one who attacked Takizawa apparently must've spilt a lot of blood. Nojyo pretended to be assaulted, but the wounds don't match the blood.
Hajime explains that the killer, the Second Phantom, is the one who plays Christine, in other words Kanai Rio. This came as a surprise as I don't think there's any hint at this in the story whatsoever, Mabu would've made more sense I'd say.

We get to see a flashback on Kanai Rio being ambushed by Takizawa and then Nojyo started strangling him. Apparently Takizawa's fingers slashed a painting by accident when he was being strangled which was why he had paint under his fingernails (completely forgot about that...). Takizawa fought back with a knife and Rio then attacked from the back with an axe and killed Takizawa.

Rio and Nojyo get on the stage as the police arrive to get them. Nojyo and Rio talk about how their dream is Mika's dream and something. Then the curtains close. Bunch of police cars appear.
Nojyo is at the dressing room where Kindaichi is waiting him. Hajime asks what sports Nojyo plays.  But he has no real reason for that. Hajime then starts talking about how we all have to look forward to the future, to some other destination. We see Nojyo leave to where the policemen await while Miyuki appears. Hajime then puts powder on his face but Miyuki notices that he's trying to hide his tears. There are people in this world that you just can't save.

The movie ends with Hajime's tears
Some days later we see Kindaichi along with a group of other sudents walk to school in the morning. Kindaichi complains about the heat as inspector Kenmochi appears. Kenmochi asks Kindaichi to solve a case for him but he disagrees.
Miyuki then tells Kindaichi that when the opera house on Usa Island was on fire Kindaichi tried to protect her from the fire which made her happy. We get a somewhat comedic ending as Hajime explains how that wasn't actually what he intended but doesn't talk more about it. Miyuki asks what he means and Hajime tells her that he was actually scared to death himself and was annoyed by Miyuki constantly screaming for help. Miyuki kicks Hajime downwards and he falls to the river. As Miyuki drives away with her bike Kindaichi manages to catch up to her while running as the movie's ending theme Mystery of Sound and the opera theme starts to play.
/The End of Kindaichi Shounen no Jikenbo Movie 1: Operazakan - Aratanaru Satsujin.

Wednesday, February 19, 2020

Dragon Quest: Your Story (2019) - An Impressive Video Game Adaptation

The Dragon Quest video game series is one of my all-time favourite when it comes to RPG's. I've spent hundreds if not thousands of hours playing the games and there is always something new to find in them due to the humongous amounts of worldbuilding and intriguing character dialogue. At the end of last year, year 2019, I heard about the upcoming animated TV series by Toei Animation and it got me wanting to replay some of the Dragon Quest games I never really bothered to finish, such as DQIX: Sentinels of the Starry Skies for Nintendo DS (I never finished the game because the game doesn't have any actual side characters even though those are one of the best aspect of Dragon Quest games. Very disappointing in that aspect but the game is entertaining for the first 10 or so hours).

Akira Toriyama is such a legendary artist. He's the designer of all the Dragon Quest games, Chrono Trigger game and the Dragon Ball manga series. All three of these series Toriyama has designed are all known as masterpieces and there's no doubt his inclusion in the works is what elevates a basic form of art to become something more than just a decent RPG or a manga series. Dragon Quest XI is the latest one to come out in the game series and I've been blown away by Toriyama's character designs. The cast in XI is the best looking out of any series I've seen, not because of details in the art but understanding of what makes a character stand out. The designs aren't too busy looking and they aren't bland either. The perfect balance. Every time I think of a good JRPG I visualize Toriyama's designs first, rest after.

Anyway, enough of that. DQ: Your Story (2019) is a 3D movie based on the Dragon Quest franchise's fifth installation, Dragon Quest V: Hand of the Heavenly Bride. The film has been directed by Takashi Yamazaki who is also taking part in directing the next 3D Lupin the III movie. As I meantioned earlier I heard at the end of last year that a new Dragon Quest animated TV series is coming out in 2020 and literally yesterday heard that this film exists on Netflix so I thought this film was that 2D series, but now that I watched this and checked out the news of that animated series, that's actually another thing entirely called Dragon Quest: Dai no Daibouken that's airing this Fall. Not sure if it'll be added to Netflix's collection but I hope so.

Your Story tells the story of a Hero, the son of King Pankraz who knows how to use a sword in battle. The movie moves at a breakneck speed to explain the beginning of the story. We get to see all the young characters, Bianca (most famous waifu in Dragon Quest) and the Hero's prince friend who drops out of the film at around halfway mark. There's also some really cool directing being used in this movie to showcase the old 2D Dragon Quest 5 game being played before we move on to the actual 3D part of the movie. In the movie papa Pankraz soon falls to the hands of the evil demon lord and loses his life. The demon lord kidnaps the young hero and offers him to become a slave that works for him until the day he dies. The Hero and his friend prince spent 10 years as slaves until they make their escape via a barrel and the help of a certain medicinal artist doctor.

Dragon Quest V is known to be one of those original JRPG's with a romance storyline, which is one of its strongest selling points. The idea is that at the end of the story you get to pic which character you want to marry, which is basically what Dragon Quest VIII: Journey of the Cursed King (Switch ver.) and Dragon Quest XI: Echoes of an Elusive Age (Switch ver.) have been doing nowadays.
The story of the movie thus moves from the escape situation to another town where a story arc takes place in which the Hero has to defeat a monster and get the holy sword that only the chosen one can wield. The price for defeating the monster is the hand of the princess of that kingdom, in other words the King promises to let the Hero marry the princess. The Hero manages to get the sword but he soon realizes that he's not the chosen one as the sword won't budge from the hilt.

Back at the kingdom, the Hero meets up with his old friend Bianca. Bianca is now a beautiful young blonde woman that knows how to fight. Bianca helps the Hero to propose to the princess, which he does, but due to certain love potion plotline, the Hero wakes up in the middle of the night and realizes that he actually doesn't want to marry the princess - he wants to marry Bianca who has stayed back at the bar the whole night where they celebrated the upcoming wedding of the Hero and the princess of the kingdom. The hero proposes to Bianca instead and tells the King the truth. The King is a bit angry but accepts the Hero's will to marry someone else but they fabricate a reality in which the King is supposedly furious at the Hero for not marrying his daughter.

Bianca and the Hero live their lives happily until their new son is born. The holy sword the hero found at the kingdom is starting to shake lately and the Hero tells Bianca that he's going on a journey to find the chosen one who can wield the blade. The blade's purpose is to be able to defeat the evil demon lord that killed the Hero's father. We learn that the Hero's mother is also kept at bay by the Demon Lord who wants to use the mother's power to open a sacred gateway. Anyway, the hero comes in contact with the Demon Lord and gets defeated - and petrified; in other words, the Hero gets turned into a stone statue by the demon lord as the demon lord kidnaps Bianca. There's a creepy scene where the demon lord is touching the Hero and admiring how beautiful the stone statue looks.

The Demon Lord takes Bianca to where the Hero's mother is at. The mother has spent decades inside a barrier, in a coma, so that the demon lord would not get his hands on her. The demon lord reveals that Bianca and the Hero's mother share the same blood of special ancestors and that's why they're able to talk with each other. The demon lord then makes Bianca an offer: talk with the Hero's mother and make her get rid of the barrier, and after doing so the demon lord promises to let her go back to her living son. Bianca talks with the Hero's mother a bit by communicating by telepathy but she then starts to fight the demon lord and she also gets petrified and turned into a stone statue.

Eight years pass and a young boy finds a holy wand that he uses to free the Hero from being a stone statue. The Hero then realizes that the young boy is his and Bianca's son, who's somewhat grown up now. The two of them then decide to journey to where Bianca went to save her and the Hero's mother.

