Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Wednesday, August 12, 2020

The Devil on G-String / G Senjou no Maou (2008)

The story opens up with two characters. 'Maou', or the 'Devil', is shown walking through the city's bustling streets during a cold late October night, ready to soon begin with some kind of criminal event he's been planning through for years along with his group of loyal 'followers'. At the same time a high school girl with a long gray hair passes by with the intense will and intent to catch the person who killed her mother - to catch the person known as the 'Devil'.


G Senjou no Maou (The Devil on G-String) is an adult (R18 due to H-scenes) thriller and mystery visual novel produced by AKABEi SOFT2 and was first released in 2008, and now re-released in 2015 by Sekai Project. It's available for purchase on Steam for a decent price (voiceless edition is even cheaper). The story consists of four chapters and the epilogue, and multiple end-games, in other words it has something called branching storylines, but most of the game is spent just reading through the text. From the information I can gather the game had quite positive reception in Japan when it was first released, even though I see barely anyone actually ever talk about it.

Our main character (the one we play as) of this particular visual novel is Kyousuke Azai, a high school student and the adopted son of a ruthless yakuza (mafia) boss, but he for some reason has memory problems and heavy headaches. During the day our protagonist usually goes to school like normal, a school filled with quite quirky characters such as the almost too cute-looking boy Eiichi Aizawa and bunch of girls our main character gets close to, such as a diary-keeper, daughter of the schoool's owner, and a world-class ice-skater and real daughter of the protag's adoptive father. Kyosuke though was actually forcefully adopted in order for him to work under the mob as a president of of one of his adoptive father's (Gonzo Azai's) corporations to collect money that he can pay for the immense debt left behind by Kyousuke's real father, and ultimately after doing that he wants to reunite with his mother. Kyousuke is also quite a fan of classical music which mirrors the honestly beautifully atmospheric OST that this VN has.


The real story's gears kick off as a messy long-haired girl by the name of Haru Usami transfers into Kyousuke's school. Haru is the main heroine and a detective-type character with notable powers of observation and knowledge of criminal psychology and negotiations. Too bad she's absolutely awful at dealing with social situations. Haru is the character with a history against the game's primary antagonist and villain 'Maou' but she's not willing to talk about it, which cuses the game to not progress as smoothly as it perhaps could have had the characters just been more front about what's on their mind.
By the way, Haru (The Devil on G-String, 2008) reminds me of Kyoko Kirigiri (Danganronpa: Trigger Happy Havoc, 2010).

Now, while there is this sense of mystery regarding the motivations and pasts of our main cast, the main conflict the player bumps into is more psychological regarding Maou's and the protagonists actions. As Maou gets closer to Haru and our protag, the mob boss (MC's adoptive father) orders Kyousuke to catch Maou. This leads to different types of "showdowns" with with our antagonist, but there's something wrong as we always see Maou during times when Kyousuke gets memory lapses and headaches - there's even a scene in which his psychiatrist ponders about this memory problem of his, and we get some scenes about possible alter egos.


I remember when this series was called "Death Note on steroids" by certain group of people a long time ago, but it's really not, the story isn't that special by today's standards and would probably even come off as a poorly plotted if it was a light novel. The visual novel format definitely helps it. It's a fairly compact story with a small cast of characters, but at least it doesn't feel like a drag to go through. And in comparison, G-String does at least have some mysteries to ponder about, such as who this assumedly cool villain could possibly be, and what do our main characters and the yakuza have to do with him, and whatever it is that moves our characters forward?

I'm not sure if I can get behind all the writing choices in this story. I actually first played this game in around 2011 if memory serves right, but even then some of the red herrings and character writing just didn't click with me. Kind of like how I feel when reading a generic crime fiction. But hey, at least it has great music to create an entertaining atmosphere. I'd say it's a game worth playing if one wants to play a visual novel as it's a surprisingly easy read and nothing too big, but still decent enough. That's not something I can say about certain other games in this medium. As a last note, the title of the game is actually neatly symbolistic regarding what happens with our main heroine in this story.

Friday, June 26, 2020

"Become Fire Punch"

"You can become who you want to be." 

Hmm. Literally, I don't even know what to say. Ever so often I manage to catch up on all sorts of series but depending on whether they're an on-going serialized work, I barely ever read or watch them throughout. But there are times when I begin a series that I just can't put down due to how intriguing the story was and how well written the characters are, something like that. I spent all of yesterday going through all eight volumes of Tatsuki Fujimoto's Fire Punch horror action manga series which was released on Shounen Jump's digital platform Jump Plus and ran from 2014 to 2018.

As sort of writers ourselves we have to sometimes take a step back and look at the bigger picture. While I do spend most of my time going through detective fiction and mystery series on this blog, I have my own motivations to create fictional stories in this genre that stray away from what we know to be the norm, which is why I also follow all sorts of action shounen series as well as slice of life in hopes of finding something to move me forward with. I've been reading Fujimoto's other series, Chainsaw Man, weekly since it began and it has a great deal of atmosphere and variety to it that's quite inspirational, but I never expected this author to create anything like Fire Punch.

The story tells the tale of a man named Agni. In the prologue Agni lives with his sister in a small town. In this era, the entire world has been covered in ice and snow, and a certain religion has made its way to the surface as a legend of an ice witch who covered the world in eternal winter is being spread. This is a post-apocalyptic world in which humans live by their last breaths and are being toyed with by an army if they want to live for a few years longer. And when I mean toyed with, I mean it. Humans, especially those who are gifted with different types of Blessings (abilities) are used as literal firewood to keep the flames blowing, so that humanity can feel warmth for a few more years.

The story begins in a very odd way as Agni's sister Luna cuts off his arm. And then another arm. And another. You see, it's always the same arm as Agni and his sister are 'Blessed' with high regeneration, and they use their power for the good of the village full of elderly to feed them with human meat.

One day the army hits the streets and arrive at the town where Agni lives. It doesn't take long for the army to steal their supplies and leave, but as they're about to do that, the lower ranked soldiers inform everyone that the village is filled with cannibals. This causes a certain soldier, Doma, to use his own Blessing to light up the entire village and its citizens in fire. As Agni wakes up he notices that everyone is dead and the village is on fire - well, everyone, except for his siste Luna. Agni stays with Luna for a while as both of them burn in agony, but with the gift of regeneration they manage to survive for a while, until Luna dies and tells Agni to 'Live' for her. This causes Agni to live through a long time while being burnt. You see, Doma's flames will never extinguish until the one they burn has died. With the willpower he gained from Luna's last words, Agni decides to live for eight years while groaning on the ground and burning, until he gets somewhat used to the pain and can start to walk again. This time, his only mission is to find Doma, kill him to avenge Luna and the villagers, and then finally let himself die.

As the series gets a bit further we're introduced to other characters, such as couple of movie lovers, but literally all of these characters are absolutely insane. They're bored of life, willing to kill anyone without a shred of remorse... But! It's not just that as this series basically aside for very few instance never does what you expect it to. The characters are all handled in a way where they don't end up where you think they will, and the series goes through loops of twists and turns as it progresses. This manga is definitely bordering on a level of explicit insanity and madness from the author himself, but there is also this beautiful, human atmosphere and reasoning to the madness that I don't really recall ever seeing done in this way before, or at least not at this level, as of course there are series like Ikigami: The Ultimate Limit that also have this theme of beauty springled in a world of insanity.

A few years back I read couple volumes of this other tragic series called To You, The Immortal / To Your Eternity and when I began this series yesterday, the first chapter had that very similar air to it. It's not rare for manga to have tragic first chapters but these two kind of stood out with what they stood for; they are unnerving but not at all horror. This was the first time I really got to read anything of this series, though.
  I'm not a huge fan of gore but I have read all of these killing game series and series like Gantz, which is purely for action, gore and some fanservice. But when it comes to disgusting things, Fire Punch is surprisingly even beyond that, despite being published, somehow, on a shounen platform meant for teenagers (though it does have the explicit material warning on the covers). While I never cared about Gantz because of these things, gore, taboos, and just other unnerving plot elements are used very effectively in Fire Punch. It is in fact why I read it through in one day: I couldn't stop reading. But I don't know why. It's actually not the most interesting manga nor is it the best written one, but it did leave me with an impact about how a writer can make a series interesting by being daring and trying things others won't or can't, and it also left me with a very powerful and inspirational message that tells us that we can become who we want to be.

If you can stomach taboos and gore, Fire Punch manga is an amazing read up to a point, at least. The first half was fantastic. This is a series you want to read if you want an incredibly depressing story that isn't actually too emotional but it will create a burning feeling in the reader's heart. The second portion of the story turned into a psychological horror thriller which was just nutty. The action scenes were kind of -very- messy looking and the ending could have been crafted better regarding a certain tree plot, as it felt kind of forced, but as a whole, this series does stand out. A lot.

Saturday, April 11, 2020

Ikigami: The Ultimate Limit and the Totalitarian One-World Government & Mass Manipulation

Lately news media outlets have been printing out information on different media, books, movies and documentaries on viruses. Amidst this pandemic - a situation where there is a global alert halting the entire world, forcing everyone to stay inside - my mind went back through the numerous series I've consumed until I realized that we're not just talking about viruses here, but global control over human beings even in countries that appreciate freedom over anything else.

This line of thinking brought me back to this one Japanese manga series called Ikigami, written and illustrated by Motoro Mase. The series ran for 10 volumes from 2005 to 2012 in Weekly Young Sunday. The genre of this series is hard to put into words, it deals with drama and emotional weight caused by government control on its populace. It also works as a thriller and a psychological drama. Wikipedia mentions that the series is sci-fi, but I'm not so sure about that.

Ikigami takes place in an unnamed dystopian government (a government where one gets sentenced and rehibilated for committing "thought crimes") that resides near Japan in which all the children who enter primary school at a very young age get injected with syringes that have 1 in 10 000 of a chance of containing a nanocapsule. When these children age to adulthood, at random age between 18 to 24, the children that were injected with the capsule, die as the capsule reaches their heart.

The government of this story explains that the idea of injecting everyone while no one - except the government officials - knows who gets injected with the deadly chip, is that apparently the people of this nation will be able to live their life to the fullest as they will never know if they will be the ones to die. In other words the authorities feed their people propaganda about how great their morally wrong law is.

This is where the plot of this story takes place however. Ikigami themselves are not the name of the injected nanocapsule, but the notification that a government official has to hand over to the young adults who have been injected with the nanocapsule before they die. Our main character, Kengo Fujimoto, is one of these officials. Exactly 24 hours before the death of an injected person Fujimoto brings these "heroes of this national welfare law" their individual Ikigami, explaining how great their death will be for the country. These "heroes of the national welfare law" (i.e. victims of the government) are given a lot of freedom, however they tend to have a different mindset over what is going to happen to them as they tend to try to get revenge on people who did them wrong or commit other sorts of crimes.

While in its core this series's main idea is similar to to a fairly well-known movie called The Purge, which in turn is a live-action movie which takes place in a country where once a year all crime is legal - be it theft, break-in or even murder. Ikigami however throws a larger twist to the idea of this as it shows us the build up of the herd mentality to control people. It explains how we can use the idea of freedom to free us from government control while in reality feeding that to the masses is the control itself.
While the story might be questionable in its writing quality due to dealing with these types of hard-to-swallow propaganda mass manipulation concepts and crazy censorship, the presentation of the individual stories in this series are amazing. They are really emotional and pack a huge amount of impact. They exist to show us just how monstrous these types of Totalitarian One-World government laws are. 


Going into spoilers, the story at the very end brings up a very good point as it explains us that the purpose of the "national welfare law" injections was to control people into wanting to get rid of the nanocapsule, even if they don't know whether or not they have them. To offer this choice to the people, this government gives them a chance: go to war and you can pick any one person to get injected with a liquid that destroys the capsule. This controls the whole population to join the war to save themselves or their loved ones. A very grand-scale psychological control over people.

I believe now is the best time to read this series and think very carefully what is happening in the world. It is a very well crafted comic book series dealing with heavy subjects.

Monday, February 3, 2020

Full Story of Death Note Special One Shot (2020) - Reliving the Masterpiece

"The pen is mightier than the sword."
- Edward Bulwer-Lytton (Cardinal Richelieu, 1839)


Minoru Tanaka and Ryuk the Shinigami
It's been 13 years since I last laid my eyes on the finale of Death Note, a highly-acclaimed animated thriller from Japan with plot twists flying off the rails episode after episode. It was one of the first experiences that left me feeling empty at the end of it all. Death Note (デスノート; Desu Nōto, 2006) is an anime adaptation by Studio Madhouse (HxH 2011, One Punch Man s1, Parasyte, Monster) of a manga by the same name created by a duo named Takeshi Obata (draw artist) and Tsukumi Oba (writer). The series is inspired by Ballard's 1959 novel short story Now: Zero. The fame of Death Note from its very first conception in 2004 blew the world away and the series soon after became a global hit known as the gateway anime series for any person, regardless of whether or not you like anime.
The series tells the tale of a boy named Light Yagami who finds a notebook with a set of rules that gets dropped from another realm by a resident of that realm - a shinigami (death god) named Ryuk. After getting the Death Note, Light slowly becomes corrupted by the power of the book that allows him to kill anyone whose face and name he knows. This corruption of Light around the globe becomes known as Kira, a god that is assumedly just in trying to kill all the evil people on Earth. The God of the New World. The birth of the concept of Kira introduces us to a new character, L, who is an introvert sugar lover as well as the greatest detective in the world. L builds an instance known as the Kira Task Force that is meant to apprehend the serial killer whom L deems to be utterly evil. The existence of L himself however gives us one of the greatest cat-and-mouse game in anime history as Light and L try to find and apprehend each other without knowing either ones true names or faces. The loser of this grim tale will die.

In the anime industry a great manga having a good anime adaptation is extremely rare. The reason for that is obviously money; the anime is simply promotional matter for the original work that's been successful enough to warrant an anime adaptation. The fame of Death Note comes not just from its interesting soundtracks (albeit synthesized), insane direction, intriguing plot or immense passion put into the series, because the series is also more than just the sum of its parts. Every single episode of Death Note has mind-tweaking twists that are different from the norm that you expect in an anime series as we see the psyche of L and Light when they try to outmaneuver each other in crazy ways. The manga is fantastic with art akin to a seinen series (yes, Death Note was running in Shounen Jump magazine) and the anime somehow makes the manga come alive frame by frame, panel by panel, in a way no other shounen author has been able to replicate thus far. It would not be a stretch to say that Death Note is the greatest series producted by Madhouse and the greatest series by the duo authors as well when we look at the immense effort that went into the final product. The series was animated in 2006 but it still holds up to this day - just like a heavy budgeted anime film from the 80s such as Akira would.

In January 2020 Weekly Shounen Jump announced that Jump SQ will be releasing an 87-page sequel one-shot manga series for Death Note by the original mangaka duo the very next month, on February 4th, and it will be available for free on their official site. This news was amazing - the 20th anniversary for new Bleach news AND Death Note manga one-shot sequel, maybe we'll even get Hunter x Hunter back this year for its 400th chapter milestone (most likely the final x00 chapter milestone we'll ever get)!
Now, the sequel manga series' one-shot chapter is finally here and I will be doing a live overview of the whole thing. For new readers of this blog, I like to overview every single aspect of a series I think is well written to get inspiration from how the authors frame everything out in the story. So now it's time to start listening to the full OST's of the original anime and start reading the chapter.



Returning to the World of Death Note


The color pages of this series have always been 10/10 tier, and this one-shot is no different from what came before it. The artist is one of the best in the industry when it comes to presentation and understanding of dimensions in drawing medium. Ah, I really feel like I'm back in 2007 right now when see this new art. Anyway, we see Ryuk in all his Frankenstein's monster glory behind our new fluffy-haired main character with the MC himself holding the forbidden apple in his right hand - the apple in this series represents the Death Note; the main character of the original series taking a bite of the forbidden apple was to represent him doing his first kill with the notebook. The series has always been full-on with symbolism like this. I'm not a big fan of symbolism in shounen but it's definitely one of the best aspects of Death Note when it comes to setting the atmosphere. There are some insane scenes like representations of L post-episode 25 chaining Light down (with Near and Mello appearing) as well as Light and L being on top of skyscrapers as red and blue characters. It's really cool to watch and a way to make a series about characters writing on a notebook hella interesting just with the author having understanding of what great presentation looks like.
Ah, but I'm already rambling on with the first page alone here. The color page is amazing and our new main character has a great design to him. Let's see what kind of person he is next.