At the final valley we get to see the Hero's mother in her barrier and Bianca as a stone statue. The heroes save Bianca quickly with the wand but the mother asks them to leave as the demon lord has amassed a massive amount of power in the past eight years; power so massive that it's capable of destroying the entire world. The demon lord then manages to finally charge an attack powerful enough to destroy the barrier holding the Hero's mother, but after doing so, the mother dies in the hand of the Hero and the way to open the sacred gate is lost forever.

The hero then decides to pick his blade and fight the demon lord in an epic battle. We get to see Bianca, the Hero and their son throw a huge amount of spells that are used in the game series, all the way from Woosh to Kaswoosh (wind spell) to Frizzle and Kafrizzle (fire spells), and Thwack spells (insta-kill mechanism that has a low percentage of actually hitting and causing the insta-kill). The heroes get pushed into a corner and the Hero throws his son the holy sword by accident to realize that he's actually the chosen one to be able to use the sword. Later on the heroes manage to defeat the demon lord with their combined efforts but the movie changes there from how I as a watcher invisioned it to be like and we get to learn what Your Story title actually means for the film.

The truth of Your Story
It's revealed that the film is actually about a guy who has spent his life playing Dragon Quest V and he got into a simulation in which he himself becomes the Hero. The ending is supposed to show us what we as players of Dragon Quest want to experience pretty much and the powerful nostalgia that these games give us.
As a final battle there's a virus program in the simulation of Dragon Quest V and the virus attempts to erase the entire world. The player manages to defeat the virus with the help of a slime who's been with him since the beginning of the game. The player as the Hero then gets to the ending credit scenes and manages to finish the game before leaving the simulation. The end.


This movie is really well made. There is visible effort in everything from the animation to the script to the voice acting and the presentation, as a videogame adaptation it's amazing. Sadly as a movie it has its flaws. This film is literally made for Dragon Quest V fans. You're supposed to know the story inside-out to see the easter eggs and appreciate it. The pacing of the movie is hella fast, it just jumps far too much for anyone to really get into what's going on. The emotional scenes don't really hit but the implications of what this movie is (a nostalgic player simulation experience) is actually very emotional. The soundtrack used in the film was the symphonic suite of the Dragon Quest games which is amazing. From a visual standpoint this film is nigh flawless even if not Akira Toriyama style, it still manages to capture a lot of the original feel to it.
We sadly don't get to see Bianca's daughter in this movie and the final villain is kind of whatever, the dragon quest games always have these demon lords to defeat but what makes the games fantastic is the journey to the end, for example in Dragon Quest 8, the ruthless serial killer theme and the emotional value along with the heavy worldbuilding is what makes that game perfect. These demon lords are made for the games, not movies by any means. There's a lot I could say about this film still but I hope people just keep on supporting the series as always until we get more masterpiece games from this series. There are many series that get shafted as they get too popular, Sonic the Hedgehog being one of those examples, but Dragon Quest has never fallen off thus far and the amount of effort put into this movie or the entertainment value that's found in the Dragon Quest Builders spinoff games prove my point. Dragon Quest goes on very strong, and I expect it to get even better in the future.

NiNoKuni (2019) Movie is a Hard Skip

Today I decided to spend some time watching the new NiNoKuni (2019) film by OLM Studios. The film is inspired by the game series of the same name and it's clear that the script they used for the movie was the basics of a role playing game's plotline, but without the aspect that connect them together. Things just jump from one thing to the other in this movie.
My sister is a fan of the game series and I've always loved the music by Joe Hisaishi and I dig the bootleg Ghibli art style, but this film ended being downright abysmal. I'm lucky I watched it with my sister because otherwise it would have been a hard skip from the first 10 minutes onwards.

The story begins with a boy names Yu finding out that one of his friends, a girl named Kotona gets stabbed by a man with purple glowing eyes wearing a hoodie with a spider tattoo on it. The stabber escaped but Yu grabs the falling Kotona. The problem is that Yu is actually a cripple, a boy on a wheelchair. He decides to call for help but his best annoying friend Haru appears on the scene where Kotona is laying on the ground with Yu with a hole on her stomach.

Haru decides in the moment to get oddly angry at Yu and Haru grabs the girl with a knife poking on her chest and decides to run to a hospital by crossing a road with passing vehicles. Yu follows Haru with his wheelchair and three of them almost get hit by passing cars as they are in-between two buses or trucks or whatever. Next thing Yu notices is that he wakes up in another world with his friend Haru, but the stabbed girl Kotona is missing. The boys soon notice that Yu has gained some kind of superpower as he can walk and doesn't need a wheelchair in this other world.
The story is an "Isekai". School boys get thrown into another world. If you've seen Shield Hero you know what they gotta do here; get rid of the evil baddies that invade the Isekai city they appeared in.

That's pretty much the gist of it. This story is pretty garbage without any substance. The moment I saw Yu able to walk and without need for a wheelchair I knew the story was going to be garbage. I hate series that are far too idealistic. Samurai 8 by Masashi Kishimoto does this same garbage. There are bunch of series where a "loser IRL" character goes Isekai and turns overpowered. It's lame.
By the way I loved how JoJo's Bizarre Adventure Part 8 by Hirohiko Araki handled this trope of turning a character that needs a wheelchair into a superhero story. No other story has managed to pull this trope off that well that I've seen.

Anyway. NiNoKuni (2019) had average animations, lazy and bland character designs, really bad characters, an average soundtrack, and a terrible plot with horrendous dialogue. The story is as basic as it gets and the ending tries to pull off a lazy, illogical plot twist that was just hilarious. Talking about funny aspects, me and my sister laughed so hard when one of the main antagonists revealed themselves - the guy revealed three identities.

This movie was so stupid it was funny. There was no passion put into anything in this movie - it's silly and manufactured. In the future there will be Artificial Intelligence bots capable of churning out series like this hundreds of times a day because the script and designs were so cheap and easy to copy with a slight color swap to change it up.

Saturday, February 15, 2020

Detective Conan EP 943 - The Tokyo Barls Collection review

It's been a very long time since I've sat down and watched an Anime Original episode of Detective Conan. As I've been reading other series with longer stories and re-reading the Bourbon arc of Conan with the three chapter long cases, it's nice sometimes to just try to quickly enjoy these one episode (about 20 minutes) long cases. The reason I just hopped onto this case was to find a certain old soundtrack that plays somewhere in the episode for the first time in ages. However when the episode started I just decided to write about it for one simple reason: the case is about just Conan and Kogoro together. In these days where Detective Conan cases are filled with bunch of side characters accompanying these short stories, it's incredibly refreshing once in a while to get something that doesn't fully overload the watcher with information, so a single episode with the two of them just being together is just what I wanted.

 In this post I'll be going over what the Tokyo Barls Collection (EP943) does and I'll also be reviewing it, regardless of how good or bad it ends up being as it's important for an evolving writer to understand writing styles from the perspective of a watcher.


Episode 943: Tokyo Barls Collection opens up with Conan wondering about Kogoro acting weirdly in the Mouri Detective Agency. For some reason Kogoro feels like he's hiding something as he's taking nose hair's out. Conan picks up a letter and "investigates" what it contains. It appears that Kogoro has gotten an invitation from a woman he's never met before - the woman claims to be Kogoro's fan and she'd even sent him a photo of herself in the invitation (she wants to meet Kogoro).

The female, Toyoko, who'd invited Kogoro tells in her letter that she wants her "beloved Mouri Kogoro-sensei to come visit her restaurant, the Toyoko's monja restaurant, which resides in Tsukishima. Conan asks Kogoro if he really trims his nose hairs just to go eat but Kogoro admits that he has perverted tendencies towards this fan like all other women so Conan decides to tell him that he also wants to eat some monja (see more on this Japanese dish here).

As Kogoro and Conan arrive at Tsukishima through underground railways, we get to see some really nice city landscape of Tsukishima (which is in the Tokyo prefecture). I really love the atmosphere of these casual case starters with just our main characters hanging out with some nice soundtrack playing in the background. The character art in the series for the anime originals is sometimes less than ideal but this case looks good, so there's no problem with art.