The story begins in the realm of the Shinigami in year 2013 with the round-headed shinigami and our main guy Ryuk hanging out in the corrupt world filled with chains hanging from the black sky. The original series's timeline ended in 2011 but the real ending of the series (Light's ending) happened in 2010, meaning that this happens three years after the ending of Death Note.

The round-headed shinigami arrives to give Ryuk his notebook back. In the shinigami realm it's apparently become known that Ryuk succeeded in having fun in the human realm. The round-headed shinigami didn't succeed in anything. Ryuk tells the other shinigami that he'll take the notebook back but the shinigami should give him something else as well in compensation - something from the human realm, obviously. The shinigami then throws an apple at Ryuk - as expected - and Ryuk instantly spins it in his mouth with his tongue and chomps it down.

In the original series Ryuk was insanely into apples - whenever he had to go days without them, he'd start to get heavy symptoms. This time Ryuk decides that he absolutely needs more apples so he should probably try to go to the human realm once more. He wants someone like Light Yagami so that he can eat apples for a long time and have fun at the same time.


May, 2019, Tanaka household

Six years later we meet the fluffy-haired character from the color page as he's listening to music through earpods. Right after, Ryuk's hand comes through the floor into the boy's room (Note: Ryuk is intangible - he can phase through objects and shooting him with guns won't do anything as they phase through him as well. Ryuk crawls through the ground towards the boy - who's just minding his business, listening music with his eyes closed - and taps the boy with the Death Note (results in the user being able to see shinigami).

Ryuk tapping the boy with the notebook causes us to get a full-page panel similar to Light Yagami getting his memories back on the helicopter from touching the notebook. It seems that out main character has held to this notebook prior to this page in the story, making this a rather interesting turn of events.

Our MC is first slightly surprised at seeing Ryuk but then just gives a sigh of relief. He says that it's been two years since Ryuk and he last hang out. Ryuk tells the boy that he came out of the floor as promised and the MC tells him that he wouldn't work with anyone who doesn't keep their promises - shinigami or human, doesn't matter. This exchange of words gives us some mysteries like was it actually necessary for Ryuk to come from the floor or something and understanding of how much our main character values loyalty (maybe because he likes to use people).


Two years prior (2017) - The Fated Meeting


We go back in time to explain our main character meeting with Ryuk.

Minoru Tanaka, our main character, is being talked about in the school's faculty room. Teachers in the school talk about how Minoru got the top score once again, for three years in row and counting. They assume that he could be the smartest middle school student in Japan right now. Note that in the page where he got his memory back we saw him with a low score so maybe the Death Note will stress him so much to fail after being the best. Or maybe not as right after we see him get some mediocre grades despite him being incredibly smart.


Minoru is outside the school on a swing, looking at his scores. He got 28 points on English. These kind of scores make him call himself dumb. This scene makes me feel kind of bad for our main character. Then all of a sudden a notebook falls from the sky and hits Minoru right in the head. He grabs his head and shouts from the sting as Ryuk appears next to him and tells Minoru that the notebook is his now. After hearing Ryuk and looking back to see the giant monster right behind him we get large panels of Minoru just being shocked from seeing him.

Ryuk tells Minoru that he heard the boy is extremely smart - smart enough to give Ryuk some fun like Light Yagami did. Ryuk then looks at Minoru's test scores, which are terrible, but tells him that he overheard the teachers say the kid is the smartest middle schooler in all of Japan. Minoru is confused at what Ryuk is talking about while still being shocked and he tells Ryuk that he might mean intelligence tests instead of school tests. Minoru says that the school doesn't tell the students the scores for the IQ test so he wasn't aware that he's the smartest in the country- and even then, getting high scores in IQ tests just means Minoru is into brain teasers and playing IQ games, not studying. According to Minoru any teacher that tells that he's smart because he scores high in IQ tests instead of studies is a dumbass.

Ryuk then asks Minoru if he's an idiot then to which Minoru answers that he's terrible at studies and he's only good at things like riddles and quizzes.

Ryuk keeps creepily looking at Minoru and tells him that he might be the perfect person to get the notebook of death. Minoru wonders what he's talking about and asks what Ryuk even is. Ryuk tells Minoru to get up and go to his house. Minoru declines but Ryuk tells him that only Minoru can see Ryuk at the moment. Then in the end they get to go to Minoru's house to talk about things.

In Minoru's room Ryuk tells him that the notebook Minoru got actually used to be Kira's. Minoru then tells us about Kira - Kira is now known as a person who eliminated war and reduced crime rates. These days everyone knows about Kira; he's being told about in elementary school books people study Kira as part of the world history. Ryuk wonders if people treat Kira as one of the great historical people. Minoru tells Ryuk no, in fact in ethics they teach kids that Kira was pure evil. In world history classes Kira is being described as a crazy mass-murderer terrorist known to be the worst one in recent history. Regardless, many people say Kira was a god, to which Ryuk is kind of surprised about.

Minoru wonders just how does one notebook make someone a god. Ryuk points Minoru to the instructions on the first page but since it's written in English, Minoru doesn't understand it.

Ryuk is forced to translate the rules to Minoru and as the translation we get this cool one-page of a page of rules of the Death Note.


The Rules of the Death Note

I) The human whose name is written in this note shall die.

II) This note will not take effect unless the writer has the persons face in their mind when writing his/her name. Therefore, people sharing the same name will not be affected

III) If the cause of deaath is written within 40 seconds of writing the persons name, it will happen.

IV) If the cause of death is not specified, the person will simply die of a heart attack.

V) After writing the cause of death, details of the death should be written in the next 6 minutes and 40 seconds.



Minoru is shocked as he reads the rules. He says that he can't believe it but since the existence of Kira is a fact, the notebook truly does explain how he did all the things he's known to have done.
He looks at Ryuk and asks him if the police and the famous detective L were trying to arrest Kira, to which Ryuk says yes and that it was all very entertaining to follow.

Our main character asks Ryuk if he could tell more about the things that Kira did. Ryuk then tells Minoru that he'd much rather eat an apple before doing something like that. Soon, Minoru comes back and gives Ryuk an apple. Minoru tells him that since his mother is on an apple diet and Minoru eats an apple once a day, there are apples in the house. Ryuk says that he's not going to share any personal details about Kira but he will tell some things that he remembers of the person as he takes a huge bite of the apple.

Time passes as Ryuk tells Minoru about Kira. Minoru is in disbelief but seems kind of down to earth about it, almost disappointed and impressed at the same time due to Kira being so smart. Minoru is impressed at Kira using the rules of the notebook and the fact that touching the notebook makes people see shinigami to his advantage. Ryuk tells Minoru that Kira's test scores used to be the greatest in the country.

Minoru tells Ryuk that if someone were to try the same thing now they'd instantly get caught. Kira's reign was about ten years prior, in a whole different era. Nowadays there are security cameras on every street and corner, and every train, car and bus has a dashcam. It'd be impossible to do the deeds Kira did without getting caught. Nowadays cops are solving cybercrimes easily, meaning that if Kira were to try to get his message online, they'd just track him down. All cell phone calls are null as well. There are no way to send untraceable messages online.
Regardless, Minoru believes that even with all the technological advancements, Kira must have been smart enough to still come up with a way to pull everything off in the current technological era.

Ryuk asks Minoru if he can pull off Kira's reign in the current era. Minoru gets surprised and looks at Ryuk. He thinks to himself that Ryuk wants him to do the same things that Kira did and that there's no way he'd use a deadly notebook.
We get a panel of Minoru thinking to himself. This is pretty interestingly presented with Minoru being white as he thinks of what to do with the notebook. From what Ryuk told him, if he were to give someone else the notebook or return it to Ryuk, he would lose its ownership along with all the memories of it. It'd be a way to forget the supernatural power that once ruled the entire world. Minoru thinks about how Kira gave the notebook back to Minoru once before as well, so it must work.
Minoru has one problem however; if he were to give the notebook back to Ryuk, the shinigami would just give the notebook that can only be used to kill people to someone else instead.
Minoru wonders about what the right answer to using the notebook would be. Get rid of it or not, and how would he go about his next choice?

Hours pass and Ryuk asks why Minoru hasn't said anything since then. Minoru tells Ryuk that he's the kind of person who keeps thinking until he reaches his own answer to questions at hand. Ryuk gives a comedic answer about how that must be why Minoru is the best at quizzes.

Time passes once more and Minoru just thinks about the situation until he turns around to asks Ryuk two specific questions.
Question 1: Are there any other humans besides Minoru who are able to see Ryuk?
Ryuk answers yes, meaning the final group of people such as Near that caught Kira are able to see him. Ryuk thinks of Near, Matsuda and the rest of the SPK that was built to catch Kira.
Minoru asks Ryuk if he's absolutely positive to which he answers that people who have possession of the notebook and lose possession will lose their ability to see shinigami, but people who touched the notebook won't lose the ability and should still be able to see Ryuk, the invisible and intangible death god. Minoru thinks with a worried face about the situation.
Question 2: Minoru asks about one of the rules of the notebook. The rules says "The human owner of a Death Note must be possessed by a shinigami." Minoru's question is about just how far away can the shinigami get from the owner. Ryuk says that there'd no firm rule and it most likely works as long as Ryuk knows where the owner is. There is no distance set to how far away a shinigami should be. Minoru asks Ryuk to just come up with a number. Ryuk tells him that by measurements of the human world he will set the distance at 14 kilometers (almost 10 miles which is 16 km) as 14 km is close enough to identify humans and to reach the owner of the notebook instantly.

After getting his answers to both of his questions Minoru thinks more and then tells Ryuk that he's decided on what to do: Minoru tells Ryuk that he will return the Death Note, in turn losing his memories of it, however, he also tells Ryuk to come back in two years time. In two years Minoru will use the notebook, and in turn he promises Ryuk apples every single day. Ryuk wonders about the fact that he has to be in apple withdrawal for two whole years and Minoru tells him that if he can't wait he can just give the notebook to someone else. Ryuk tells Minoru that nah, he'll wait as he sees potential in Minoru.
We get a nice page of Minoru giving the ownership of the notebook away to Ryuk the Shinigami as Minoru physically hands the notebook to Ryuk.

Present day - Minoru's Plan

We get to see a more grown up Minoru Tanaka thinking about what has happened thus far. Ryuk tells him that he's gone two years without apples. Minoru says that now he can proceed with the plan he created two years prior when he lost his memory of the notebook. Ryuk wonders about the plan as he never heard what it is and Minoru tells him that it's time to sell the Death Note. This is kind of funny because it can also be seen as the authors saying they're going to be sell-outs and make more of the series despite it ending, but I digress.
Anyway, after hearing that Minoru plans to sell the Death Note by putting it up for auction online, Ryuk is surprised at first but then tells that the plan sounds actually interesting, however, the problem here is that Minoru himself said two years prior how no one can anonymously use internet to do anything as everything can be tracked on the net. Minoru says that he's not going to use the net, no, there was a very specific reason as to why he asked Ryuk exactly just how far away he could be from the owner, who is in this case Minoru himself. It was set by Ryuk that he can be 14 kilometers away, so that's just the perfect distance as Minoru asks Ryuk to head over to Sakura TV's base which is 11 km distance away from Minoru's household.

Minoru gives Ryuk an apple and tells him to use paper and pen from the TV station to write something down. Not in English, as Minoru still doesn't understand it, but in Japanese. Ryuk wonders what's going on and heads to the TV station where news are being shown. All of a sudden on the television screen appears a floating piece of paper. In fact it's not floating but the invisible Ryuk is holding the paper and showing the world as follows:
"The Power to remotely kill people as used by KIRA is being put up for auction. If you want to buy it, use the Hashtag #powerofkira on Twitter and Indicate your bid amount in American dollars."

The news reporters and other TV studio personnel of Sakura TV are wondering what the paper is supposed to be. People around Japan are wondering what it means and think that it's an on-air screw-up with Sakura TV just doing publicity stunts again. The director tells the reporters not to touch the paper and to explain what's going on. They say that the paper is floating in the air unsupported and that it's referring to Kira's power to kill people from a distance. Minoru watches at the news via his phone and sees Ryuk holding the paper.

In the police station we see Matsuda look at the news via his laptop and he recognizes Ryuk as well. Matsuda tells the deputy commissioner that Ryuk is trying to sell the notebook to which the guy tells Matsuda that it's the person owning the notebook, not Ryuk. After 30 seconds, Ryuk drops the note to the ground and phases through the ground as he leaves, leaving the news reporters at Sakura TV baffled.

The Next Day - World Wants the Notebook?

Students at Minoru's high school ponder about whether or not the Sakura TV sale was for real or not. On twitter, it hasn't even been one day and people are bidding millions of dollars online since the sale came to light. That amount of money in Japan translates to over 300 million yen currency. The students ponder that if it really is Kira's power, mere millions of dollars is an extremely cheap price. We see Minoru just spend his day listening to music through his earpods while in the class, not caring about what others say.

In America at the "new" SPK built by Near (now known as the Next L), Near's agents arrive to tell the next L news about Kira that are spreading in Japan at the moment. When the agents arrive to meet L, they're greeted with a replica of Ryuk's face. Next, we see a long and white-haired person telling the agents that he's trying to create a facial-recognition program for shinigami, but obviously it's not an easy thing to do as only people who have touched the notebook can see shinigami. Then we see the face of present-day Near. He tells the agents that they'll be calling the person trying to sell the Death Note on auction as A-Kira.

Near tells the agents that he could see the shinigami holding the paper in mid-air at Sakura TV. Near understands that A-Kira is a very cautious person due to the fact that he avoids using the internet to sell the notebook. He also explains that following the shinigami - Ryuk - is going to be their chance to find A-Kira. They will try to find security footage of A-Kira and Ryuk together. It's however impossible to find the footage from every single security camera in Japan if you only use the help of people that can see shinigami.

Near starts to go through his toy box to find a toy eye. The agents ask if he thinks A-Kira is in Japan. Near answers them that based on the past experiences, the shinigami most likely can't be far from the owner of the notebook- it's very likely that A-Kira is in Japan.
The agents tell Near that they'll be arranging a ticket to Japan immediately to apprehend A-Kira, however Near tells them that it's going to be impossible to charge the perpetrator with a crime when he's trying to sell a notebook.

In the past Near used to call the Death Note the Worst Murder Weapon in Human History, but weapons of mass destruction are traded around the world every single day. Killing with the notebook is a crime, but selling the notebook is not. Near tells the agents that they should just track down the person who buys the notebook instead of A-Kira. The agents ponder why L - Near - wants to track down A-Kira then to which he answers that A-Kira is extremely smart and because of that he has personal interest in meeting the person trying to auction the Death Note. The agents and Near are silent until Near tells them that if they want to help, they can go get the security footage of Sakura TV via the help of Mr. Aizawa who can then send the clip over to America.

The agents head to speak with Aizawa and Matsuda through earphones. Aizawa tells Mr. Rester (one of the agents) that they've finished checking out the camera footage from Sakura TV as well as the surrounding area. After throwing away the sheet of paper with the message inside the TV studio, Ryuk passed through the bottom of the second-floor studio, then the first floor, then the basement parking lot, and was not shown on the security footage afterwards after going underground. Near looks at the Ryuk Replica in his studio and says that they won't be making the shinigami face recognition system after all if Ryuk is just traveling underground between the TV station and A-Kira's house. There's nothing they can do about it.
Near then presses a button and the Ryuk replica simply explodes and then he explains that if the shinigami is to appear on any camera footage aside from the TV studio it's going to be the time when he's handing over the murder notebook to the next buyer. Near pulls out a finger toy version of Ryuk and a black cube that he flicks over to the agents.

The moment when the buyer gets the notebook is going to be when A-Kira will lose any memory of the Death Note. It's a great plan with very little chance of getting caught. If the previous SPK wants to catch the perpetrator as A-Kira, the only chance they have is the moment when A-Kira gets the money and lets go of the Death Note. Near looks at the finger toy Ryuk in disgust and tells his agents that even though it'd be easier to figure A-Kira's identity out by figuring out who gets the money after the auction is complete but he feels like it'd be admitting defeat to A-Kira in a way. He also mentions how he has a feeling that A-Kira has planned the whole thing out in a way that the SPK won't be able to detect the money changing owner.
In the end the only thing they can do is wait and see whoever gets the notebook.