Conan decides to ask Kogoro for the deluxe gizzard and garlic monja with cheese. Kogoro just tells him that because monja is a simple food it's not supposed to be eaten in deluxe ways but he still gives up to Conan this once.

The duo heads down an alleyway where the restaurant is supposed to be only to notice an older lady dance in the streets right next to the entrance. The woman then comes to Kogoro and asks if he's Mouri Kogoro after seeing the letter. The woman runs inside the restaurant while laughing (but not in a crazy way), telling them to wait. Conan and Kogoro soon head in regardless to meet the woman who called Kogoro to the restaurant, but there is instantly something odd about her as she seems to be doing something. Regardless she then turns over and winks, but then her face starts to break as if it was made of weak porcelain, revealing the older lady from beneath.

The old woman then starts to talk about romantic lines with the Great Detective and the Sumida River.  After the woman leaves, Conan tells Kogoro what she said and Kogoro thinks that him turning her down might mean that she's going to jump down the river. The duo goes to the nearby river to see the woman just dancing there. She says that she used to be a dancer in a big theater in Ginza. Kogoro thinks that he remembers what she's talking about (the theater, I mean).

The three of them go back to the restaurant to finally eat monja. Conan looks at a poster on the wall to see Tokyo Barls Collection on it. Then the woman starts to have hard time breathing all of a sudden and barfs out a tough piece of cabbage until she manages to breathe again. The woman then claims that someone tried to kill him by putting the cabbage in the monja and she claims to know who the culprit is. Conan and Kogoro try to tell the woman to calm down but she goes on about her old classmates she used to be in a group with. Her group was known as the Bufu'usu of Tsukishima. 

Conan and Kogoro wonder what Bufu'usu of Tsukishima means and the woman, Toyoko, explains:
Busujima Toyoko (75) forms the Bu in the group name.
Fuda Eiko (75) forms the Fu in the group name.
Ugajin Kyoko (74) forms the U in the group name.
Suo Yuko (75) forms the Su.

The four of them have been friends since childhood and use to talk about the good old times. Toyoko assumes that one of the three friends of her might be the culprit. Kogoro tells her that it must be her age saying that but Conan just ponders about how age doesn't make anyone say anything. Toyoko asks Kogoro to investigate the case and puts an envelope full of money in Kogoro's pocket. Needless to say, Kogoro is all for investigating the case now.

The first person Conan and Kogoro will investigate is Eiko Fuda. They decided to wait for Eiko at the Tokyo bullet train platform and the Fu of Tsukishima, Eiko, quickly arrives. Kogoro runs behind her and talks with her about how Toyoko is still alive and Eiko claims that she "of course" hates Toyoko because Eiko used to date a ping pong team captain in middle school and Toyoko forced her boyfriend to break up with Eiko. We get a flashback of the events and see Toyoko when she was young.

The next person to be investigated is Ugaji Kyoko, the U of Tsukishima. Her work is to butcher tuna at Toyonaka Market, so Conan and Kogoro head there next. Kyoko arrives while recklessly driving something in-doors. We get straight to point and Kyoko claims to also hate Toyoko because in middle school she used to date a baseball team captain named Fuji. We get to see another flashback where Toyoko forces the boyfriend of Kyoko to break up with Kyoko.

The final person, suspect #3, is Suo Yuko, the Su of Tsukishima. Outdoors Kogoro and Conan meet up with her and Kogoro immediately asks if she was dating with a basketball team captain in her middle school days, and perhaps Toyoko stole him from Yuko. Yuko corrects him that she was dating a judo team captain named Ban. We see a flashback about Ban using some "anti-itch lotion" and Toyoko appearing and telling him that if he doesn't break up with Yuko, she might tell everyone about what she'd seen (Ban "do embarassing things").

After investigating the three, Conan, who is standing next to a large bridge, ponders about how odd this whole thing is. Everyone resents Toyoko for stealing their old boyfriends away by blackmailing. Kogoro then comes to the conclusion that all three of them must've planned to put the cabbage in Toyoko's food together. Kogoro and Conan go to the restaurant to explain everything. Toyoko asks Kogoro to talk to the Metropolitan Police Department (MPD) and leaves to get more beer for Kogoro. Conan looks up at the wall where the poster is and realizes what's going on.

After Toyoko comes back with the beer, the Sleeping Kogoro is waiting for her to give her an explanation of what he's deduces.

Sleeping Kogoro explains that when you make monja, the fine dish of Toyoko's restaurant, you use two spatulas to finely chop ingredients spread over a hot plate. What that means is that even if a cabbage core were mixed in with the ingredients, it should've been chopped to small pieces. There's no way for it to realistically get stuck to someone's throat. What that means is that the cabbage core must've been put into the monja after Toyoko finished chopping it. Furthermore, if the cabbage core had been carelessly thrown into the monja's ingredients, Kogoro or Conan also would've possibly choked on it. It's not realistic to assume that the cabbage core was put there by an outsider to kill Toyoko.

Sleeping Kogoro comes to the conclusion that all four of the elderly women must've worked together to involve the police and Kogoro in this case. Thus, this whole thing was a fake set-up by the women. However after explaining that Conan looks around the restaurant to notice that Toyoko isn't even in the restaurant to listen to Sleeping Kogoro's deduction speech.

Conan goes to the riverside again to see all of the four women, Toyoko, Eiko, Kyoko and Yuko, laughing together. Conan overhears the four talking about how if the famous Mouri Kogoro along with the Metropolitan Police Department all started to investigate the case, it'd be a huge story in the media. The women's true goal was to make people talk about the Tokyo Barls Collection, that this group of women used to be a part of, again. They know that they might get arrested for it but only plan for that part later, and don't care - they would naturally have to make even a public apology when they get caught, but it's alright as more and more people will be talking about the Barls Collection. The scene ends with Conan looking at the four women and imagining them laughing together as they were in their teenage years.

Conan returns back to the restaurant to see Kogoro with a phone on his hand as he talks talks to Inspector Megure. Kogoro is planning to ask the Metropolitan Police Department to help to catch the women, and he's playing right into Toyoko's trap as Conan didn't want the police to get involved.

After the ending song of the episode finished we see in the epilogue of the story Inspector Megure and Kogoro back at the restaurant along with huge amount of media reporters. The women got caught in their ploy by the police. The four women make their planned public apology and market the Tokyo Barls Collection in every place they are at to make it more present and talked about in the media.

Conan looks at the explosive popularity growth of the Tokyo Barls Collection in the streets and the episode ends with some nice jam music (this ending soundtrack is used as Kogoro's theme often and there's a 'sad' version of it as well).


Review portion

The Tokyo Barls Collection tells a story about four elderly women who act as youthfully as in their prime. The case is one episode long and very simplistic, there are not much clues to go on, you just go with common sense as much as possible (with the motives of the three suspects) and the attempted murder weapon, the cabbage core, is also something you just use your common sense with to come to the right conclusion. 

I can't say the case was good in any form - it's a very lackluster Anime Original in the mystery aspect and many other aspects. At the beginning, at around 14 minutes mark and at the end I noticed some '07 versions of older tracks which always elevate the experience as Conan's older soundtracks are absolutely god-like and fit cases very well. In this case there was no dead body or anything really substantial so I guess the episode would have been pretty crappy without the soundtracks. 

The animation was, as I've mentioned in the overview, fine. The artwork was not bad and the background art sometimes in this series with the city landscape is nice to look at  - provided that you get that Ran no Theme or something like in this episode jamming in the backgrounds. 

Why did I review this episode then if it's nothing to talk home about? Honestly I can't say I liked this episode. I didn't hate it either but objectively looking at it there's no point to put it above 4/10. The story seemed pretty low-tier even for an Anime Original, although of course the events in the episode are not that unbelievable and the case does have some meaning behind it with how one is perceived, and meanings of liveliness and friendship. Just the presentation was lackluster. I thought the clay face of Toyoko at the beginning of the story foreshadowed her being the 4 together alone but that would've been awful for a twist as well so I guess it's better it didn't go that way. 