Back at the Tanaka household Ryuk and Minoru are checking out the current bids on Twitter - they're up to 10 billion yen at this point as the plan is proceeding along incredibly well. Ryuk asks when the bidding will stop and when he'll stop getting apples and Minoru answers that he never decided on a deadline. As for apples, Minoru can give them for a bit even after he gets the money. Ryuk is sad about not getting more apples than that.
Next, another "floating" message at Sakura TV appears. It reads as follows:
"One week left until the end of the auction. It may end prematurely as well. You will be informed if that happens. This transaction will be final. No complaints, no returns."

After the message appearing the director of Sakura TV tells them to drag the message of A-Kira out for 30 minutes to get more viewers to watch the show. The STV squad realizes that the message is also written on the STV's very own paper and with their own pen as well. Ryuk thinks that Minoru told him to only hold the message for 30 seconds, not 30 minutes.
One of the reporters start reading the message that Ryuk is holding out-loud but Matsuda runs in and tries to stop the program. Ryuk tells Matsuda that it's been a long time since they met. Matsuda however was only ordered to follow Ryuk when he leaves, not to show up and try to stop the program- well, Matsuda is still a cop so he just does what he thinks is right.

The whole scene with Matsuda is pretty comedic as he just ruins the entire plan of trying to track Ryuk and A-Kira. Near watches the TV and says that at least Matsuda has been keeping himself busy over the years. One of his agents just tell him that Matsuda's actions simply make the whole thing (Kira's power being sold) even more believable for the customers.
At police HQ Matsuda tries to explain the chief the powers of Kira being a notebook that can kill people but he gets put on desk duty to keep him away from media for the rest of the case.

The Next Day

Now, because of Matsuda's actions the bids on the Death Note on Twitter have gone up to 200 billion dollars, or over 20 trillion yen. At the school the students theorize that that amount of money is not personal anymore - no single person on Earth has over 130 billion dollars. This means that it's most likely a nation or a large group trying to buy the power of Kira now. If the nation gets to buy the notebook they get to become an internationally formidable foe. The bids on the Death Note keep rising billions of dollars at an insane rate; it quickly passes 300 billion $.
Minoru thinks to himself that he already knew that it'd become a national competition as the rest of the students are enamored on the battle between two nations trying to outbid each other.

Another letter at Sakura TV appears saying the following:
"Don't bother with Twitter. Put your government reps into the media to make an official announcement of how much you will pay to buy it."
 After the message appears, Near thinks that the entire thing is going to get very interesting from now on.

In America the 45th president of United States, Donald Trump, makes his appearance. Trump thinks to himself that in 2005 the FBI director and a boy named Near testified to the President that Kira's power was a notebook that would kill a person if you wrote their name in it. Trump thinks that if the legends were true after all, no other nation should be allowed to get their hands on it.
Trump takes the stage on the TV as the President of the United States of America and makes a live announcement that the United States will buy the Power of Kira for 500 billion dollars.

Next up the People's Republic of China's president claims that they will be buying the Power of Kira for a trillion dollars along with a promise that the power will be used for peaceful means. The masses go crazy about this announcement.

After hearing what China has to offer, America decides to offer two trillion dollars and promises to never use the Power of Kira for world peace.
 Minoru looks at Trump and thinks of what to do.

The Next Day - Battle of the governments

Another note appears on Sakura TV. A-Kira tells them the following:
"Any world leader bidding must name a price only. No other nonsense."
Which is hilarious. No one trusts what the leaders have to say.  Near is enjoying the show, telling his agents that the whole thing is getting incredibly entertaining.

In America/China, different journalists decide to flock over the prime minister and ask him if it's possible to hold a world leader summit to ensure no country buys the Power of Kira. The prime minister tells everyone to stop with the idealistic statements; everyone knows some country is going to get the power since no single person has enough money to bid trillions. Whatever country would say in the summit to not buy the power would in reality be the first one to backstab the others and try to get the power to themselves.

The Next Day - The bidding battle reaches insane heights

On the net the news sites have updated that the bids for Power of Kira have passed the quadrillion yen mark as the US president bids 1 quadrillion yen in Power of Kira auction.
At school the students think that a quadrillion yen equals to Japan's whole national debts - it would be cool if Kira would pay off the entire debt, however Japan would most likely just return the money back to the winner, be it China or USA, but especially to USA due to Japan and US having a security relationship. The students also claim that even though Japan is the most indebted nation in the world, according to Google, it also holds the most resources available.

After school Minoru tells Ryuk that he'll be ending the auction for Death Note the next day. Once Minoru has confirmed the money is in his possession, he'll be discarding the ownership of the notebook. Minoru asks Ryuk to deliver it to the buyer. Ryuk just eats apples and tells him that even though he hoped to eat more, he's kind of interested in the whole thing so he'll be doing what Minoru asks.

In America, Near and his agents ponder about how in the world A-Kira is going to try to get a quadrillion yen to his possession. It's impossible to receive or pay that much in bills so it's going to have to be an online transaction according to Near as he builds a tower full of watching eyes, however, the mystery is exactly how A-Kira is going to get that amount of money without it being able to be traced.
Near thinks the whole thing through and realizes that A-Kira must be a person who doesn't want to use the notebook to gain money as he must not want to commit murder. A-Kira is trying his best to dispose of the notebook and the best way to do that is by a planned auction. Since A-Kira has been incredibly careful thus far it goes to reason that he must be planning the money receival as well in a careful manner.

At the Tanaka household in the middle of the night as Minoru is sleeping, another shinigami arrives to Ryuk by phasing throught he wall of the building. This time it's the jewel-wearing and jewel-eyed Armonia Justin shinigami who sits on his skeletal chair as he moves. Ryuk wonders what's up and he gets told by Armonia Justin that the King of Shinigami is calling him. The very moment that Ryuk is able to leave his notebook's owner, he has to go meet the Shinigami King by person. Armonia tells Ryuk that he doesn't know what the king wants, he's just the person to send the message to Ryuk. Then the other shinigami just leaves the way he came.

The next day - Day after day after day

 All of Japan is shocked as the world gets notified via Sakura TV that the Power of Kira has been sold to America for the quadrillion yen and that the transfer and methods will be revealed within the next 24 hours. The whole world is shocked. The agents think that if they were to follow their original plan, it would mean to seize the notebook from their own government. Near tells his agents to just do that on their own as he's an American citizen now so he's not going to go against his government.

Near tells his agents that since the entire world knows of the power, it just makes it incredibly much harder to simply use the notebook at this point. Right now the more pressing matter is how A-Kira is going to handle the insane transaction of money as well as the notebook. This could be their final chance to catch the Death Note and A-Kira.
Since the money's going to be transferred in 24 hours it means that it would happen at 6 PM on friday, May 24, in Japan's time. The banks aren't open after three o'clock on fridays and are closed over the weekends, so it's likely there will not be any bank transfers as that would also be the same as asking to be caught.

The amount of money being transferred here is one quadrillion yen. According to Near (oh I remembered, his real name was Nate River), the lifetime earning potential of a Japanese person is 300 million at most. Near also says that if A-Kira has been planning this out from the start they're amazingly intelligent. Not sure why.

The next day - May 24th

There is another message on Sakura TV once again, so the last one wasn't final message in the end. This message reads as follows:
"The money from the winning bid should be deposited by May 27 of this year in equal amounts to every person with a Yotsuba bank of Japan savings account and registered residence in Tokyo aged 60 and under as of the date of May 24, 2019."
Japan is in uproar as the money is being split. Even if there are a million Yotsuba bank accounts that still means around one billion yen per citizen with the account. But why under age of 60? That remains to be seen.

Minoru's mother runs inside his room and asks if he still has the Yotsuba bank saving account to which he answers yes, he does. They're going to be filthy rich from now on. It's funny that Minoru's mother calls Kira their god now.
Japan's population fills Yotsuba banks as they try to get their share of the money.
Near tells his agents that he did assume A-Kira to be a young person from the get-go. Limiting the age of people to under 60 increases A-Kira's share, but it also narrows down the possible suspects to. But not too much as there are still hundreds of thousands of people we're talking about here.
What makes the whole thing crazier is that once the three days for the transaction on the 27th have passed, not even A-Kira will remember that he was A-Kira. It's impossible to track the perpetrator down at this point.
Here, for the first time since becoming the next L, Near claims to admit defeat. He lost to A-Kira.
After hearing the China's president make

Three days later - Monday, May 27th

A payment to Yotsuba bank of ten trillion dollars has been made from America and now customers storm the bank branches - everyone is happy that Kira gave them money. There's a funny scene where a guy is looking at his bank balance and it says:
Previous Balance - 3,805 yen
Deposit Amount - 1,027,939,840 yen.

People of Japan are still fighting their way to open up a bank account in Yotsuba bank to get their share of the America's quadrillion yen deposit, but they're not being let in. The bank announced that customers will only be able to withdraw their savings prior to the 24th for now, up to 100,000 yen each day. Minoru understands that he won't be able to access the account for about a month from now due to the chaos.

Minoru hands the notebook over to Ryuk and tells him to take it to the president of the United States as America did pay up.
Ryuk asks Minoru if that was all. Minoru tells him that they are both done now. Now that he'll be discarding the possession of the notebook, Ryuk shouldn't show up around him ever again for any reason. He'll be forgetting about Ryuk and live a happy life. Minoru says that he doesn't want to have anything to do with the notebook as it's far too dangerous.

In the end Ryuk commends Minoru on being able to use the notebook without writing on it at all. It was a fun time for him. Minoru throws the notebook to Ryuk and Ryuk heads over to America to give the notebook to Donald Trump in the White House.
Before heading to the president of USA, Ryuk got yelled at by the Shinigami King however. The King was angry because Ryuk had let a human sell the Death Note, thus a new rule had to be added to the notebook:

THE NEW RULE OF DEATH NOTE:
"A human who buys or sells the Death Note in the Human World will die. The Seller will die when they receive the money, and the Buyer will die when they receive the Death Note."
The president is shocked. Ryuk agrees that the whole thing is crazy, but it's a brand new rule. So, the president really paid all that money just to die. However if he refuses to take the notebook, Ryuk will treat it as if he never bought it. However at this point it's impossible for him to get any of his money back.
So, now the president has two choices:
Choice #1: Take the notebook and die, however the notebook will remain there. Any big shot in the country will get it. So even if he dies, the notebook will belong to the nation.
Choice #2: Not take it and live.

Trump tells Ryuk that he won't be taking the notebook and Ryuk is hilarious here as he says that he understands how he feels, the president must value his own life over his country. The president tells Ryuk that he's still going to announce to have claimed the Power of Kira regardless. Trump explains that he will claim that he got it but refuses to use it; that'll make him look like a saint.

Ryuk is impressed by the president and leaves. Now, Minoru has no idea about the new rule either, however Minoru did tell Ryuk to never ever again come back to him for any reason, sealing his fate.

One month later - The End of the Journey

Japan's economy was booming and the people called it the Kira or Reiwa Bubble. People bought apartments and cars, they took toasts in the name of Kira.
But one person is seen falling to the ground, his face completely red with his money on the ground and his earpods still playing his favourite music. The moment our main character withdrew the cash from his bank account, he died of a heart attack.

Outside, Ryuk is standing on top of a Yotsuba bank ad board. In Ryuk's death note there are two names: Light Yagami and Minoru Tanaka. Ryuk thinks of how much of a shame it is that a person with such a perfect plan met his end - no matter how one does it, any human who uses the Death Note is fated to meet an unfortunate end.
Ryuk thinks of an apple and is sad that there seems to be no person around that wants to used the notebook for all that long anymore.

The End.



This concludes my overview of Death Note 2020 Special One-Shot. As for my thoughts, it was fine. The great art was the thing that kept me interested but the plot wasn't completely dry feeling either. The way that no matter how good a person is but wants to gain something - money, fame or justice - by using the Death Note will always meet a bad end, is kind of sad. I like how Ryuk had an active role in this story and how we saw old faces again but the story itself wasn't that intriguing compared to the original. This one had the same level of presentation and skill in pacing but did not have the tension which is the key element of Death Note as a series. But I'm glad this was a one-shot instead of a series as a one-shot is the perfect for this type of less tense story without any huge twists to it. Near kind of didn't do anything here which was what I didn't much care for as our main character Minoru Tanaka didn't have any rivals.
 
The art was amazing as always and these authors' ability to frame a story is pretty impressive but this story didn't really leave much with me after it ended. Minoru died quickly but even without that he still seemed kind of a throwaway character, a boy that just wants money and to get rid of the Death Note. At least Minoru's design was very nice.
The most intriguing things about this one-shot were the thoughts on how will this story unfold, what will Near do, how will Minoru get the money - which was well thought out by the way - and the fact that Ryuk had a lot of screentime here. For the first half I actually felt some tension in this story when Minoru was planning on what to do with the Death Note. Sadly seeing the SPK and police members that are familiar to us from the original series didn't really click with me, I didn't care for them at all here and they kind of took a bit too much screentime for my liking, but I wouldn't say they made the story worse, just longer than it needed to be as no one could challenge A-Kira due to his so-called perfect plan where he utilized Ryuk to do everything for him.

Monday, May 13, 2019

Escape from the Grace Field house arc review

"You mean, in exchange for spying on us, they won't get shipped out and are allowed to live?"
- Emma thinking about what types of motives the spy has (The Promised Neverland).



The Promised Neverland (2019) is the animated version of one of the newest best-sellers on the Weekly Shounen Jump magazine. The manga has been written by Kaiu Shirai and illustrated by Posuka Demizu and it has sold millions of copies between 2016, which is when the manga first started, and 2019. I’ve been a big fan of the series for a long time now, ever since the first arc finished in the manga as the amount of atmosphere, storyboarding and character writing the authors did in the first 37 chapters (length of the first arc is 37 chapters) was phenomenal. 
Normally series don't start out strong because the authors either are novice or they create a story that is supposed to get better and better (rarely they do). In my opinion, as far as series in the shounen demographic go, the first arc of this series stands at the top along with series like Death Note in how amazing the first arc of the series is.

This blog post will be talking about the first arc of the series which has now been animated by A1-Pictures into a 13-episode TV series that adapts the Escape from Grace Field house arc. The story continues beyond the Escape from Grace Field arc and a second season has been confirmed for 2020, but that's a story for that year.


Em
ma, code number 63194, is a bright and cheery young girl who loves her family. In the Grace Field house where she lives, Emma’s large family consists of Isabella, whom she and everyone else in the house calls 'mama,' along with Emma's dozens of brothers and sisters whom Emma plays with all the time. Grace Field house is said to be an orphanage in which every singleday there are IQ tests being done by the children. The children doing those IQ tests is the first ominous thing in the manga that tells the reader that this series isn't as rainbow and sunshine as it's made out to be. 

One day, Conny, one of the younger sisters of Emma, assumedly get adopted and leave the house, but Emma notices that even though Conny was supposed to take it with her, Conny’s stuffed toy rabbit is still in the Grace Field house when the girl has already left through the front gate that leads out from the Grace Field house’s large gardeny-foresty area. No child that has lived in the house has ever left through the gate because of warnings and creepy stories the children are told by mama Isabella.

As Emma and her brother Norman decide to go to Conny to give her the stuffed rabbit back, they come across something very dangerous and creepy. Conny’s cold corpse is found in a truck with a rose penetrating through her heart, and as Emma and Norman hear voices they decide to go under the truck to spy on the ones that have potentially killed their sister Conny - only for them to see that there are large, crazy looking creatures next to Conny that drop her corpse into a large bottle of liquid. Those creatures can speak human language and are seen to be talking with mama Isabella by Norman and Emma. Those creatures are literal demons. 

This is when Emma and Norman get the realization that they don’t in fact live the type of happy family life with a great mother that they originally thought they did – no, the children of the Grace Field house are actually food to the demons, they are cattle who now must escape from this prison, they must escape from the clutches of the demons and mama Isabella before it is time for more imminent deaths of the children that get regularly "adopted."