The reason why I overviewed and now reviewed this episode was because of simplicity. It's very tiring to simply read complex and long stories all the time. The Detective Conan canon is not simplistic in the way that you could just enjoy Conan and Kogoro or Conan and Haibara on their cases anymore. The series is more heavily focused on having a lot of overarching characters take part in these stories more often than not. I heard of this Tokyo Barls Collection (EP 943) from another Detective Conan fan because it contained a '07 remix of a soundtrack from the first 5 movies, which is what motivated me to check this episode out. However the moment I saw this being just a one-episode case with nothing more than Conan and Kogoro on their way to a restaurant? I was good to go.

The next anime original episode after this seems to be a two-parter and a bit more interesting in the mystery aspect, along with a somewhat similar theme to this case with the media attention aspect. I kind of want to check it out but I want to watch at least five other highly respected anime original cases before that first.

Tuesday, February 4, 2020

BLEACH: face again project reveal (2020) - A long-awaited reunion

Bleach is one of my all-time most talked about series on multiple different anime forums. It's not a series that I could 100% sure say I enjoy the most or think is the best, but the world and the characters that Tite Kubo created had some weird kind of pull to them that just made me come back to the series week after week. Characters like Rukia Kuchiki, Shunsui Kyoraku, Ichigo Kurosaki and his family, Mayuri Kurotsuchi, Aizen Sousuke, Urahara Kisuke, Yoruichi Shihouin, Kenpachi, Unohana, Neliel, Grimmjow, Nnoitra, and so many others such as Hitsugaya, were intriguing in their own rights. There have been series like Kimetsu no Yaiba and Jujutsu Kaisen and so on that were inspirect from many aspects of Bleach, but none of them felt as right for me. For example KnY is almost like hopping right into Hueco Mundo arc Bleach with the main character Tanjiro holding a black katana (Tensa Zangetsu) and with his friends he goes against a group of 10 villains that have been marked by their power level. The same as Aizen giving Espadas power via the hogyoku. KnY is a fine shounen and a great-looking anime but it's just lacking compared to the build up Bleach had until they got to Hueco Mundo.

After the animated series ended in Japan, I hopped right into the manga. The beginning of the arc was insanity. While Bleach was always about Soul Reapers/Shinigami, the series rarely killed off important characters. The Thousand Year Blood War was thus incredibly entertaining to talk about weekly with other fans and it, honestly, was the peak of 2011-2013 of Shounen Jump, and much above its peers in entertainment.

The Thousand Year Blood War was the final arc of Bleach, telling the story of Quincies versus Soul Reapers from chapters 480 all the way to 686, so the arc lasted for nearly 200 chapters, or four years. After the arc we had the Can't Fear Your Own World epilogue series with an interesting corrupt noble as a villain along showcase of couple of the missing bankais (though we'll probably never see Aizen's) and some history lessons about the origin of the world created by the Soul King (Reio).

Tite Kubo's famous great minimalistic approach to art packs a punch.

Now though, four years later since the end we got a new announcement for Bleach called Bleach: face again that has to do with the Bleach story itself. Now, the announcement could be anything from a new game to the animated series getting a continuation, but regardless... anything Bleach related is nice to see. But that's not all! At the same time of Bleach: face again being revealed in March of 2020, Tite Kubo also reveals his new series project.

After the end of Bleach Tite Kubo (the original author of Bleach) had been working on multiple projects, from the CFYOW novels to  Bleach Brave Souls mobile game by KlaB (possibly the most high-quality anime mobile game as it feels like a real game instead of your usual gacha game) to Bleach JET artbook (an actually real high-quality paper artbook than what manga series get aside from JoJo's Bizarre Adventure) being released to the new Sakura Wars game that also gets released in English in Spring of 2020 nicely near the same time as Bleach: face again and Kubo's new series. There will be a lot of Kubo next spring to look forward to.

I know that many people really hope that Bleach: face again would be the announcement of the anime returning since 2012. It's been 8 years since the end of the Studio Pierrot's long-running adaptation. However even if that won't happen - it will still be something that Tite Kubo thinks is worthy of Bleach's 20th anniversary, and that's good enough for me as the guy does have understanding of the art medium. I think what's interesting here is that Bleach: face again is said to be the 20th anniversary project. Bleach manga began in 2001, so 20th anniversary means that they'll be releasing something for 2021 and announcing it in 2020. The timeframe for this sounds similar to how Dragon Ball Super: Broly was announced before being released, so could we be possibly even getting a new Bleach film? Anything's better than nothing, I guess. I'm interested in seeing what the future holds for Bleach. But even more so I'm interested in reading a new series by Kubo as he did create the Burn the Witch manga one-shot couple years back - that was released in a volume along with Bleach JET artbooks - which had entertaining worldbuilding aspects to it. The main character for it wasn't overly interesting but I felt I would have wanted to see him get god-like overpowered to see what he does with all the power he gets. 
Anything Kubo brings out I'll be there. I'll also be getting Sakura Wars for PS4 along with Final Fantasy 7 Remake as the game looks really enjoyable, the soundtrack and characters seem fun. Let's get it!

Monday, February 3, 2020

Full Story of Death Note Special One Shot (2020) - Reliving the Masterpiece

"The pen is mightier than the sword."
- Edward Bulwer-Lytton (Cardinal Richelieu, 1839)


Minoru Tanaka and Ryuk the Shinigami
It's been 13 years since I last laid my eyes on the finale of Death Note, a highly-acclaimed animated thriller from Japan with plot twists flying off the rails episode after episode. It was one of the first experiences that left me feeling empty at the end of it all. Death Note (デスノート; Desu Nōto, 2006) is an anime adaptation by Studio Madhouse (HxH 2011, One Punch Man s1, Parasyte, Monster) of a manga by the same name created by a duo named Takeshi Obata (draw artist) and Tsukumi Oba (writer). The series is inspired by Ballard's 1959 novel short story Now: Zero. The fame of Death Note from its very first conception in 2004 blew the world away and the series soon after became a global hit known as the gateway anime series for any person, regardless of whether or not you like anime.
The series tells the tale of a boy named Light Yagami who finds a notebook with a set of rules that gets dropped from another realm by a resident of that realm - a shinigami (death god) named Ryuk. After getting the Death Note, Light slowly becomes corrupted by the power of the book that allows him to kill anyone whose face and name he knows. This corruption of Light around the globe becomes known as Kira, a god that is assumedly just in trying to kill all the evil people on Earth. The God of the New World. The birth of the concept of Kira introduces us to a new character, L, who is an introvert sugar lover as well as the greatest detective in the world. L builds an instance known as the Kira Task Force that is meant to apprehend the serial killer whom L deems to be utterly evil. The existence of L himself however gives us one of the greatest cat-and-mouse game in anime history as Light and L try to find and apprehend each other without knowing either ones true names or faces. The loser of this grim tale will die.

In the anime industry a great manga having a good anime adaptation is extremely rare. The reason for that is obviously money; the anime is simply promotional matter for the original work that's been successful enough to warrant an anime adaptation. The fame of Death Note comes not just from its interesting soundtracks (albeit synthesized), insane direction, intriguing plot or immense passion put into the series, because the series is also more than just the sum of its parts. Every single episode of Death Note has mind-tweaking twists that are different from the norm that you expect in an anime series as we see the psyche of L and Light when they try to outmaneuver each other in crazy ways. The manga is fantastic with art akin to a seinen series (yes, Death Note was running in Shounen Jump magazine) and the anime somehow makes the manga come alive frame by frame, panel by panel, in a way no other shounen author has been able to replicate thus far. It would not be a stretch to say that Death Note is the greatest series producted by Madhouse and the greatest series by the duo authors as well when we look at the immense effort that went into the final product. The series was animated in 2006 but it still holds up to this day - just like a heavy budgeted anime film from the 80s such as Akira would.

In January 2020 Weekly Shounen Jump announced that Jump SQ will be releasing an 87-page sequel one-shot manga series for Death Note by the original mangaka duo the very next month, on February 4th, and it will be available for free on their official site. This news was amazing - the 20th anniversary for new Bleach news AND Death Note manga one-shot sequel, maybe we'll even get Hunter x Hunter back this year for its 400th chapter milestone (most likely the final x00 chapter milestone we'll ever get)!
Now, the sequel manga series' one-shot chapter is finally here and I will be doing a live overview of the whole thing. For new readers of this blog, I like to overview every single aspect of a series I think is well written to get inspiration from how the authors frame everything out in the story. So now it's time to start listening to the full OST's of the original anime and start reading the chapter.



Returning to the World of Death Note


The color pages of this series have always been 10/10 tier, and this one-shot is no different from what came before it. The artist is one of the best in the industry when it comes to presentation and understanding of dimensions in drawing medium. Ah, I really feel like I'm back in 2007 right now when see this new art. Anyway, we see Ryuk in all his Frankenstein's monster glory behind our new fluffy-haired main character with the MC himself holding the forbidden apple in his right hand - the apple in this series represents the Death Note; the main character of the original series taking a bite of the forbidden apple was to represent him doing his first kill with the notebook. The series has always been full-on with symbolism like this. I'm not a big fan of symbolism in shounen but it's definitely one of the best aspects of Death Note when it comes to setting the atmosphere. There are some insane scenes like representations of L post-episode 25 chaining Light down (with Near and Mello appearing) as well as Light and L being on top of skyscrapers as red and blue characters. It's really cool to watch and a way to make a series about characters writing on a notebook hella interesting just with the author having understanding of what great presentation looks like.
Ah, but I'm already rambling on with the first page alone here. The color page is amazing and our new main character has a great design to him. Let's see what kind of person he is next.


The story begins in the realm of the Shinigami in year 2013 with the round-headed shinigami and our main guy Ryuk hanging out in the corrupt world filled with chains hanging from the black sky. The original series's timeline ended in 2011 but the real ending of the series (Light's ending) happened in 2010, meaning that this happens three years after the ending of Death Note.

The round-headed shinigami arrives to give Ryuk his notebook back. In the shinigami realm it's apparently become known that Ryuk succeeded in having fun in the human realm. The round-headed shinigami didn't succeed in anything. Ryuk tells the other shinigami that he'll take the notebook back but the shinigami should give him something else as well in compensation - something from the human realm, obviously. The shinigami then throws an apple at Ryuk - as expected - and Ryuk instantly spins it in his mouth with his tongue and chomps it down.

In the original series Ryuk was insanely into apples - whenever he had to go days without them, he'd start to get heavy symptoms. This time Ryuk decides that he absolutely needs more apples so he should probably try to go to the human realm once more. He wants someone like Light Yagami so that he can eat apples for a long time and have fun at the same time.


May, 2019, Tanaka household

Six years later we meet the fluffy-haired character from the color page as he's listening to music through earpods. Right after, Ryuk's hand comes through the floor into the boy's room (Note: Ryuk is intangible - he can phase through objects and shooting him with guns won't do anything as they phase through him as well. Ryuk crawls through the ground towards the boy - who's just minding his business, listening music with his eyes closed - and taps the boy with the Death Note (results in the user being able to see shinigami).

Ryuk tapping the boy with the notebook causes us to get a full-page panel similar to Light Yagami getting his memories back on the helicopter from touching the notebook. It seems that out main character has held to this notebook prior to this page in the story, making this a rather interesting turn of events.

Our MC is first slightly surprised at seeing Ryuk but then just gives a sigh of relief. He says that it's been two years since Ryuk and he last hang out. Ryuk tells the boy that he came out of the floor as promised and the MC tells him that he wouldn't work with anyone who doesn't keep their promises - shinigami or human, doesn't matter. This exchange of words gives us some mysteries like was it actually necessary for Ryuk to come from the floor or something and understanding of how much our main character values loyalty (maybe because he likes to use people).


Two years prior (2017) - The Fated Meeting


We go back in time to explain our main character meeting with Ryuk.

Minoru Tanaka, our main character, is being talked about in the school's faculty room. Teachers in the school talk about how Minoru got the top score once again, for three years in row and counting. They assume that he could be the smartest middle school student in Japan right now. Note that in the page where he got his memory back we saw him with a low score so maybe the Death Note will stress him so much to fail after being the best. Or maybe not as right after we see him get some mediocre grades despite him being incredibly smart.


Minoru is outside the school on a swing, looking at his scores. He got 28 points on English. These kind of scores make him call himself dumb. This scene makes me feel kind of bad for our main character. Then all of a sudden a notebook falls from the sky and hits Minoru right in the head. He grabs his head and shouts from the sting as Ryuk appears next to him and tells Minoru that the notebook is his now. After hearing Ryuk and looking back to see the giant monster right behind him we get large panels of Minoru just being shocked from seeing him.

Ryuk tells Minoru that he heard the boy is extremely smart - smart enough to give Ryuk some fun like Light Yagami did. Ryuk then looks at Minoru's test scores, which are terrible, but tells him that he overheard the teachers say the kid is the smartest middle schooler in all of Japan. Minoru is confused at what Ryuk is talking about while still being shocked and he tells Ryuk that he might mean intelligence tests instead of school tests. Minoru says that the school doesn't tell the students the scores for the IQ test so he wasn't aware that he's the smartest in the country- and even then, getting high scores in IQ tests just means Minoru is into brain teasers and playing IQ games, not studying. According to Minoru any teacher that tells that he's smart because he scores high in IQ tests instead of studies is a dumbass.

Ryuk then asks Minoru if he's an idiot then to which Minoru answers that he's terrible at studies and he's only good at things like riddles and quizzes.

Ryuk keeps creepily looking at Minoru and tells him that he might be the perfect person to get the notebook of death. Minoru wonders what he's talking about and asks what Ryuk even is. Ryuk tells Minoru to get up and go to his house. Minoru declines but Ryuk tells him that only Minoru can see Ryuk at the moment. Then in the end they get to go to Minoru's house to talk about things.

In Minoru's room Ryuk tells him that the notebook Minoru got actually used to be Kira's. Minoru then tells us about Kira - Kira is now known as a person who eliminated war and reduced crime rates. These days everyone knows about Kira; he's being told about in elementary school books people study Kira as part of the world history. Ryuk wonders if people treat Kira as one of the great historical people. Minoru tells Ryuk no, in fact in ethics they teach kids that Kira was pure evil. In world history classes Kira is being described as a crazy mass-murderer terrorist known to be the worst one in recent history. Regardless, many people say Kira was a god, to which Ryuk is kind of surprised about.

Minoru wonders just how does one notebook make someone a god. Ryuk points Minoru to the instructions on the first page but since it's written in English, Minoru doesn't understand it.

Ryuk is forced to translate the rules to Minoru and as the translation we get this cool one-page of a page of rules of the Death Note.


The Rules of the Death Note

I) The human whose name is written in this note shall die.

II) This note will not take effect unless the writer has the persons face in their mind when writing his/her name. Therefore, people sharing the same name will not be affected

III) If the cause of deaath is written within 40 seconds of writing the persons name, it will happen.

IV) If the cause of death is not specified, the person will simply die of a heart attack.

V) After writing the cause of death, details of the death should be written in the next 6 minutes and 40 seconds.



Minoru is shocked as he reads the rules. He says that he can't believe it but since the existence of Kira is a fact, the notebook truly does explain how he did all the things he's known to have done.
He looks at Ryuk and asks him if the police and the famous detective L were trying to arrest Kira, to which Ryuk says yes and that it was all very entertaining to follow.