Basically: once a child reaches a certain age (related to their IQ but still at oldest they are 12 years old) they get picked by the demons, killed by putting a rose through the children's hearts and then the entire dead body gets bottled and taken away only to be sold to the the rich demons, due to the delicious brains that humans have.


The Promised Neverland series has three easily recognizable and memorable main characters with Emma, the loud-mouthed and caring protagonist, Ray the cool-guy-looking silent book-worm, and Norman, the mastermind of the series - even though Emma, Ray and Norman are all peak-level students, Norman is a god tier even among those three when it comes to outsmarting your opponents. The series still manages to have certain equal mind battles between all three of them when it comes to emotional level. This is also the first time in Grace Field history that three extremely smart children exist at the same time.


The story also has couple of semi-memorable side characters in Don and Gilda. The three main characters are the smartest characters in the Grace Field house, as I already mentioned, they are always scoring top scores from tests, but Ray and Norman especially are fantastic to watch or read about with their mind games, which I won’t be talking about in detail because of their very spoilerish nature as they are very important parts of the plot of the first arc. All I can say is that Norman and Ray make the series for me, which is why I believe that after the first arc of the series has really fallen off a lot, honestly. But aside from the character writing, there are many cool-looking and -feeling parts in the first arc as well, the presentation of how messed up the world is to the characters being psychologically challenged is beautiful to look at and think about more deeply.

The Promised Neverland is a shounen series with a gripping and dark atmosphere that plays on the psychological aspects of the characters. 
The artist of the series, Posuka Demizu, also really shined and will be remembered for what she pulled off in the first arc of The Promised Neverland. The artwork of TPN doesn't stick to a certain mold, so it's very different from most series. Even though it's not similar to Hunter x Hunter, it can be likened to it because Yoshihiro Togashi, the author of HxH, also has art that doesn't look the same all the time, both of these artists can really hit the bullseye with character expressions that look really deformed but great. 


There are crazy pages, spreads, paneling styles, and so on in TPN. The art at worst can seem kind of mediocre and at its best it can feel like something you have never seen before. There is a panel where Norman is walking through a hall of the Grace Field house with a glass of water in his hand. As two children run past him playing games, the walls of the hallway Norman is walking through feel as if they are becoming deformed and the face of Norman is seen reflecting on the water on the glass he's carrying. There are quite a few pages of fantastic stand-out art like that in the series, and mostly all the color spread-pages of the series are like that.


Yeah, all in all there is a lot of good to say about the first arc, the Escape from Grace Field house arc, of the series, but as most things do, the series in my mind really should have ended there at the end of chapter 37. The manga did not have any that relevant plot lines left that would have excused the continuation of the story at this point. The series is 100 chapters past the first arc and not even a fragment as well written or presented as it. The characters are also shadows of their former selves. Look at Don and Gilda or the main characters; they all feel underutilized, irrelevant and just... waste of space. The series should have focused on fleshing out other characters and introducing them over time rather than dump dozens of characters in the group that the readers have no emotional attachment to. There is another arc in the series that is also an escape arc, but it lacks all the qualities, the psychological aspects and so on that the first arc did. I am usually the kind of person that appreciates when an author can change the way they write things, monotonous writing can be pretty boring after all, but the next escape arc is a downright downgrade of the Escape from the Grace Field house arc, it would have been better if it was entirely different arc from an escape arc, I guess. Didn't like that arc at all. Also the series has been skipping arcs and events that it should have shown us by now as the Promised Neverland manga is right now in its final arc.

The series started out strong with the authors clearly having planned many plot lines throughout the first arc which kept the series fresh and interesting to both the authors and the readers, but as soon as the first arc ended with that amazing ending, the series was not the same ever again.

Tuesday, January 8, 2019

Parasyte -the maxim- review

“We've eased each other's boredom for quite a while... It's been quite fun.” 

- Ryuk (Death Note)


First post of 2019 will belong to a rewatch of this Madhouse series. Even though I have to attend uni and everyone else has to work hard in order to move forward in life at the same harsh pace like always, let's try to make this year more fruitful than the ones that came before it, eh?

寄生獣 セイの格率, Kiseijū Sei no Kakuritsu (2014), also known as Parasyte -the MAXIM- is a 24-episode long animated sci-fi thriller produced by the infamous Madhouse, known for their fantastic, high-quality anime adaptations of series such as Death Note, HunterxHunter, Hajime no Ippo, Akagi, etc. Parasyte is originally comic book created by Hitoshi Iwaaki and it ran as serialized work from 1989 to 1995. Because of this over two decade gap between the adaptation and the original work, the animated version is heavy on modernization; computers, cars, phones, types of clothing and so on have been made more digestible for the current generation's audience, however, Madhouse did a fantastic job at modernizing the series as it does not affect the series's writing quality negatively at all.

Truth be told, while this is not the type of series I would normally be writing about, as this blog is about gathering information about how detective fiction series handle different writing styles and of course I try to be both objectively and subjectively critical at series here so I have to focus on the type of genre that I am able to critisize, which is detective fiction, I still decided to post at least something about Parasyte -the maxim- as I did a rewatch on it.

Shinichi Izumi, 16, is a high school student with arachnophobia and glasses. One day as he lays in his bed, he gets attacked by what he assumes to be a snake which then moves into Shinichi's right arm, and, after a struggle, it suddenly disappears from inside the arm. Later, as he is living his daily school life, our main character realizes that his arm is not moving the way he wants it to - almost as if it has a will of its own. When the arm all of a sudden transforms into a mutant that has eyes and can split apart, the watcher of the show can then realize that Shinichi's right arm has been taken over by a what could be called an extraterrestial being that takes a form of its own while stuck to Shinichi as if it was a symbiote, a fused parasite. This parasite gets named and is then to be known as Migi, which translates into 'right arm.'


It is instantly noticeable from the very first few seconds of the first episode that the world is being invaded by these heartless, emotionless beings that arrive to try to take over the world both violently and psychologically. Migi tells Shinichi that he was about to take him over completely, but because he could not get into the brain because of Shinichi not allowing his entrance from the right arm, Migi had to take over the right arm only. What makes these supposed body invaders interesting is that, according to Migi, they specialize in cannibalism. The parasites that take over a dog only eat dogs, and just like so, parasites that take over humans only eat humans. Invading humans is their main goal because a parasite that ate a dog mentioned that he 'failed,' just like how Migi 'failed' because it only ate Shinichi's right arm.

The main story of Parasyte the Maxim deals with Shinichi and Migi collaborating in order to fight off other parasites that get much stronger and smarter by the minute. Cruel murders happen around the globe which is caused by the invaders and the humanity is starting to make their move against them with weapons. In the backgrounds the parasite kind that have taken over humans try to invade into politics, schools, etc. so that they can try and take over the world in a way that no one could ever guess.

Kiseijuu: Parasyte -the maxim- is a fascinating series. It is thriller and slightly action-oriented with a slice of romance. The romance aspects of the series could be much better but the writing style does tell the watcher and the reader that it's been done ~30 years ago, so the slight cringiness and the rare cliches that can be spotted while following the series through, might throw some people off a bit and stop their immersion on the series, however, Parasyte stands through the test of time extremely well all-in-all. Boosted with a neat soundtrack and consistent animation and artwork, Kiseijuu ends up being a gripping and entertaining tale that does not feel like it's a braindead series filled with repetitive and copy-pasted tropes used to garner specific audiences, which is sadly a thing that a ridicilous amount of anime these days tend to do.

Monday, September 24, 2018

The Seed of Hatred

Although it was not in my plans, I've been in the limbo for a while (today it's been a good two months) due to so much happening in the real life but I'll say that this book did not help the case of me keeping the weekly reviews up. I was in conflict; I just did not want to skip a review of this one for two reasons. First reason being that it was a reread and it'd feel like a waste of time to reread something and plan to write about it and not do even that, and second reason being that for some reason I just can't find any in-depth information about this particular book on the net.