Our main character asks Ryuk if he could tell more about the things that Kira did. Ryuk then tells Minoru that he'd much rather eat an apple before doing something like that. Soon, Minoru comes back and gives Ryuk an apple. Minoru tells him that since his mother is on an apple diet and Minoru eats an apple once a day, there are apples in the house. Ryuk says that he's not going to share any personal details about Kira but he will tell some things that he remembers of the person as he takes a huge bite of the apple.

Time passes as Ryuk tells Minoru about Kira. Minoru is in disbelief but seems kind of down to earth about it, almost disappointed and impressed at the same time due to Kira being so smart. Minoru is impressed at Kira using the rules of the notebook and the fact that touching the notebook makes people see shinigami to his advantage. Ryuk tells Minoru that Kira's test scores used to be the greatest in the country.

Minoru tells Ryuk that if someone were to try the same thing now they'd instantly get caught. Kira's reign was about ten years prior, in a whole different era. Nowadays there are security cameras on every street and corner, and every train, car and bus has a dashcam. It'd be impossible to do the deeds Kira did without getting caught. Nowadays cops are solving cybercrimes easily, meaning that if Kira were to try to get his message online, they'd just track him down. All cell phone calls are null as well. There are no way to send untraceable messages online.
Regardless, Minoru believes that even with all the technological advancements, Kira must have been smart enough to still come up with a way to pull everything off in the current technological era.

Ryuk asks Minoru if he can pull off Kira's reign in the current era. Minoru gets surprised and looks at Ryuk. He thinks to himself that Ryuk wants him to do the same things that Kira did and that there's no way he'd use a deadly notebook.
We get a panel of Minoru thinking to himself. This is pretty interestingly presented with Minoru being white as he thinks of what to do with the notebook. From what Ryuk told him, if he were to give someone else the notebook or return it to Ryuk, he would lose its ownership along with all the memories of it. It'd be a way to forget the supernatural power that once ruled the entire world. Minoru thinks about how Kira gave the notebook back to Minoru once before as well, so it must work.
Minoru has one problem however; if he were to give the notebook back to Ryuk, the shinigami would just give the notebook that can only be used to kill people to someone else instead.
Minoru wonders about what the right answer to using the notebook would be. Get rid of it or not, and how would he go about his next choice?

Hours pass and Ryuk asks why Minoru hasn't said anything since then. Minoru tells Ryuk that he's the kind of person who keeps thinking until he reaches his own answer to questions at hand. Ryuk gives a comedic answer about how that must be why Minoru is the best at quizzes.

Time passes once more and Minoru just thinks about the situation until he turns around to asks Ryuk two specific questions.
Question 1: Are there any other humans besides Minoru who are able to see Ryuk?
Ryuk answers yes, meaning the final group of people such as Near that caught Kira are able to see him. Ryuk thinks of Near, Matsuda and the rest of the SPK that was built to catch Kira.
Minoru asks Ryuk if he's absolutely positive to which he answers that people who have possession of the notebook and lose possession will lose their ability to see shinigami, but people who touched the notebook won't lose the ability and should still be able to see Ryuk, the invisible and intangible death god. Minoru thinks with a worried face about the situation.
Question 2: Minoru asks about one of the rules of the notebook. The rules says "The human owner of a Death Note must be possessed by a shinigami." Minoru's question is about just how far away can the shinigami get from the owner. Ryuk says that there'd no firm rule and it most likely works as long as Ryuk knows where the owner is. There is no distance set to how far away a shinigami should be. Minoru asks Ryuk to just come up with a number. Ryuk tells him that by measurements of the human world he will set the distance at 14 kilometers (almost 10 miles which is 16 km) as 14 km is close enough to identify humans and to reach the owner of the notebook instantly.

After getting his answers to both of his questions Minoru thinks more and then tells Ryuk that he's decided on what to do: Minoru tells Ryuk that he will return the Death Note, in turn losing his memories of it, however, he also tells Ryuk to come back in two years time. In two years Minoru will use the notebook, and in turn he promises Ryuk apples every single day. Ryuk wonders about the fact that he has to be in apple withdrawal for two whole years and Minoru tells him that if he can't wait he can just give the notebook to someone else. Ryuk tells Minoru that nah, he'll wait as he sees potential in Minoru.
We get a nice page of Minoru giving the ownership of the notebook away to Ryuk the Shinigami as Minoru physically hands the notebook to Ryuk.

Present day - Minoru's Plan

We get to see a more grown up Minoru Tanaka thinking about what has happened thus far. Ryuk tells him that he's gone two years without apples. Minoru says that now he can proceed with the plan he created two years prior when he lost his memory of the notebook. Ryuk wonders about the plan as he never heard what it is and Minoru tells him that it's time to sell the Death Note. This is kind of funny because it can also be seen as the authors saying they're going to be sell-outs and make more of the series despite it ending, but I digress.
Anyway, after hearing that Minoru plans to sell the Death Note by putting it up for auction online, Ryuk is surprised at first but then tells that the plan sounds actually interesting, however, the problem here is that Minoru himself said two years prior how no one can anonymously use internet to do anything as everything can be tracked on the net. Minoru says that he's not going to use the net, no, there was a very specific reason as to why he asked Ryuk exactly just how far away he could be from the owner, who is in this case Minoru himself. It was set by Ryuk that he can be 14 kilometers away, so that's just the perfect distance as Minoru asks Ryuk to head over to Sakura TV's base which is 11 km distance away from Minoru's household.

Minoru gives Ryuk an apple and tells him to use paper and pen from the TV station to write something down. Not in English, as Minoru still doesn't understand it, but in Japanese. Ryuk wonders what's going on and heads to the TV station where news are being shown. All of a sudden on the television screen appears a floating piece of paper. In fact it's not floating but the invisible Ryuk is holding the paper and showing the world as follows:
"The Power to remotely kill people as used by KIRA is being put up for auction. If you want to buy it, use the Hashtag #powerofkira on Twitter and Indicate your bid amount in American dollars."

The news reporters and other TV studio personnel of Sakura TV are wondering what the paper is supposed to be. People around Japan are wondering what it means and think that it's an on-air screw-up with Sakura TV just doing publicity stunts again. The director tells the reporters not to touch the paper and to explain what's going on. They say that the paper is floating in the air unsupported and that it's referring to Kira's power to kill people from a distance. Minoru watches at the news via his phone and sees Ryuk holding the paper.

In the police station we see Matsuda look at the news via his laptop and he recognizes Ryuk as well. Matsuda tells the deputy commissioner that Ryuk is trying to sell the notebook to which the guy tells Matsuda that it's the person owning the notebook, not Ryuk. After 30 seconds, Ryuk drops the note to the ground and phases through the ground as he leaves, leaving the news reporters at Sakura TV baffled.

The Next Day - World Wants the Notebook?

Students at Minoru's high school ponder about whether or not the Sakura TV sale was for real or not. On twitter, it hasn't even been one day and people are bidding millions of dollars online since the sale came to light. That amount of money in Japan translates to over 300 million yen currency. The students ponder that if it really is Kira's power, mere millions of dollars is an extremely cheap price. We see Minoru just spend his day listening to music through his earpods while in the class, not caring about what others say.

In America at the "new" SPK built by Near (now known as the Next L), Near's agents arrive to tell the next L news about Kira that are spreading in Japan at the moment. When the agents arrive to meet L, they're greeted with a replica of Ryuk's face. Next, we see a long and white-haired person telling the agents that he's trying to create a facial-recognition program for shinigami, but obviously it's not an easy thing to do as only people who have touched the notebook can see shinigami. Then we see the face of present-day Near. He tells the agents that they'll be calling the person trying to sell the Death Note on auction as A-Kira.

Near tells the agents that he could see the shinigami holding the paper in mid-air at Sakura TV. Near understands that A-Kira is a very cautious person due to the fact that he avoids using the internet to sell the notebook. He also explains that following the shinigami - Ryuk - is going to be their chance to find A-Kira. They will try to find security footage of A-Kira and Ryuk together. It's however impossible to find the footage from every single security camera in Japan if you only use the help of people that can see shinigami.

Near starts to go through his toy box to find a toy eye. The agents ask if he thinks A-Kira is in Japan. Near answers them that based on the past experiences, the shinigami most likely can't be far from the owner of the notebook- it's very likely that A-Kira is in Japan.
The agents tell Near that they'll be arranging a ticket to Japan immediately to apprehend A-Kira, however Near tells them that it's going to be impossible to charge the perpetrator with a crime when he's trying to sell a notebook.

In the past Near used to call the Death Note the Worst Murder Weapon in Human History, but weapons of mass destruction are traded around the world every single day. Killing with the notebook is a crime, but selling the notebook is not. Near tells the agents that they should just track down the person who buys the notebook instead of A-Kira. The agents ponder why L - Near - wants to track down A-Kira then to which he answers that A-Kira is extremely smart and because of that he has personal interest in meeting the person trying to auction the Death Note. The agents and Near are silent until Near tells them that if they want to help, they can go get the security footage of Sakura TV via the help of Mr. Aizawa who can then send the clip over to America.

The agents head to speak with Aizawa and Matsuda through earphones. Aizawa tells Mr. Rester (one of the agents) that they've finished checking out the camera footage from Sakura TV as well as the surrounding area. After throwing away the sheet of paper with the message inside the TV studio, Ryuk passed through the bottom of the second-floor studio, then the first floor, then the basement parking lot, and was not shown on the security footage afterwards after going underground. Near looks at the Ryuk Replica in his studio and says that they won't be making the shinigami face recognition system after all if Ryuk is just traveling underground between the TV station and A-Kira's house. There's nothing they can do about it.
Near then presses a button and the Ryuk replica simply explodes and then he explains that if the shinigami is to appear on any camera footage aside from the TV studio it's going to be the time when he's handing over the murder notebook to the next buyer. Near pulls out a finger toy version of Ryuk and a black cube that he flicks over to the agents.

The moment when the buyer gets the notebook is going to be when A-Kira will lose any memory of the Death Note. It's a great plan with very little chance of getting caught. If the previous SPK wants to catch the perpetrator as A-Kira, the only chance they have is the moment when A-Kira gets the money and lets go of the Death Note. Near looks at the finger toy Ryuk in disgust and tells his agents that even though it'd be easier to figure A-Kira's identity out by figuring out who gets the money after the auction is complete but he feels like it'd be admitting defeat to A-Kira in a way. He also mentions how he has a feeling that A-Kira has planned the whole thing out in a way that the SPK won't be able to detect the money changing owner.
In the end the only thing they can do is wait and see whoever gets the notebook.

Back at the Tanaka household Ryuk and Minoru are checking out the current bids on Twitter - they're up to 10 billion yen at this point as the plan is proceeding along incredibly well. Ryuk asks when the bidding will stop and when he'll stop getting apples and Minoru answers that he never decided on a deadline. As for apples, Minoru can give them for a bit even after he gets the money. Ryuk is sad about not getting more apples than that.
Next, another "floating" message at Sakura TV appears. It reads as follows:
"One week left until the end of the auction. It may end prematurely as well. You will be informed if that happens. This transaction will be final. No complaints, no returns."

After the message appearing the director of Sakura TV tells them to drag the message of A-Kira out for 30 minutes to get more viewers to watch the show. The STV squad realizes that the message is also written on the STV's very own paper and with their own pen as well. Ryuk thinks that Minoru told him to only hold the message for 30 seconds, not 30 minutes.
One of the reporters start reading the message that Ryuk is holding out-loud but Matsuda runs in and tries to stop the program. Ryuk tells Matsuda that it's been a long time since they met. Matsuda however was only ordered to follow Ryuk when he leaves, not to show up and try to stop the program- well, Matsuda is still a cop so he just does what he thinks is right.

The whole scene with Matsuda is pretty comedic as he just ruins the entire plan of trying to track Ryuk and A-Kira. Near watches the TV and says that at least Matsuda has been keeping himself busy over the years. One of his agents just tell him that Matsuda's actions simply make the whole thing (Kira's power being sold) even more believable for the customers.
At police HQ Matsuda tries to explain the chief the powers of Kira being a notebook that can kill people but he gets put on desk duty to keep him away from media for the rest of the case.

The Next Day

Now, because of Matsuda's actions the bids on the Death Note on Twitter have gone up to 200 billion dollars, or over 20 trillion yen. At the school the students theorize that that amount of money is not personal anymore - no single person on Earth has over 130 billion dollars. This means that it's most likely a nation or a large group trying to buy the power of Kira now. If the nation gets to buy the notebook they get to become an internationally formidable foe. The bids on the Death Note keep rising billions of dollars at an insane rate; it quickly passes 300 billion $.
Minoru thinks to himself that he already knew that it'd become a national competition as the rest of the students are enamored on the battle between two nations trying to outbid each other.

Another letter at Sakura TV appears saying the following:
"Don't bother with Twitter. Put your government reps into the media to make an official announcement of how much you will pay to buy it."
 After the message appears, Near thinks that the entire thing is going to get very interesting from now on.

In America the 45th president of United States, Donald Trump, makes his appearance. Trump thinks to himself that in 2005 the FBI director and a boy named Near testified to the President that Kira's power was a notebook that would kill a person if you wrote their name in it. Trump thinks that if the legends were true after all, no other nation should be allowed to get their hands on it.
Trump takes the stage on the TV as the President of the United States of America and makes a live announcement that the United States will buy the Power of Kira for 500 billion dollars.

Next up the People's Republic of China's president claims that they will be buying the Power of Kira for a trillion dollars along with a promise that the power will be used for peaceful means. The masses go crazy about this announcement.

After hearing what China has to offer, America decides to offer two trillion dollars and promises to never use the Power of Kira for world peace.
 Minoru looks at Trump and thinks of what to do.

The Next Day - Battle of the governments

Another note appears on Sakura TV. A-Kira tells them the following:
"Any world leader bidding must name a price only. No other nonsense."
Which is hilarious. No one trusts what the leaders have to say.  Near is enjoying the show, telling his agents that the whole thing is getting incredibly entertaining.

In America/China, different journalists decide to flock over the prime minister and ask him if it's possible to hold a world leader summit to ensure no country buys the Power of Kira. The prime minister tells everyone to stop with the idealistic statements; everyone knows some country is going to get the power since no single person has enough money to bid trillions. Whatever country would say in the summit to not buy the power would in reality be the first one to backstab the others and try to get the power to themselves.

The Next Day - The bidding battle reaches insane heights

On the net the news sites have updated that the bids for Power of Kira have passed the quadrillion yen mark as the US president bids 1 quadrillion yen in Power of Kira auction.
At school the students think that a quadrillion yen equals to Japan's whole national debts - it would be cool if Kira would pay off the entire debt, however Japan would most likely just return the money back to the winner, be it China or USA, but especially to USA due to Japan and US having a security relationship. The students also claim that even though Japan is the most indebted nation in the world, according to Google, it also holds the most resources available.

After school Minoru tells Ryuk that he'll be ending the auction for Death Note the next day. Once Minoru has confirmed the money is in his possession, he'll be discarding the ownership of the notebook. Minoru asks Ryuk to deliver it to the buyer. Ryuk just eats apples and tells him that even though he hoped to eat more, he's kind of interested in the whole thing so he'll be doing what Minoru asks.

In America, Near and his agents ponder about how in the world A-Kira is going to try to get a quadrillion yen to his possession. It's impossible to receive or pay that much in bills so it's going to have to be an online transaction according to Near as he builds a tower full of watching eyes, however, the mystery is exactly how A-Kira is going to get that amount of money without it being able to be traced.
Near thinks the whole thing through and realizes that A-Kira must be a person who doesn't want to use the notebook to gain money as he must not want to commit murder. A-Kira is trying his best to dispose of the notebook and the best way to do that is by a planned auction. Since A-Kira has been incredibly careful thus far it goes to reason that he must be planning the money receival as well in a careful manner.