Hate Begins at Home (1967) is a mystery novel with slight thriller and romance elements created by the semi-known English children’s literature writer Joan Aiken, an author whose family were writers. The story of Hate Begins at Home tells the tale of two people, the antagonist’s side which tells about a successful and known violist being harrassed by others, and the protagonist’s side, a tale about a tragic young girl who is living in a place which she hates, the girl experiences extremely traumatic events and supposedly gets a depression with amnesia. The story replays some new events in the same manner as the first traumatizing event and it tries to be sort of symbolistic. 

The prologue of the story begins with a nervous man named Harry Lupac looking out the window inside a building in an unknown place. Lupac is waiting for a girl whom he is... about to murder. He simulates their incoming dialogue inside of his head, preparing for their fateful meeting inside the cottage. Aside from couple of mentions about what type of person Lupac is, the reader has no idea who he is waiting for or about what his motivations are for wanting to murder someone. The reader of course even has no idea about who he even is. The prologue fills the story with questions, however it does not flow very well in the overall story, as it's just a part of a chapter which happens much later, it's the build up to the last part of the story. 

The real story sarts up with the book’s first chapter, with a girl, a 17-year-old Caroline Trevis, sneakily moving in the woods, going towards a small shack in the forest while looking behind herself. What waits for her is a run-down apartment with a man named Tim Conroy, her hidden boyfriend who is studying for incoming exams. Caroline and Tim live their lives alone but both of them have their problems, Tim's is that his father, the owner of a large scale business that has to do with drilling and oil, is very ill, and Caroline's problems include her style of safe upbringing in a place where her mother simply wants her to marry a rich man as Caroline is not really 'good for anything else.' 
Caroline and Tim get caught by Ms. Trevis, Carinney's (what Tim calls Caroline) mother, while they are inside the run-down apartment known as Whistle Cottage. The situation, because of Ms. Trevis, leads them to forcingly getting married to each other as soon as possible. Tim's and Caroline's plan was to marry after the finals, so that Tim gets to study in peace, but no, all the pressure will come at them in waves at the same time. The wedding day gets changed on the spot as well due to Ms. Trevis, and because of the sweaty weather and Tim's father getting another heart stroke, the wedding itself is like a living hell to Carinney who takes all the negatives of the situation in an accepting way; all to get away from home. 
The Trevis manor, the Woodhoe House which exists in Woodhoe has long since seen its better days. It’s now a dog kennel that Ms. Trevis keeps up and her two children, Caroline and Hilda, take the dogs out for her. The family has a butler, the poem-loving old and very unhygienic Hudson and their cousin Flora, an old penny stretching lady who lives in he same house. 

Some years go by and Caroline gets a baby, young boy whom they named Punch Conroy. Caroline and Tim live they wanted off-screen from the reader’s, but their traveling gets announced in the news which are read by Ms. Trevis, Hilda and Flora, the usual Woodhoe House residents, that is. Year, two, three go by once more and the Conroy family travels to an oil drilling area in Bertha that is working under the name of the Conroy company, and that’s where their happiness leaves them as during a car accident where neither Tim nor Caroline were in the car, the young Punch dies. The entire story transforms and Caroline finds herself in a hospital bed, unable to remember anything, thinking she’s been kidnapped, then, soon, she finds herself in a cold-looking area filled with doctors, psychiatrists and the like. Caroline got an amnesia and a slew of other mental problems, and she was sent to live in to the place she hated the most, with her mother, sister, cousin, Hudson and the dogs. The problem with Caroline is not that she hates the people she lives with, but the style of living itself that happens in Woodmouth 
Caroline, broken, forgetting, easily manipulative. Now she lives again with her family as her husband Tim is working full day in Ras al-Abdan, keeping his family business going, trying to forget what happened to their little boy. He gets letters from Caroline which are very shocking to read, and from Hilda, which keep saying that it would be better for Caroline’s mental health if Tim weren’t to visit her, so that things would balance out at home. In the family house, the Woodhoe House which exists in the area of Woodmouth and near the run-down shack where Tim and Caroline used to meet up in (that shack is named Whistle Cottage, by the way), Caroline takes care of her mother’s dogs along with Hilda who has been sneaking out recently, meeting up with famous people. Hudson, their very unhygienic poem-loving butler is the only one who somewhat cares about Caroline, but basically hates everyone else. Hudson honestly did not get as much characterization and fleshing out as he deserved, sadly 

Thenormaldays in Woodmouth were not to last for long as three more deaths would happen in the story, all surprisingly enough in Woodmouth, and one of them happens in a mysterious way to the reader. I won’t be spoiling about the other deaths too much but the third death is basically this story’s only real mystery, and I can’t say it’s anything hard to guess, but atleast it’s more than nothing. The reader basically has to have an idea about what kind of characters the culprit is to understand why they killed that person. But aside from the later deaths I can tell about the second death (death after Punch's) which led up to the beginning of the events that would lead to the fated meeting which was mentioned in the very first page.  
 Harry Lupac is a quickly rising young musician, a violist who has the press and all the girls yearning for his attention. Harry hasjumpedaccording to the press, meaning that he’s come from a country with war or alike and supposedy left his sisters behind. That is what they write at least, it’s never actually confirmed what his past really is like, though. Anyway, Despite his career choice, Harry is a person who absolutely hates people who pry into his personal dealingsmarriage for example is impossible for him, as is simply telling others where his house resides. Terrible for Harry, fate were to have it that one day as he’s speeding with his car through the tunnel of Woodhoe Bottom, a jump boy jumps in front of the road, and boom, dies instantly to the impact. Although Harry does not know it, Caroline saw the whole event happen right before her very eyes as the young boy, House assistant Gladys Vernon’s son Garry, about five years old, ran in the road while wearing the clothes which Caroline had given Gladys - in other words Garry was wearing Punch’s clothes. For Caroline, the illusion was perfect, if for just a second. It was almost as if she saw her child die once more, as happened during that one day when she arrived at that flaming car, and she also blames herself for making Garry run away from her and jump right to the road where he got hit by the car of Harry Lupac, who did not notice Caroline who was standing up in the cliff. 

The book actually sells itself by telling the reader that it 'reveal the real murderer in the very first page ('reveal' happens in the very first sentence actually),' as well as claiming to have more of a mystery behind the story than just what it superficially claims. Well, it does have aspects of that, yes - things that the reader has to think about to figure out - but overall the "mysteries" are sort of unoriginal, the motivations are really unrealistic and they should have fleshed out Lady Trevis, Caroline's mother, more as she plays a large role in the story, and it's never brought up well enough (thinking about what happened to Caroline and the culprits, it just was not explained enough to be realistic even if I understand why they did their silly things).  

Hate Begins at Home has one similar problem with another book called In the Name and Blood by Ilkka Remes that I’ve posted about here. That is that they start the story in a way that is special due to the style of presentation with the writing style. That style should have kept up from the first chapter until the last, but it ends with the first and the rest of the story is bland and cliched nonsense for the genre. I bet Remes noticed how much harder it is to actually put effort that he just created that first chapter to lure people in only to drop them back into the sea again. Though unlike with that book which only contains a neat first chapter, the story of HBaH opens up with a pretty strong start as a whole. I am not sure what to say about the book as it really was kind of mediocre. I’ve reread the book once for this review as I read it before in 2016 and could not remember much. I think that the beginning with Punch’s death and Caroline’s trauma is kind of well handled, for sure, but everything else from Lupac to the main events of the story and the real mystery behind the scenes were kind of poorly written, boring and uninspired, to say the least. At the end of the story there’s a moment where the narrator goes through Caroline’s inner thoughts which is actually kind of neatly handled as well in my opinion as the whole story goes a full circle for the ending but it goes a full circle for far too many times, just for example the first apartment mentioned in the book, the Whistle Cottage, plays too much of a role, as well as Garry Vernon’s death happening in front of Caroline while he was wearing Punch’s clothes... I just think that Joan Aiken went too far with the intentional similarities between the events that happen to Caroline for me to swallow this story. The characters were also not realistic enough, or unrealistic enough for me to care about them, they were just bland with attempted quirks to them (like how Hudson brings out a poem or two all the time he says something).

In short: I acknowledge that the beginning and ending of the book had some strong parts to them to think about but they did not last long and overall the story as a whole, all things considered, was honestly and simply put just bad. I think that the amount of time that it took me to finally just sit down and write about this one tells more than enough about how I just could not be bothered to spend my time thinking about Hate Begins at Home.