At the Tanaka household in the middle of the night as Minoru is sleeping, another shinigami arrives to Ryuk by phasing throught he wall of the building. This time it's the jewel-wearing and jewel-eyed Armonia Justin shinigami who sits on his skeletal chair as he moves. Ryuk wonders what's up and he gets told by Armonia Justin that the King of Shinigami is calling him. The very moment that Ryuk is able to leave his notebook's owner, he has to go meet the Shinigami King by person. Armonia tells Ryuk that he doesn't know what the king wants, he's just the person to send the message to Ryuk. Then the other shinigami just leaves the way he came.

The next day - Day after day after day

 All of Japan is shocked as the world gets notified via Sakura TV that the Power of Kira has been sold to America for the quadrillion yen and that the transfer and methods will be revealed within the next 24 hours. The whole world is shocked. The agents think that if they were to follow their original plan, it would mean to seize the notebook from their own government. Near tells his agents to just do that on their own as he's an American citizen now so he's not going to go against his government.

Near tells his agents that since the entire world knows of the power, it just makes it incredibly much harder to simply use the notebook at this point. Right now the more pressing matter is how A-Kira is going to handle the insane transaction of money as well as the notebook. This could be their final chance to catch the Death Note and A-Kira.
Since the money's going to be transferred in 24 hours it means that it would happen at 6 PM on friday, May 24, in Japan's time. The banks aren't open after three o'clock on fridays and are closed over the weekends, so it's likely there will not be any bank transfers as that would also be the same as asking to be caught.

The amount of money being transferred here is one quadrillion yen. According to Near (oh I remembered, his real name was Nate River), the lifetime earning potential of a Japanese person is 300 million at most. Near also says that if A-Kira has been planning this out from the start they're amazingly intelligent. Not sure why.

The next day - May 24th

There is another message on Sakura TV once again, so the last one wasn't final message in the end. This message reads as follows:
"The money from the winning bid should be deposited by May 27 of this year in equal amounts to every person with a Yotsuba bank of Japan savings account and registered residence in Tokyo aged 60 and under as of the date of May 24, 2019."
Japan is in uproar as the money is being split. Even if there are a million Yotsuba bank accounts that still means around one billion yen per citizen with the account. But why under age of 60? That remains to be seen.

Minoru's mother runs inside his room and asks if he still has the Yotsuba bank saving account to which he answers yes, he does. They're going to be filthy rich from now on. It's funny that Minoru's mother calls Kira their god now.
Japan's population fills Yotsuba banks as they try to get their share of the money.
Near tells his agents that he did assume A-Kira to be a young person from the get-go. Limiting the age of people to under 60 increases A-Kira's share, but it also narrows down the possible suspects to. But not too much as there are still hundreds of thousands of people we're talking about here.
What makes the whole thing crazier is that once the three days for the transaction on the 27th have passed, not even A-Kira will remember that he was A-Kira. It's impossible to track the perpetrator down at this point.
Here, for the first time since becoming the next L, Near claims to admit defeat. He lost to A-Kira.
After hearing the China's president make

Three days later - Monday, May 27th

A payment to Yotsuba bank of ten trillion dollars has been made from America and now customers storm the bank branches - everyone is happy that Kira gave them money. There's a funny scene where a guy is looking at his bank balance and it says:
Previous Balance - 3,805 yen
Deposit Amount - 1,027,939,840 yen.

People of Japan are still fighting their way to open up a bank account in Yotsuba bank to get their share of the America's quadrillion yen deposit, but they're not being let in. The bank announced that customers will only be able to withdraw their savings prior to the 24th for now, up to 100,000 yen each day. Minoru understands that he won't be able to access the account for about a month from now due to the chaos.

Minoru hands the notebook over to Ryuk and tells him to take it to the president of the United States as America did pay up.
Ryuk asks Minoru if that was all. Minoru tells him that they are both done now. Now that he'll be discarding the possession of the notebook, Ryuk shouldn't show up around him ever again for any reason. He'll be forgetting about Ryuk and live a happy life. Minoru says that he doesn't want to have anything to do with the notebook as it's far too dangerous.

In the end Ryuk commends Minoru on being able to use the notebook without writing on it at all. It was a fun time for him. Minoru throws the notebook to Ryuk and Ryuk heads over to America to give the notebook to Donald Trump in the White House.
Before heading to the president of USA, Ryuk got yelled at by the Shinigami King however. The King was angry because Ryuk had let a human sell the Death Note, thus a new rule had to be added to the notebook:

THE NEW RULE OF DEATH NOTE:
"A human who buys or sells the Death Note in the Human World will die. The Seller will die when they receive the money, and the Buyer will die when they receive the Death Note."
The president is shocked. Ryuk agrees that the whole thing is crazy, but it's a brand new rule. So, the president really paid all that money just to die. However if he refuses to take the notebook, Ryuk will treat it as if he never bought it. However at this point it's impossible for him to get any of his money back.
So, now the president has two choices:
Choice #1: Take the notebook and die, however the notebook will remain there. Any big shot in the country will get it. So even if he dies, the notebook will belong to the nation.
Choice #2: Not take it and live.

Trump tells Ryuk that he won't be taking the notebook and Ryuk is hilarious here as he says that he understands how he feels, the president must value his own life over his country. The president tells Ryuk that he's still going to announce to have claimed the Power of Kira regardless. Trump explains that he will claim that he got it but refuses to use it; that'll make him look like a saint.

Ryuk is impressed by the president and leaves. Now, Minoru has no idea about the new rule either, however Minoru did tell Ryuk to never ever again come back to him for any reason, sealing his fate.

One month later - The End of the Journey

Japan's economy was booming and the people called it the Kira or Reiwa Bubble. People bought apartments and cars, they took toasts in the name of Kira.
But one person is seen falling to the ground, his face completely red with his money on the ground and his earpods still playing his favourite music. The moment our main character withdrew the cash from his bank account, he died of a heart attack.

Outside, Ryuk is standing on top of a Yotsuba bank ad board. In Ryuk's death note there are two names: Light Yagami and Minoru Tanaka. Ryuk thinks of how much of a shame it is that a person with such a perfect plan met his end - no matter how one does it, any human who uses the Death Note is fated to meet an unfortunate end.
Ryuk thinks of an apple and is sad that there seems to be no person around that wants to used the notebook for all that long anymore.

The End.



This concludes my overview of Death Note 2020 Special One-Shot. As for my thoughts, it was fine. The great art was the thing that kept me interested but the plot wasn't completely dry feeling either. The way that no matter how good a person is but wants to gain something - money, fame or justice - by using the Death Note will always meet a bad end, is kind of sad. I like how Ryuk had an active role in this story and how we saw old faces again but the story itself wasn't that intriguing compared to the original. This one had the same level of presentation and skill in pacing but did not have the tension which is the key element of Death Note as a series. But I'm glad this was a one-shot instead of a series as a one-shot is the perfect for this type of less tense story without any huge twists to it. Near kind of didn't do anything here which was what I didn't much care for as our main character Minoru Tanaka didn't have any rivals.
 
The art was amazing as always and these authors' ability to frame a story is pretty impressive but this story didn't really leave much with me after it ended. Minoru died quickly but even without that he still seemed kind of a throwaway character, a boy that just wants money and to get rid of the Death Note. At least Minoru's design was very nice.
The most intriguing things about this one-shot were the thoughts on how will this story unfold, what will Near do, how will Minoru get the money - which was well thought out by the way - and the fact that Ryuk had a lot of screentime here. For the first half I actually felt some tension in this story when Minoru was planning on what to do with the Death Note. Sadly seeing the SPK and police members that are familiar to us from the original series didn't really click with me, I didn't care for them at all here and they kind of took a bit too much screentime for my liking, but I wouldn't say they made the story worse, just longer than it needed to be as no one could challenge A-Kira due to his so-called perfect plan where he utilized Ryuk to do everything for him.